休息后更多的图片

More images after the break

螺旋式的形式被认为是对方案要求的一种回应，这种要求需要一系列的画廊和讲习班，但讲习班的后勤工作需要将它们连接起来。螺旋形状允许车间沿着叙事路径在建筑中传播，同时又与建筑相邻。

The spiralling form was conceived as a response to a programmatic requirement, which called for a succession of galleries and workshops, however the logistics of the workshops required them to be connected. The spiral shape allows the workshops to be spread along the narrative path through the building, while being physically adjacent.

这个结构的屋顶是一张用黄铜包覆的连续钢板。其起伏的形态允许在屋顶的裂口，给光进入和视野的机会。这个轻型屋顶是由结构玻璃墙支撑的，它同时控制着穿过建筑物的路线，同时允许参观者看到整个画廊。

The roof of the structure is a continuous sheet of steel clad in brass. Its undulating form allows breaks in the roofline, giving an opportunity for light to enter and for views out. This lightweight roof is supported by structural glass walls which simultaneously control the route through the building while allowing the visitor views of the whole gallery.

除了像展馆一样的博物馆结构外，这座建筑还包括一座地下客房，可以俯瞰瓦莱埃·德朱克斯(Vallée de Joux)。

In addition to the pavilion-like museum structure, the building includes a subterranean guest house, with views over the Vallée de Joux.

在评论设计时，BjarkeIngels说：“制表就像建筑一样，是一门艺术和科学，它用智慧和性能来激发无生命物质的活力。这是一种将金属和矿物注入能量、运动、智慧和度量的艺术-以讲述时间的形式赋予它生命。与当今大多数机器和建筑物不同，这些机器和建筑物在身体和思想、硬件和软件之间存在着脱节，我们试图将几何和性能、形式和功能、空间和结构、内部和外部完全整合在一个共生的整体中。

Commenting on the design, Bjarke Ingels said: "Watchmaking like architecture is the art and science of invigorating inanimate matter with intelligence and performance. It is the art of imbuing metals and minerals with energy, movement, intelligence and measure – to bring it to life in the form of telling time. Unlike most machines and most buildings today that have a disconnect between the body and the mind, the hardware and the software, for the Maison des Fondateurs we have attempted to completely integrate the geometry and the performance, the form and the function, the space and the structure, the interior and the exterior in a symbiotic whole.

“我一直钦佩瑞士建筑完美无瑕的工艺。瑞士建筑有时会让你怀疑它们是由钟表制造商建造的。我们现在直接为最初创始人奥德马尔斯(Audemars)和皮格特(Piguet)的家族工作，这将是一次在掌握和创新方面的惊人探索。”

"I have always admired Swiss architecture for its flawless craftsmanship. Swiss buildings sometime make you suspect that they have been built by watchmakers. That we are now working directly for the family of the original founders Audemars and Piguet is going to be an amazing exploration in mastery and innovation."

建筑师大址路线de France 22b，1348 Le Chenit，瑞士类别Pavillio合作伙伴，负责Bjarke Ingels，Thomas Christoffersen项目组长Daniel Sundlin设计团队成员ji-Young Yoon，Jason Wu，Outia Pupezeanu，Natalie Kwee，Bet Schenk，Dammy Lee，Blake Smith，Marie Lancon，Yaziel Juarbe，Julien Be早些-Roy，Kristian sberg，PaulineLavie合作者HG Merz合作者Muller Illien客户端Audemars Piguet面积2400.0平方米照片大

Architects BIG Location Route de France 22B, 1348 Le Chenit, Switzerland Category Pavillion Partner-in-Charge Bjarke Ingels, Thomas Christoffersen Project Leader Daniel Sundlin Design Team Ji-Young Yoon, Jason Wu, Otilia Pupezeanu, Natalie Kwee, Beat Schenk, Dammy Lee, Blake Smith, Marie Lancon, Yaziel Juarbe, Julien Beauchamp-Roy, Kristian Hindsberg, Pauline Lavie Collaborator HG Merz Collaborator Muller Illien Client Audemars Piguet Area 2400.0 sqm Photographs BIG