© Joan Guillamat

.琼·吉拉马特

架构师提供的文本描述。2011年，赫米尼亚的儿子接管了家族肉店的经营。它坐落在塞拉那的66号公路上，对路过的旅客仍然隐藏着，只有当地居民在那里购物。经过多年的努力，兄弟俩决定翻修他们的设施，继续向他们的顾客提供传统的肉类和香肠。

Text description provided by the architects. In 2011 the sons of Herminia took over the running of the family butcher’s shop. Located on the road 66 in Celrà, it has remained hidden from passing travellers, with only the local habitants shopping there. After years of hard work, the brothers decided to renovate their facilities to continue offering to their customers traditional meat and sausages.

 Floor Plan

该项目是通过对考古方法的承诺而发展起来的：调查墙壁的隐蔽性斑块，挖掘地板，打开窗户，重新发现隐藏的拱顶，使空间恢复到原来的形式。(鼓掌)

The project develops through a commitment to the archaeological method: investigating the hidden patina of walls, excavating floors, unblocking windows, and rediscovering hidden vaults to return the space to its original form.  

 © Joan Guillamat

.琼·吉拉马特

一旦一个塔布拉拉萨建立，内部体积被淹没的白色：墙壁油漆和表面包覆白水瓷砖，以提供微妙的反射，并结合北光的空间。在顾客方面，家具是用松木做的，提供温暖和舒适，让人想起北欧的传统。(鼓掌)

Once a Tabula Rasa is established, the interior volume is flooded with white: walls painted and surfaces clad in white-water tiles to provide subtle reflections and hygenicise the space with northern light. On the customers side, the furniture is made of pinewood to provide warmth and comfort, reminiscent of nordic traditions.  

为了确保产品展示的最大空间，内建家具在空间的建筑组织中起着中心作用。在入口处和对角线轴线上的一系列瞥见使客户能够逐渐发现空间，创建一个连接和展示产品的长廊。

To ensure the maximum space possible for product display, the in-built furniture takes a central role in the architectural organization of the space. A series of glimpsed views in the entry and along a diagonal axis allows the customer to gradually discover the space, creating a promenade articulating and exhibiting the products.   

 © Joan Guillamat

.琼·吉拉马特

明亮的白色空间滑出橱窗到凯拉的道路正面。它环绕着大楼，创造了一个生机勃勃的标志，确保屠宰场再也不会被匆忙的司机忽视。一条黑色的条状变成侧面的正面，使它与正面一样重要。它成为一幅壁画或材料拼贴画，为顾客签名，为他们提供停车位，并在草丛中找到他们的食品杂货。

The brilliant white of the space slips out of the showcase windows to the facade of Celra’s road. It wraps around the building creating a vibrant signage, ensuring that the Butchery will never again go unnoticed by a hurried driver. A dark strip turns into the side facade giving it the same importance of the frontal one. It becomes a mural or material collage, signing for customers available parking and a route through the grasses to get their groceries.

 © Joan Guillamat

.琼·吉拉马特

这些广告带有微妙的和集体的想象力。墙上有一只害羞的小猪，它是建筑内物的旗帜和标志。它回忆起南方酿酒厂那只野生动物的轮廓。一个霓虹灯黄色的标志激活了前面的正面，从远处指示着在66号公路到帕拉莫斯的路上发生了一些不寻常的事情。但是，正是在晚上，当屠夫睡觉，正面移动，你会发现，他们是索勒兄弟现在谁提供给我们最好的削减在该地区。

The advertisements play with subtlety and collective imagination. A single shy little pig on the wall is the banner and the emblem of the contents of the building. It recalls the silhouette of that wild animal from the southern wineries. A neon yellow sign activates the front facade, indicating from afar something unusual is happening along the Road 66 to Palamos. But, it is at night time, when the butcher sleeps and the front facade moves, that you will discover that they are the Soler brothers now who offer us the best cuts in the region.

Architects Pau Sarquella Fàbregas

Location C-66, Celrà, Girona, Spain

Category Store

Project Year 2014

Photographs Joan Guillamat, Pau Sarquella