架构师提供的文本描述。2006年，博物馆进行了翻修，重新安置了地下室的主要入口，通往接待区的楼梯被证明很难找到。博物馆的中心，新古典主义的Giudici礼拜堂被忽视，缺乏良好的音质。

Text description provided by the architects. In 2006, the museum went through a renovation which relocated the main entrance in the basement, the stair leading to the reception area proved difficult to find. The centrepiece of the museum, the neoclassical Giudici chapel lay neglected and lacked good acoustic quality.

 © Daria Scagliola & Stijn Brakkee

(Daria Scagliola)

MVRDV的设计将所有需求整合在一系列大型书架上，其中包括前台、衣柜、博物馆商店、咖啡厅以及供出售的各种艺术和产品展示空间。礼拜堂建于1787年，由JanGiudici作为精神中心，为贫穷的老人和病人的宾馆与一个冷静，灰色的内部。选择明亮的红色作为一个温暖的元素，使新旧之间的清晰并列，并尊重以前的神圣功能的空间。

The MVRDV design unites all the demanded programme in a series of large book shelves, they contain the reception desk, wardrobe, the museum store, the cafe counter and various presentation spaces for art and products for sale. The chapel was built in 1787 by Jan Giudici as spiritual centre for a guesthouse for the poor elderly and sick with a sober, greyish interior. The bright red colour was chosen to act as a warm element, making a clear juxtaposition between the old and new and to pay respect to the former sacral function of the space.

 © Daria Scagliola & Stijn Brakkee

(Daria Scagliola)

NathaliedeVries说：“我们用一个清晰而具有里程碑意义的手势，在尽可能保持空间开放和可用的同时，结合了许多功能。该设计尊重令人印象深刻和宏伟的同时，简朴的礼拜堂，同时增加了空间所缺乏的品质，提供了新的功能。“

Nathalie de Vries said: “With one clear and monumental gesture, we have combined many functions whilst at the same time keeping the space as open and usable as possible. The design is respectful towards the impressive and grandiose yet at the same time austere chapel, whilst adding qualities the space lacked, providing new functions.”

 © Daria Scagliola & Stijn Brakkee

(Daria Scagliola)

由于礼拜堂是一座名胜古迹，改造不能改变现有的建筑结构，架子是用中密度纤维板建造的，同时在窗户、柱和机构框架等历史要素周围进行了适当的弯曲。架子与元素之间的距离较小，也在完美的层次、新的加法和斜的历史结构之间起着中介作用。货架背面的穿孔避免了湿度问题。较高的货架发挥声学作用，而其他人强调产品使用内置的LED电枢。

As the chapel is a listed monument the transformation could not change the existing structure, the shelf is constructed in MDF and respectfully meanders around the historical elements such as windows, columns and the organ - framing them at the same time. The small distance between the shelf and the elements also mediates between the perfectly level new addition and the oblique historical structure. Perforations in the backs of the shelves avoid problems with humidity. The higher shelves play an acoustic role whilst others highlight products by using built in LED armatures.

 © Daria Scagliola & Stijn Brakkee

(Daria Scagliola)

由于其轻巧的结构，可以随时移除架子，而不会在纪念碑中留下任何痕迹。MVRDV与ABT结构工程师一起实现了这一转变。库尔内部已经意识到了新的货架。空间和照明装置中的大吊灯是由Viabizzuno设计的。

Due to its light construction the shelf can be removed at any time without leaving a trace in the monument. MVRDV realised the transformation together with ABT structural engineers. Coors Interior has realised the new shelves. The large chandelier in the space and lighting fixtures are designed by Viabizzuno.

史奇丹博物馆是一个市立的现代艺术博物馆，拥有卡雷尔·阿佩尔、卢塞伯特、常数和科尼尔等艺术家的精品藏品。博物馆位于史基丹的历史小镇中心，这是一个典型的荷兰小镇，有运河、教堂和许多杜松子酒酿酒厂。改造是在Bankgiro彩票、Schiedam Vlaardingen基金会、de Groot基金会和Schiedam市的支持下进行的。

Stedelijk Museum Schiedam is a municipal museum for modern art and owns a fine collection of works by artists such as Karel Appel, Lucebert, Constant and Corneille. The museum is located in Schiedam’s historical town centre, a quintessentially Dutch town with canals, churches and many wind mills of gin distilleries. The transformation was made possible with the support of Bankgiro Lottery, Foundation Schiedam Vlaardingen, De Groot Foundation and the Municipality of Schiedam.