架构师提供的文本描述。该项目完全符合主持人的意图，即通过体验活动和活动产生一个加强游客刺激的展览，该项目的创建是为了推广一种现代但永恒的希腊酒店模式的建筑方法。

Text description provided by the architects. Perfectly attuned to the facilitators’ intentions to generate an exhibition that will enhance the visitor’s stimuli through experiential events and activities, the project “Into the Light Hotel” was  created in order to promote a contemporary though timeless architectural approach of an exemplary Greek hotel model.

Inspiration

面对创造一个空间的挑战，该空间将整合在一家整合在希腊景观中的酒店中最好的一切，同时也来自于这个空间，A31专注于希腊之光，为创造和功能吸引灵感。所使用的材料与景物中所能探测到的本质主义相一致，使得光线及其自然优势得以出现和发展。同时，使用苗条材料符合新的建筑伦理，即防止过度使用原材料，同时使建筑更加环保和轻巧。

Responding to the challenge to create a space that would bring together all that is best in a hotel which is integrated in the Greek landscape and at the same time derives from it, A31 focused on the Greek Light, drawing inspiration for creation and functionality. The materials used are aligned with the essentialism that can be detected in the scenery, allowing to the light and its natural advantage to emerge and thrive. At the same time, the use of slim materials is consistent with the new construction ethics that prevent excess usage of raw materials, while making the building eco-wiser and lighter.

 © Christos Drazos

赫里斯托斯·德拉佐斯

经验

The Experience

“走进灯光酒店”通过一条道路向游客介绍100%酒店秀，这条路触发了与我们毫不费力地融入所有体验的感知光的方式相关联的记忆。该项目旨在突出建筑体积和组件的可塑性，以及墙壁和实用物体的重要性。

“Into the Light Hotel” introduces the visitor to the 100% Hotel Show through a path that triggers memories linked to the way we perceive light as it effortlessly fits into all our experiences. The project aims to highlight the plasticity of architectural volumes and components, as well as the materiality of the walls and the utilitarian objects.

 © Christos Drazos

赫里斯托斯·德拉佐斯

房地

The premises

“希腊是它的城市，它的山脉，它的海洋和它的岛屿”是主要思想，在一个句子中总结了设计和材料选择的方法，因为“走进轻饭店”分为五个主要部分：

"Greece is its cities, its mountains, its seas and its islands" is the main idea which summarizes in a sentence the approach behind the design and material choices, as “Into the Light Hotel” unfolds in 5 main sections:

 Floor Plan

(1)接待：一个城市空间，向游客介绍这一概念，并为征服随后的综合体验铺平道路。Α31的“走进光明-装置”唤起了人们的回忆和感受，“相遇”(The Meeting)是一座醒目的雕塑(长1800米)，它包含在风景中，它证明了艺术的能力-在适当整合的情况下-“添加”空间，提高审美效果。

1) The reception: An urban space which introduces the visitor to the concept and paves the way for the conquest of the integrated experience that shall follow. “Into the light - The installation” by Α31 triggers memories and feelings and “The meeting”, a striking sculpture (1,80m) of Yiannis Moralis included in the scenery, prove the ability of art – when integrated appropriately- to “add” to the space and enhance the aesthetic result.

 © Christos Drazos

赫里斯托斯·德拉佐斯

(2)前厅：可与大陆山腰相连的地方。石头和生锈的钢说明了原始的美，这是迷人的仅仅是缺乏任何浮夸。

2) The Lobby: A place which allows connection with the mountainside of the mainland. Stone and burnished rusted steel illustrate the raw beauty which fascinates through the mere lack of any pomposity.

 © Christos Drazos

赫里斯托斯·德拉佐斯

(3)餐厅：古典与现代的结合，不仅包括元素，还包括人与人的和谐结合。因为它的存在，

3) The Dining Room: A synthesis between classic and modern, allowing the harmonic conjunction of not only the elements included, but also the people for which it is intended. With its presence,

 © Christos Drazos

赫里斯托斯·德拉佐斯

4)花园：沙坑中的干旱植物构成了类似希腊岛屿的景观。水的元素，与地中海的景观密不可分，当然不能从风景中消失。(5)房间：一个现代空间，里面有水泥地板、白色家具和内置床，可以在一家Cycladic酒店找到，用它的欢迎性和朴实的感觉来安慰游客。

4) The garden: Arid plants in a sand pit compose a landscape that resembles that of the Greek islands. The water element, inextricably connected with the Mediterranean landscape, couldn’t of course be absent from the scenery. 5) The Room: A contemporary space with cement floor, white furniture and built-in bed, which could be found in a Cycladic hotel, comforting the visitor with its welcoming nature and its unpretentious feel.

 © Christos Drazos

赫里斯托斯·德拉佐斯

在大厅里，希腊艺术家阿波罗·格利卡斯的宏伟作品与A31的建筑风格联系在一起，因为它构成了影子剧院的现代实现，在光明与阴影之间嬉戏，清晰地引用了民间传统。在艺术家的注意力中心，人们可以注意到一次对希腊的诚实检查及其所有自相矛盾的因素，创造了一种毫不迟疑地赞扬或嘲弄希腊的结果，为“走进灯光旅馆”提供了一个真实的展示“Greekness”组成部分的结果。在这里，游客还可以欣赏精美的材料和艺术品。

Hosted in the lobby, the imposing work of the Greek artist Apollo Glykas, is affiliated to the architectural approach of A31, since it constitutes a modern implementation of Shadow Theatre, forking playfully between light and shadow with clear references to the folk tradition. At the centre of the artist’s attention, one can notice an honest inspection of Greece with all its contradictive elements, creating a result which does not hesitate neither to praise nor to taunt, providing the “Into the Light Hotel” with a genuine display of the components of “Greekness”. In the premises, visitors can also admire exquisite materials and artwork.

 © Christos Drazos

赫里斯托斯·德拉佐斯

光线通过不同的角度和滤镜(现代转台、天窗、龙舌兰)的应用触发了游客的情绪，因为惊喜是由温暖、安全和亲密所接踵而至的。以这种体验的方式，游客不只是被要求“把握”空间，而是实际上进入和“融入”它，在一个理想的酒店应该发生什么准确的模拟。

The applications of light through different perspectives and filters (modern trellises, skylights, pergola) trigger the visitor’s emotions, since surprise is being succeeded by warmth, feeling of safety and intimacy. In this experiential manner the visitor is not simply required to "grasp" the space, but actually enters and "fits" right into it, in an exact simulation of what should happen in an ideal hotel.

当他们经过接待处、大堂、餐厅、花园、卧室和浴室时，他们能够在实际应用中遇到材料，同时也得到关于材料规格和理想使用建议的补充信息。

As they pass through the reception, lobby, dining room, garden, bedroom and bathroom, the visitors are able to come across materials in their practical application, while they are also provided with additional information on the specifications of materials and advice for ideal utilization.

Architects A31

Location Greece

Category Interiors Architecture

Architectural Design Praxitelis Kondylis

Design Team Praxitelis Kondylis, Stephanos Nasopoulos, Christos Spetseris

Photographs Christos Drazos