© Carl Gerges

卡尔·格尔赫斯

架构师提供的文本描述。立体声设计使用简单的设计策略来创造复杂的空间可能性和感知效果。

Text description provided by the architects. Stereokitchen uses a simple design strategy to create complex spatial possibilities and perceptual effects.

 © Joe Kesrouani

乔·凯斯鲁尼

餐厅的酒吧是一个简单的玻璃展馆，位于贝鲁特巴斯德街一栋办公楼的最后一层。它可以从一个城市和地中海和贝鲁特的港口从另一个城市的看法。

The restaurant bar is a simple glass pavilion on the last floor of an office building on Pasteur Street in Beirut. It enjoys views on the city from one city and the Mediterranean sea with Beirut’s Port from the other.

展馆的顶部部分由现有的混凝土板组成，部分由Byan添加的金属结构悬臂组成，覆盖整个区域。

The top of the pavilion is constituted partly by the existing concrete slab and partly byan added metal structure cantilevering to cover the whole area below.

 © Joe Kesrouani

乔·凯斯鲁尼

悬臂的边缘变得非常薄(2厘米)，并沿整个长度的外观(25米)和拐角两侧。

The edge of the cantilever becomes very thin (2cm) and runs along the whole length of the façade (25meters) and the corner on both sides.

 © Joe Kesrouani

乔·凯斯鲁尼

阳台的“包住”圆形玻璃卷庆祝拥挤的城市和伸展的广阔地平线的两种相反的条件，同时与内部产生暧昧的关系：一个人以多种方式参与和感知“玻璃亭”，这取决于白天或夜晚的光线和时间，它可能表现为一个坚实的体积剥落打开，揭示其内部或保持一定程度的“不透明”和阴谋，而玻璃成为曾经的橱窗，展示的人在里面，或一个展示柜的面向城市。

The terrace "wrapping" the rounded glass volume celebrates the two opposite conditions of the crowded urbanity and the stretched wide horizon while creating ambiguous relations with the inside: one engages and perceives the “glass pavilion” in multiple ways depending on the light and time of the day or night, it could appear as a solid volume peeling open, revealing its interior or maintaining a certain amount of “opacity” and intrigue while the glass becomes once a window of display case of the people inside or a display case of the facing city.

 Exploded Axonometric

爆炸轴测

立体声的吸引力不仅在于它的一系列效果，还在于它的程序和效用。在其有限的足迹范围内，它的用途和可能性是无限的。

Stereokitchen’s appeal might not only lie in its array of effects but also in its program and utility. Within its limited footprint, its uses and possibilities are unlimited.

Architects Paul Kaloustian Architect

Location Beirut, Lebanon

Category Restaurants & Bars

Area 500.0 sqm

Project Year 2014

Photographs Joe Kesrouani, Ieva Saudargaite, Carl Gerges