架构师提供的文本描述。这个改造后的内城设计工作室原本是一个传统的商业办公空间，很少考虑环境或设计。客户的主要目标是满足他们当前的空间需求，同时为未来创造可适应的空间。我们有兴趣为现有的工作空间提供一个对立面，同时也为传统的企业工作美学提供一种替代的态度和哲学。我们的目标是建立和表达一种可供选择的建筑语言，它反映了这一设计理念，并将该项目用作实验画布。所有的现有材料被剥离回核心结构，所有的应用表面饰面被移除，展示混凝土天花板和砖墙，这为我们的干预提供了背景。

Text description provided by the architects. This converted inner city design studio was originally a conventional undersigned commercial office space with little regard for the environment or design. The client’s primary objective was to satisfy their current spatial requirements and simultaneously create adaptable spaces for the future. We were interested in providing a counterpoint to the existing space, but also to provide an alternative attitude and philosophy to the conventional corporate working aesthetic. Our objective was to establish and express an alternative architectural language that reflected this design philosophy and utilised the project as an experimental canvas. All existing material was stripped back to the core structure and all applied surfaces finishes were removed showcasing concrete ceilings and brick walls which provided a backdrop for our intervention.

 Floor Plan

主要重点是纳入环境上可持续的非建筑材料和建筑方法，将旧的和新的、制造的和有机的并列起来，这也是整个内陆地区的一个中心主题。现有的开放图则、双高楼面空间和阁楼，使我们有机会在办公空间的私人和公共区域之间建立一种分隔，同时在整个空间中保持关键的视觉联系。对建筑的日常活动和建造的怀疑，以及建筑本身，都在展示给空间的所有使用者和使用者。这种公共和私人工作空间的交流和重新定义是办公室类型学的一个关键文化转变。较低级别的办公室是灵活的空间，模糊了公共和私人之间的界限，并为客户和雇员创造了可交换的活动视觉事件。一个定义的自浇水景观边界提供了一个概念上的分离贯穿整个开放计划，并提供了一个软对比的混凝土和钢元素。绿色地带也改善了居住者的空气质量。

The primary focus was to incorporate environmentally sustainable non architectural materials and construction methodologies which provided juxtaposition between old and new, manufactured and organic which also played a central theme throughout the interior. The existing open plan, double heighted floor spaces and mezzanine provided us with an opportunity to create a separation between the private and public areas of the office space whilst maintaining critical visual connections throughout the entire space. The sceptical of the daily activity and the making of architecture, as well as the architecture itself is on display for all occupants and users of the space. This exchange and redefining of public and private work spaces was a critical cultural shift for the office typology. The lower level office is flexible spaces that blurred the boundaries between the public and private and created exchangeable visual events of activity for clients and employees. A defining self-watering landscaped landscape border provides a notional separation throughout the open plan and provides a soft contrast to the concrete and steel elements. The green strip also improves the air quality for occupants.

 © Peter Clarke

彼得·克拉克

为该项目挑选的所有材料都有两个重要的执行标准。第一种是它们在环境上是可持续的，也不需要申请完成；第二种是它们是专有的，而且易于获得，以降低项目的成本。几乎所有的家具、桌子、棋盘桌、细木工、货架和照明都是为了保持设计语言的连续性而设计和定制的。板室甲板由层合板木梁和混凝土管座组成。该任务照明是自定义的Sisal绳，这也是用作墙漆。这些材料提供了新旧、制造和有机并置的材料，也是对一般商业工作环境的批判。该项目旨在为室内工作空间的设计提供可供选择的方案、可持续性，并最终重新审视我们对其方言的文化态度。

All the materials selected for the project had two important criteria for their implementation. The first was that they were environmentally sustainable and also did not require an applied finish, and the second was that they were proprietary and readily accessible to keep the cost of the project down. Almost all of the furniture, desks, board room tables, joinery, shelves and lighting were designed and custom made to maintain the continuity of the design language. The board room decks were constructed from laminated LVL timber beams with concrete pipe bases. The task lighting was custom made from Sisal rope which was also used as a wall finish. The materials provided a juxtaposition between the old and new, manufactured and organic and also is a critique to the generic commercial work environment. The project seeks to provide design alternatives for interior workspace design, sustainability and ultimately re-examine our cultural attitude for its vernacular