© Toni Villar

(Toni Villar)

这座建筑在由拆除所产生的不规则城市布局中占据了一种现有的空旷状态，取代了20世纪初的折中而连续的城市。它的北面是一条16米窄的街道，尽头是圆形广场，也就是1912年公园的起点。这块地块是与其中一栋经过保护的时期建筑一起潜水的，它的3层建筑与80年代建造在街道另一边的9层建筑形成了鲜明对比。另一方面，现行条例强制建造5层楼和凹进的阁楼，这必然产生/涉及从历史建筑上方的广场上可见的一堵裸露的分隔墙。

           The building occupies an existing emptiness in an irregular urban layout, produced by the demolition, and replacing what the eclectic and continuous city of the early twentieth century was. Its north façade lends to a 16 meter narrow street that ends at the circular square, where the park of 1912 starts. The plot is diving with one of the period buildings that have been conserved, that with its 3 floors contrasts with the 9 floors of the building constructed to the other side of the street in the 80s. On the other hand the current ordinance forces to the construction of 5 floors plus recessed attic, which necessarily originates/involves an exposed dividing wall visible from the square above the historic building.

这个项目的出发点是根据城市的特点，把所有这些对立的情况结合起来，牢牢地固定在这个地方，解决隔墙之间的调整问题，把建筑的侧方部分缩进一边，与相邻的建筑物保持一段相互尊重的距离，直到得到一个地方，一个自己的物理性能框架，在这个缺口中插入建造的体积，相对于周围工厂的密度和意义，可以提出一种自我参照的语言。

           The project starts off from combining all these opposed situations essentially according to its urban character, clinging firmly in the place, solving the adjustment between dividing walls, recessing the construction in its lateral parts to keep a respectful distance with the adjacent buildings until getting a place, an own physical framework of performance where fitting the built volume inserted into this gap, which allows to propose a self-referential language, compared to the density and significance of the factories that surround it.

住宅项目必须在朝北一条狭窄而阴郁的街道之间，面对一座9层楼的建筑和一个向南开放的中央庭院之间解决。所采用的解决方案对应于一种基于两条纵向条的三卧室住宅方案：一方面，私人住宅空间沿分隔墙设有封闭的房间和服务中心；另一方面，公共空间对客厅、餐厅、办公室和入口大厅旁的厨房开放，允许最大限度地保持空间连续性、视觉和阳光。特别是在复式和复式公寓中，有特定的音量和程序。

 The residential program must be resolved between a narrow and gloomy street to the north facing a building of 9 floors and a central courtyard open to the south. The adopted solution corresponds to a type of three-bedroom homes program, based on two longitudinal strips: on the one hand, private domestic spaces with closed rooms and service centers along the dividing walls and in the other hand, common spaces open to the living room, dining room, office and a kitchen next to the entrance hall, which allows maximum space continuity, vision and sunlight, especially in the duplexes and penthouses with specific volume and program.

 Floor Plan

在内部，空间不断扩大，在两个立面的边界之间寻求必要的连续性，由一个基于木地板、墙壁和白色灰泥天花板的连续建筑系统和一层重叠的白色漆木面板组成，包括私人空间中的不透明室内木工，以及带有大格式半透明滑动门的天然木板，以最终划分公共空间。

 Inside, the space expands, seeking the necessary continuity between the boundaries of both façades, threaded by a continuous building system based on wood flooring, walls and ceilings of white stucco and a layer of overlapping white lacquered wood panels including the opaque interior carpentry in the private spaces and natural wood panels with large format translucent sliding doors for the eventual partitioning of the common spaces.

 © David Frutos

(C)戴维·弗鲁托斯

形成街道外观的表皮具有双重功能；一方面，考虑到其方向，它必须捕捉最大的光线；另一方面，它必须保护室内空间的隐私，最终避免从街道的另一边看到正面。为了做到这一点，最大的滑动开口布置在前面的立面上，作为大阳台，由特别透明的玻璃和带有清洁人行道和机动化半透明玻璃面板的双层外墙保护，作为移动窗帘。当面板关闭时，两边之间的距离允许向正方形侧视。外墙已经失去了在私有财产领域和公共空间之间的调解功能：它只是一个保护过滤器，通过它捕捉光线，保护亲密关系。

 The skin that forms the façade to the street has a dual function; on the one hand, it must capture the maximum amount of light considering its orientation and on the other hand, it must preserve the privacy of the interior spaces eventually avoiding the front view from the other side of the street building. To do this, the maximum sliding openings are arranged on the front façade, as large balconies, protected by extra-clear glass and a double exterior façade with cleaning walkways and motorized translucent glass panels, which act as mobile curtains. The distance between both sides allows for a lateral view toward the square when the panels are closed. The façade has already lost the function of mediation between the private sphere of the property and the public space: it’s just a protective filter, through which the light is captured and the intimacy is protected.

 © Toni Villar

(Toni Villar)

Architects Candel Arquitectura

Location Calle Octavio Cuartero, Albacete, Spain

Category Apartments

Architect in Charge Francisco Candel Jimenez

Area 3100.0 sqm

Project Year 2011

Photographs Toni Villar, David Frutos