架构师提供的文本描述。这个项目的目的是把砖房变成假日宾馆。它将为一对夫妇配备全套设备，包括厨房、浴室、卧室和客厅。

Text description provided by the architects. This project aimed at turning a brick shack into a holiday guesthouse. It was to be fully equipped for a couple, featuring a Kitchen, a bathroom, a bedroom and a sitting room.

“帕维隆”是在一个更大的房子的花园，一个度假屋，建于1930年。但它完全独立于房子。

The “Pavillon” is in the garden of a bigger house, a holiday house, built in 1930. But it's totally independant from the house.

 © Germain Ferey

(Germain Ferey)

天花板很高的原始棚屋通过一个宽敞的拱门与外界进行了非凡的交流。为了不篡改其有趣的宽敞空间，该项目调整了自己的现有空间，就像燕窝依附在阁楼的框架上一样，尽可能少地改变体积。

The high-ceilinged original shed enjoyed a remarkable communication with the outside through an ample arch. In order not to tamper with its interesting roominess, the project has ajusted itself to the existing space the way a swallow’s nest clings to an attic’s framework, altering the volume as little as possible.

这个占据棚子上部空间的“巢”被灯笼式屏幕遮住了。就像威尼斯人的百叶窗或穆查拉比，他们允许一个人看而不被看到。剪枝工，一种常用的椅子材料设计师，在这里被赋予了一种现代的新的生命力。

This ‘nest’ which occupies the upper volume of the shed is hidden from view by wickerwork screens. Like Venetian blinds or mucharabiehs, they allow a person to see without being seen. Wickerwork, a material designers commonly use for chairs, is here given a modern new lease of life.

 © Germain Ferey

(Germain Ferey)

在一楼，厨房和浴室被隔开了。在客厅里，由于有了充足的窗帘，人们可以在广阔的开放空间里洗澡，同时也能欣赏到自然环境的美景。因此，住所内外的特殊关系得到了维护。没有增加任何视觉或物质障碍：果园作为生存空间的延伸出现。没有所谓的内外边界线。这座简陋的小屋现在果园中间提供了一种户外生活方式，并提供了所有现代化的便利设施。

On the ground floor, the kitchen and the bathroom are partitioned off. In the living room, thanks to an ample curtain, one can have a shower in a vast open space, while enjoying a good view of the natural environment. Thus, the exceptional rapport between the inside and outside of the shelter has been preserved. No visual or material barrier has been added : the orchard appears as an extension of the living space. There is no such thing as an inside/outside boundary line. The humble shack now affords an outdoor lifestyle in the midst of an orchard, with all modern conveniences.

 Floor Plan

空间概念：

The space concept:

最大的挑战是保护现有建筑的空间质量：与花园的关系，内部高度，拱门，让你看到你的所有环境敌人(花园和天空)在建筑物的任何地方。

The biggest challenge was to conserve the space quality of the existing building : the relation with the garden, the inside height, the arch which allows you to see all your environnemnt (the garden and the sky) anywhere in the building.

 © Germain Ferey

(Germain Ferey)

如何在这座大楼内建造并保持所有这些质量？

How to build inside this building and keep all this quality ?

答案是把新的外观和旧的分开。新的立面在里面，新的建筑占据了旧建筑一半的体积。有了这个系统，我们可以把折叠门，所以建筑保持完全开放的外部。我们的目标是保存这个内部和花园之间的关系。

The answer was to seperate the new façade from the old one. The new facade is inside, and the new building occupies the half of the volume of the old building. With this system, we could put folding door, so the builing stays totally opened on the outside. The goal was to save this relation between this inside and the garden.

 © Germain Ferey

(Germain Ferey)

柳条：

The wicker :

我选择柳条作为屏幕，因为我想要一个活生生的材料，与它自己的完美和不规则。这种材料不是静态的，颜色会随着湿度的变化而变化。在接近自然的想法中，我不想要被控制的、固定的、永不改变的东西。在这个被控制的世界里，我喜欢某些东西不是的想法。

I chose wicker for the screen because I wanted a living material, with its own impecfections and irregularities. This material is not static, the color changes and it moves a little with the humidity. In the idea to be close to the nature, I didn't want something controled, fixed, which never changes. In this univers all controled, I like the idea that somethnig is not.

此外，这也是一种连接老建筑的方法，它的旧材料已经将近100年了。它借鉴了我们的手工艺传承，并以当代的方式使这一传承活了下来。

Moreover, it was a way to make a link with the old building, with its old material which is close to 100 years old. It makes reference to our handcraft inheritage and it makes live this inheritage in a contemporary way.

 © Germain Ferey

(Germain Ferey)

这种材料提供了一个非常好的质量的亮度与舒缓的颜色的光，你不能拥有一个冷的材料，如金属。

This material offers a very good quality of luminosity with a soothing color of light, that you can't have with a « cold » material like metal.