架构师提供的文本描述。诺亚方舟降落在阿拉拉特山后，可能成为第一个建筑上的蠢事-一座宏伟而又毫无目的建筑：一艘没有水的小船，一座没有居民的房子，一片冲突的简单厚重的建筑。从170多个条目中选出，SuralArk是美国本土对原文的诠释。苏拉尔-方舟是由2x6木材和乙烯基壁板制成的，它的物质来源于美国郊区，它与纽约非常接近(顺便说一句，就在苏格拉底公园入口处对面的街道上有一座乙烯基边的房子)，它的正式根部是一艘(废弃的)翻转的船被扔上岸。这是否曾经是莱维敦的一座房子，现在正在成为一艘船，还是一艘新的混合房屋船，正在东河沿岸建造，以应对下一次飓风洪水，目前还不完全清楚。参观者被邀请到墙面檐下观望苏格拉底雕塑公园和纽约现在的地平线，以及过去，也许还有即将到来的大洪水。

Text description provided by the architects. Noah’s Ark, after it landed on Mount Ararat, became perhaps the first architectural folly – an imposing fanciful, yet purposeless structure: a boat with no water around, a house with no inhabitants, a simple hulking mass of a conflicted typology. Chosen from over 170 entries, SuralArk is an American vernacular interpretation of the original. Made of 2x6 lumber and vinyl siding, the SuralArk has its material origins in the American suburbia that is surprisingly close to NYC (incidentally, there is a vinyl sided house just across the street from the Socrates Park entrance) and its formal roots as a (discarded) upturned ship cast ashore. Whether this was once a house in Levittown now on its way to becoming a boat, or a new hybrid house-boat under construction on the shore of East River in anticipation of the next hurricane flood is not entirely clear. The visitor is invited inside, under the siding canopy, to contemplate the present horizon of Socrates Sculpture Park and NYC, the past, and perhaps, the forthcoming great floods.

 Courtesy of Austin + Mergold + Marc Krawitz

奥斯丁·梅尔戈德·马克·克拉维茨提供

声/乡村™

Sural / Rurban™

传统上，美国绝大多数非城市建筑既没有建筑师，也没有明显延续乡土传统；而这一地区一直没有出现在任何建筑话语之外。城市的属性和便利设施正进一步扩展到郊区，农村生活也进入了城市。我们想知道是什么塑造了这个建筑。穿越城市、郊区和乡村的清晰性现在正被渐变所取代-这是三种地域划分的混合条件。这种结果-介于两者之间-以多种尺度、媒体和文化经验表现出来，这是由当地和全球衡量标准塑造的奇异的、几乎超现实的、阈状的状况。由于旧的名称-农村，郊区，城市不再适用于这里-我们呼吁一个新的分类：声™和r城™作为极端结束相同的梯度范围。

Traditionally, the vast majority of non-urban building in the US happens both without architects and without clear continuation of the vernacular tradition; and this territory has remained outside of any architectural discourse. The attributes and amenities of urbanity are spreading further into suburbs, and rural living finds its way into cities. We wonder what shapes this architecture. The clarity of traversing a city, suburb and countryside is now being replaced by a gradient – a hybrid condition of all three territorial designations. This resultant – the in-between– which manifests itself in multiple scales, media and cultural experiences– is bizarre, almost surreal, liminal condition sculpted by both local and global metrics. Since the old designations – rural, suburban, urban no longer apply here – we call for a new classification: SURAL™ and RURBAN™ as the extreme end of the same gradient range.

 Floor Plan

由纽约建筑联盟组织，Folly是在皇后区长岛市的苏格拉底雕塑公园进行设计建造的居民。它的创建是为了探索大规模的建筑设施，模糊边界，帮助连接艺术和建筑的世界。居住区考察了当代建筑的愚蠢思想。在18和19世纪流行，建筑的愚蠢被放置在花园或景观中，没有具体的用途。如今，人们可以开始重新解读建筑与景观、景观与城市之间的关系。愚蠢的2014年是由苏格拉底雕塑公园，纽约市公园部的一部分

Organized by the Architectural League of New York, Folly is a design-build residency at the Socrates Sculpture Park in Long Island City, Queens. It was created to explore large- scale architectural installations that blur the boundaries and help to link the worlds of art and architecture. The residency examines the contemporary idea of the architectural folly. Popular in the 18th and 19th centuries, the architectural folly was situated in the garden or landscape without specific purpose. Today, the folly can begin to re-interpret the relationship between architecture and the landscape, as well as the landscape and the city. Folly 2014 is conducted by Socrates Sculpture Park, a part of the New York City Department of Parks & Recreation.

Architects Austin + Mergold, Marc Krawitz

Location Socrates Sculpture Park, 32-01 Vernon Boulevard, Long Island City, NY 11106, USA

Category Landscape Architecture

Project Year 2014

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