1911 Revolution Museum CADI

架构师提供的文本描述。辛亥革命博物馆是为庆祝辛亥革命一百周年而建的主题博物馆。

Text description provided by the architects. 1911 Revolution Museum is a themed museum built to celebrate the 100th anniversary of the Revolution of 1911 Shouyi, Wuchang.

 © Zhang Guangyuan

张广元

博物馆位于武汉武昌区寿义广场南侧，与武昌起义军政府(红楼)前地址、孙中山铜像、纪念碑司令称号和烈士纪念馆一道，构成寿义广场璀璨的文化符号。

Located at the south side of Shouyi Square, Wuchang District, Wuhan, the Museum, together with the former address of Wuchang Uprising Military Government (the Red Building), the Bronze Statue of Sun Yat-sen, the Commander Title Granting Monument and the Martyrs Memorial Archway, constitute the sparkling cultural symbols of Shouyi Square.

辛亥革命博物馆由大厅、5个展厅、1个多功能展厅组成，集展示、文物收藏、宣传、教育、科研于一体。它是1911年以辛亥革命为主题的博物馆中规模最大、展示技术最先进、场景再现最丰富、参观系统最完备的博物馆。

1911 Revolution Museum, consisting of a lobby, 5 exhibition halls and 1 multi-functional exhibition hall, integrates together functions of display, cultural relics collection, publicity, education and scientific research. It is the museum enjoying the largest scale, best display technology, most reproduced scenes and most complete visiting guide system among all the museums themed with the Revolution of 1911.

 © Zhang Guangyuan

张广元

突出综合社会效应

Prominent Comprehensive Social Effects

辛亥革命博物馆于2009年8月开始建设，2011年9月完工，自2011年10月起免费向公众开放，累计吸引了136万名游客。它不仅是寿义广场的新文化地标，也是国内外游客欣赏武汉文化、感受武汉魅力的重要窗口。博物馆的主要展品-1911年辛亥革命史-共和国的成立，由五部分组成：晚清中国，革命起源，武昌第一次起义，民国的建立和1911年以来的世纪。该博物馆展出了428件/套文物、694张历史照片、27幅再现重大历史事件的场景、12件艺术品和20件与辛亥革命有关的多媒体展览，以多角度和深刻的方式展示了革命的历史变化和这一“共和国”基础的杰出成就。

1911 Revolution Museum, with construction started in August 2009 and finished in September 2011, was open to the public for free since October 2011 and has attracted accumulatively 1,360,000 visitors. It is not only the new cultural landmark of Shouyi Square, but also an important window for visitors at home and abroad to appreciate the Wuhan culture and feel the charms of Wuhan. The primary exhibits of the Museum-----The History of the Revolution of 1911----The Foundation of the Republic, is made up of five parts: China in the late Qing Dynasty, Origin of the Revolution, the First Uprising in Wuchang, the Establishment of the Republic and the Century since 1911. With the display of 428 pieces/sets of relics, 694 historic photos, 27 reproduced scenes of significant historical events, 12 pieces of artwork and 20 multimedia exhibits relating to the Revolution of 1911, the Museum demonstrates the historical changes of the revolution and the outstanding achievements of this “republic” foundation of China, in a multi-angle and profound way.

 Floor Plan

规划改善城市环境

The Planning Enhances the Urban Environment

文化走廊与三角构成

Culture Corridor and Triangular Composition

结合城市文化和风景文化，由黄鹤楼和蛇山炮台组成的文化走廊终于形成了正三角。正三角本身就提醒人们积极进取的态度，这与辛亥革命的精神是一致的。

In combination with the urban and scenic culture, a culture corridor, made up of the Yellow Crane Tower and the Snake Mount Battery in the shape of regular triangle finally takes shape. The regular triangle itself reminds people of the positive and progressive attitude, which corresponds to the spirit of the Revolution of 1911.

互动开放公共空间

Interactive and Open Public Space

与红色建筑北侧部分后退相对应的是，博物馆和U形红楼综合体形成了空间封闭和形式上的互动关系，反映了上个世纪的历史回声和对应关系。我们不遗余力地把博物馆建设成一个友好开放的公共空间。

Corresponding to the partially receding north side of the Red Building, the Museum and the U-shaped Red Building complex form an spatial enclosure and a interactive relation in form, indicating the historical echo and correspondence for the last century. No effort is spared to build the Museum into a friendly and open public space.

这些建筑物的连通性使其能够延伸和进入寿义文化区的南北轴线。市民们走在楼梯上，可以穿过博物馆，享受着与建筑的更密切的关系，以及建筑与城市之间的更密切的关系。

The connectivity of the buildings enables the extension and access to the southern and northern axis of the cultural area of Shouyi. Stepping along the stairs, citizens can go through the Museum, enjoying the closer relation with the architecture, and the closer relation between the architecture and the city.

建筑结构的统一性

Unity of Architectural Structure

高度统一的形式和结构

Highly Unified Form and Structure

采用折板和钢框架结构。建筑外部的三角柱不仅是外墙的支撑，而且是建筑物的竖向支撑。这种统一的设计形成了规则但无柱的展厅和公共空间，最终实现了建筑与结构的完美统一。

Folded plates and steel frame structure were adopted. The triangular batter posts on the building exterior act not only as the support of the outer curtain wall, but also the vertical support of the building. This unified design forms the regular but pillar-less exhibition hall and public space and finally achieves the perfect unity between architecture and structure.

 © Zhang Guangyuan

张广元

适当的空间结构设计

Appropriate Spatial Structure Design

对于折板和钢框架构件，采用控制线加节点布置，为钢结构的施工节省了45天。采用互连焊接接头将所有折叠板和钢结构连接起来形成空间，与铸铁接头相比，节省了施工工期和成本1，800，000元。

As for the folded plates and steel frame components, control line together with node detailing were used, which saved 45 days for the construction of the steel structure. Interconnected welded joints were used to connect all the folded plates and steel structure to form the space, which saved the construction period as well as the cost by RMB 1,800,000 compared with the cast iron joints.

建筑传承地域文化

The Architecture Inherits Regional Culture

弘扬寿义精神

Carry forward the Shouyi Spirit

辛亥革命博物馆以其独特的轮廓设计，将中国传统建筑元素与现代建筑特色融为一体。高平台大屋顶结构完美地体现了中国建筑的“双屋顶”和“悬空屋檐”；几何学崛起的外墙蕴涵着“敢于做第一”的第一起义精神，三角建筑主题给建筑带来了积极创新的意蕴，标志着武昌第一次起义的成功。

1911 Revolution Museum, with unique outline design, blends the traditional architectural elements of China with the modern architectural features. The high-platform big-roof structure perfectly illustrates the “double roof” and the “overhanging eaves” of Chinese architecture; the geometrically uprising outer wall implies the first-uprising spirit of “dare to be the first”, the triangular architectural motif brings positive and innovative implication to the architecture, indicating the success of the First Uprising in Wuchang.

 © Zhang Guangyuan

张广元

营造历史氛围

Create Historical Atmosphere

建筑造型以雕塑的形式，给人以“坚定、高大、强烈”的视觉印象。外墙以自然雕刻和风化的质地，在建筑中带来了“破土，自然成形”的艺术效果，最终营造了深厚的历史氛围。

With shapes in sculptural style, the building gives “resolute, steadfast, tall and strong” visual impression. The outer wall, with the naturally carved and weathered textures, brings the artistic effect of “breaking through the soil, taking shape naturally” in the architecture and finally creates a profound historic atmosphere.

再现楚国的魅力

Reproduce the Chu State’s Charm

建筑外墙为红色，地基为黑色，既反映了博物馆“革命”与“黑暗”的对比，又反映了古楚国古典建筑的“红”与“黑”色调。

With the outer wall in red and the foundation in black, the building reflects not only the comparison between the “revolution” and “darkness” of the Museum, but also the “red” and “black” tone of the classical architecture in the ancient Chu State.

 © Zhang Guangyuan

张广元

空间叙事历史事件

The Space Narrates the Historical Event

体验之旅

A Journey of Experience

设计中采用了空间叙事的方法，试图通过建筑语言向公众讲述这一特殊历史事件-辛亥革命-的开始、发展、高潮和结束。从外面走下5.4m进入大厅，参观者经历了噪音-安静-思想的精神体验。整个入口大厅位于缓坡之下，有意营造革命前黑暗的治理和巨大的流血气氛；上上下下，进入二楼，游客可以感受到革命的艰难螺旋过程；展厅和室外展区将自然的光引入室内空间，创造出“还有另一种意想不到的希望”的感觉。届时，游客将感受到革命的爆炸和意想不到的变化；三楼是博物馆的最高部分，南侧有一个开放的露台，让你可以俯瞰整个南方广场和紫阳湖，并在革命达到高潮时感受到无穷无尽的光辉。游客在参观过程中“环顾旅途，感受内心”，他们的内心世界将被升华。参观博物馆的过程也是一次心灵体验之旅。

Spatial narration method is used in the design, trying to tell the start, development, climax and end of the special historical event---the Revolution of 1911, to the public through the architectural language. Stepping down 5.4m from outside to enter the lobby, the visitors go through the noise-quietness—thoughts spiritual experience. The whole entrance lobby is located under the gentle slope, creating intentionally the dark governance and the great blood-shed atmosphere before the Revolution; walking upwards and entering the 2nd floor, the visitors may feel the hard spiral course of the Revolution; the exhibition hall and the outdoor display area introduce the natural light into the indoor space, creating a “there is another unexpected hope”; feeling. Visitors then will feel the explosion and unexpected changes of the Revolution; the 3rd floor is the highest part of the Museum, with an open terrace at the south side which enables you to look into the whole South Square and the Ziyang Lake and feel the endless glory of the Revolution when it reaches the climax. Visitors “look along the journey and feel in the heart” during the visit and their inner world will be sublimated. The process of visiting the Museum is also a journey of soul experience.

轻板墙

The Wall Made of Light Plates

为了创造自然雕刻的纹理，内墙和外墙采用GRC板，建筑面积达11，000平方米。该GRC外墙，规模大，表面纹理一致，但不规则，最大凹凸达25厘米，独特的雕塑风格，是目前中国第一家。与传统天然石材相比，该材料具有体积大、色彩丰富、可调等特点。此外，它还保证了不规则纹理的连续性，从而更好地表达了建筑的精神和独特的艺术氛围。

In order to create the naturally carved texture, GRC plates are used for the inner and outer wall, with area reaching 11,000m2. This GRC outer wall, with large scale, consistent but irregular surface texture, maximum bump reaching 25cm and distinct sculptural style, is by now the first in China. Compared with traditional natural stone, the material used here is feature large size, rich and adjustable colors. Furthermore, it guarantees the continuity of the irregular texture and thus better expresses the spirits and special artistic atmosphere of the building.

 First Floor Plan

一层平面图

节能低碳建筑材料

Energy-saving Low-carbon Building Material

GRC平台是由环保的可再生材料，即废弃的石粉和镇流器制成的.其重量轻、性能好，大大减少了混凝土的使用，具有低碳、环保的特点，更符合“资源节约型、生态友好型社会”的精神。与干挂大理石外墙相比，GRC板减小了构件尺寸.据统计，该博物馆总共节约了大约300立方米的混凝土和大约160吨的钢材。

GRC plats are made of environment-friendly renewable materials, that is, abandoned rock powder and ballast. The light weight and high performance greatly reduce the usage of concrete; the low-carbon and environment-friendly features make it better comply with the “resource-saving and eco-friendly society” spirit. Compared with the dry-hanging marble outer wall, GRC plates reduce the structural member size. According to statistics, the Museum has saved totally about 300m³ concrete and about 160t steel.

适当的技术-绿色节能

Appropriate Technology---Green and Energy-saving

使用了适合当地气候的绿色和节能技术。中央空调采用变频一体化制冷站供电.在此，磁悬浮与全变频技术的结合在我国尚属首次，有效地降低了建筑能耗。与已公布的节能标准相比，该建筑的制冷系统进一步节约了50%的能源。

Green and energy-saving technologies appropriate to local climate was used. Central air-conditioner is powered by the frequency-conversion integrated refrigeration station. Here, the combination of maglev and all frequency conversion is the first in China and it has effectively reduced the energy consumption of the building. The refrigeration system in the building has further saved energy by 50% when compared to the published energy-saving standards.

 © Zhang Guangyuan

张广元

数字技术的综合应用

Comprehensive Application of Digital Technology

博物馆北侧的外墙设计为不规则多边形，由各种不同形状和大小的三角形折叠板组成。这种复杂的空间结构很难用传统的设计工具和方法进行精确的设计。

The splayed outer wall on the north side of the Museum is designed in irregular polygonal shape and made up of a variety of triangle folded plates with different shapes and sizes. This complicated spatial structure can hardly be designed accurately with conventional design tools and methods.

利用三维设计软件RANO、REVIT、CATIA、NAVISWORKS和Tekla，通过BIM技术的集成，最终实现了建筑物的三维精确定位，解决了建筑物不规则形状和不重复外墙砌块所带来的“三维空间”问题。利用三维模型易于可视化的优点，解决了复杂空间设计中的困难。

The difficulty of “3D space” brought by the irregular shape and unrepeated outer wall blocks of the building is solved by using 3D design software RHINO, REVIT, CATIA, NAVISWORKS and TEKLA and through the integration by BIM technology and accurate 3D positioning of each block was realized finally. What’s more, by making use of the advantage that 3D model is easy to visualize, the difficulty in complex space in design was solved.

Architects CADI

Location Wuchang, Wuhan, Hubei, China

Category Museum

Architect in Charge Lu Xiaoming, Ye Wei

Design Team Lu Xiaoming, Ye Wei, Guo Lei, Ding Mao, Li Mingyu, Cai Xiaopeng, Wen Siqing, Wang Xin, Shao Guofen, Zhang Hao, Hu Wenjin, Lei Jianping, Sun Yanbo, Liu Bin, Ou Yangjian