架构师提供的文本描述。El Palmeral充满惊喜、事件、多变、永久或暂时的新空间，目的是成为城市需要和平共处的基准公共空间。

Text description provided by the architects. EL PALMERAL OF SURPRISES, events, varied and changing, permanent or temporary, a new space for Malaga with the aim of becoming the benchmark public space that the city needs a place of peaceful coexistence.

一个方形的客厅，俯瞰地中海，形成了三个基本要素，一个各向同性的框架棕榈树，一个平行于码头的龙骨，以及一张与城市相连的床单。

A Square-shaped living room that overlooks the Mediterranean, formalized three basic elements, an isotropic frame palm trees, a pergola that runs parallel to the dock, and a sheet of connection with the city.

 © Jesús Granada

(Jesús Granada)

这座大厅将是一条新的步行路线的一部分，从拉里奥斯街的拉里奥斯广场开始，一直延伸到滨海湾广场，因为从这条小路上跳过床单，地毯上的乌布拉克洛斯遮住了棕榈树上的亮光。步行继续直直的阴影下的Pergola，曲折的更深的手掌，具有广泛的惊喜，实施的场景，正式的情节棕榈。最后是休闲广场，将门与马拉加连接起来，与春天的休闲步道相会，奔走，抗衡和平的掌心。最后，考虑到路线的尽头，灯、手电筒、马拉加的新前门，由大教堂和阿尔卡扎巴的剪影担任主席，从筒仓硬度轮廓中解放出来，以及港口仓库，坐落在由透明窗帘构成的绿色基础上的棕榈，和一个不透明的幕布小树林，阿拉米达上漂浮的恩赫布兰多拉，就像一根针，水晶灯，珀戈拉。

The Hall will be part of a new pedestrian route that begins at the Plaza de la Constitution , continuous Larios Street to the Plaza de la Marina, for from it jump across the sheet, carpet umbráculos shaded light up the palm . The walk continues straight under the shade of the pergola , zigzagging deeper into the palm by featuring a wide range of surprises, implemented in scenarios that formalizes the plot of palm . Finally Leisure Square , connecting door with Levante Malaga , meeting place with the spring Leisure walk, hustle , counterpoint the palm of peace. Finally, the end of the route , the Lamp , Flashlight Málaga, the sea gate from which a new front of Malaga chaired by the silhouettes of the Cathedral and the Alcazaba , freed from the silo hardness profile is contemplated and of port warehouses, resting on a green base formed by a transparent curtain, the palm , and an opaque curtain grove the Alameda on floating enhebrándolas as a needle crystal light pergola.

前掌迷宫空间，是一个简单而清晰的方向性轨迹空间。为了打破单调过度，我们利用人工手段操纵自然光和人工光作为变化的元素，创造出层层不同的随机轨迹和步调，提供了一种随时间和日照梯度变化的光和影的游戏，因为光源是自然的还是人工的。

Front palm labyrinthine space, the ride of the pergola is a simple and clear directional trace space. To break monotony excessive, we resort to artifice to manipulate natural and artificial light as changing element, creating a succession of layers of different random trace and pace, offering a play of light and shadow that changes with the gradient of the sun according to the time and day, and as the light source is natural or artificial.

 © Heliopol

© Heliopol

作为方案的一部分，海洋博物馆都设在车站。三盒半透明玻璃寻找一个低体积标记，放置在位置和垂直于码头，是建立在高跷与开放式的一楼，以最大限度的视觉水平行人透气性从城市到海洋和公园。游客们认为公园是一处遮荫之所，不仅是一种不同的物种，而且密度也很高。底层由一块石台构成，占据了建筑物的凸起部分。在大门廊下，通道只占据一个很小的表面，一个容纳大厅和垂直通讯核心的玻璃外壳。

As part of the scenarios and maritime museums are located station. Three boxes of translucent glass looking for a low volumetric mark, placed in position and perpendicular to the dock are built on stilts with open plan ground floor, for maximum visual level pedestrian permeability from the city to the sea and the park. Visitors perceive as a shade house the park more than one distinct species and density. The ground floor is materialized by a stone platform, which occupies the projection of the building. Under the large porch, access only occupies a small surface, a glass enclosure that houses the lobby and the nucleus of vertical communication.

 Floor Plan

定义船只的体积向外显示为三个灯箱和神秘光滑的皮肤，与周围的植被混合在一起。不同厚度的灯箱，是一个保护皮肤，包在一个盲箱内横向只开放在南北两端的墙壁和侧露台。在夜间，这些巨大的“灯箱”渗透着光、色和运动，它的环境将成为公园三座建筑的标志性建筑。

Volumes that define the ships manifest outwardly as three light boxes and enigmatic smooth skin that blends with the vegetation that surrounds it. The light box of variable thickness, is a protective skin that wraps inside a blind box transversely only open on the north and south end walls and side patios. During the night, these great "light boxes" permeate light, color and movement and its environment will be the set of the three buildings landmarks of the park.

Architects Junquera Arquitectos

Location Málaga, Spain

Category Public Space

Architect in Charge Jerónimo Junquera García Del Diestro, Jerónimo Junquera González-Bueno, Ana Junquera González-Bueno, Liliana Obal

Area 6675.0 m2

Year Project 2011

Photography Cemex, Jesús Granada, Heliopol