© Thomas Lannes

(Thomas Lannes)

架构师提供的文本描述。维克多·格莱兹社区中心本质上是一个不寻常的地方。这是一个社区设施，鼓励在一个开放的创造力共享空间中的个人发展。这是一个舞蹈，雕塑，绘画，涂鸦，演奏音乐，会议，讨论和辩论，资源，学习和转变的地方。

Text description provided by the architects. The Victor Gelez Community Centre is by nature an unusual place. It’s a neighbourhood facility encouraging personal development in a shared space for open creativity. This is a place for dancing, sculpting, painting, graffiti, playing music, meeting up, discussion and debate, resources, learning and transformation.

 © Thomas Lannes

(Thomas Lannes)

我们打算用这个空间来反映它的目的。设计很简单：一个微妙的弯曲砖墙的相互作用，包含这种深度的内部。

We intended this space to reflect its purpose. The design is simple: an interplay of subtly curved brick walls containing this depth of multitude within.

 Floor Plan

这块土地的主要特点是，它位于中心杂项环境的边缘。一边是梅尼尔蒙式的死胡同，这条狭窄的道路是巴黎四分位建筑最初结构的一部分，两侧是不超过3层的建筑，另一边是维克多·格莱兹街(Roue Victor Gelez)，这条街与世纪之交的5至7层楼高接壤。在这两个不同的街道几何之间的过渡是由这个街角的社区中心提供的。

The primary feature of the parcel of land is that it is located at a juncture in the image of the centre’s miscellaneous environment. On one side there is the Ménilmontant blind-alley, a narrow road part of the Paris quartier’s original fabric, flanked by buildings of no more than 3 storeys, and on the other, the rue Victor Gelez bordered by turn of the century buildings 5 to 7 storeys high. The transition between these two different street geometries is provided by this community centre on the corner.

 © Thomas Lannes

(Thomas Lannes)

城市一体化

Urban integration

无论你从哪个方向到达工地，你都在一条狭窄的道路上，这条路不允许你向后退一步。因此，这一维度约束揭示了立面的动态视角。它们逐渐进入一个接近的角度，而不是从任何选择的角度或静止的位置被看到。他们的弧形建筑以流畅的速度增强了这一运动。

From whichever direction you reach the site, you are on a narrow road which does not allow you to take a step back from the building. This dimensional constraint consequently reveals a dynamic perspective of the façades. They gradually come into view as one approaches, instead of being seen from any chosen perspective or static position. Their curved architecture enhances this movement with fluency.

形状和体积

Shape and volume

中心的特色之一是每个房间或一系列主题客房都有一整层。这种垂直安排在内部布局和如何从道路上解释方面都具有特别重要的意义。

One of centre’s features is that each room or series of themed rooms has an entire floor to itself. This vertical arrangement takes on particular importance, both in terms of internal layout and how it can be interpreted from the road.

 © Thomas Lannes

(Thomas Lannes)

正是这种垂直构图、不同房间高度之间的相互作用，以及空隙与填充之间的平衡，创造了一种条状叙事，使建筑与周围环境发生了关系。

It is this interplay between the vertical composition, the different room heights and the balance between void and fill which creates a strip narrative, engaging the building in a relationship with its surroundings.

 © Thomas Lannes

(Thomas Lannes)

砖块之所以被选中，是因为它以前在现场存在，它是如何与构成立面的四条的曲率相伴的，以及它的梯度效应。材料逐渐转变。在底部，它是黑暗的，坚实的和城市的，然后，随着外观逐渐上升，第一个阴影像素然后软化在更充分的部分组成的深舞蹈工作室。然后，它在反射巴黎的天空中变亮，并融入其中。梯度效应还反映了邻近建筑物高度的过渡，深色砖块的上部位于梅尼尔蒙死胡同的高处。其效果既简单又好玩，使社区中心具有自己的身份。

Brick was chosen due to its prior existence on the site, how it accompanies the curvature of the four strips which make up the façades, and its gradient effect. The material gradually transforms. At the base it is dark, solid and urban, then, as the façade gradually rises, the first shade pixellates then softens in the fuller sections formed by the deep dance studio. It then lightens in reflection of the Parisian sky, blending up into it. The gradient effect also reflects the transition in the height of the neighbouring buildings, with the upper part of the darker bricks at the heights of the Ménilmontant blind alley. The effect is simple and playful, giving the community centre its identity.

Architects Dumont Legrand Architects

Location Paris, France

Category Community Center

Area 760.0 sqm

Project Year 2014

Photographs Thomas Lannes