DAS HAUS 2014 Louise Campbell

2014-06-30 01:00

 © Koelnmesse, Studio

c.Koelnmesse，工作室

“舞台上的室内设计师”是一种大规模的生活场景，基于一位每年都在变化的具有国际影响力的设计师的个人想法。继伦敦设计团队Doshi Levien成功推出IMM古龙水的新设计活动(2012年)和Luca Nichetto(2013年)的后续版本之后，Koelnmesse提名丹麦设计师Louise Campbell创作“2014年舞台上的Das Haus-Interiors”。

"Das Haus – Interiors on Stage" is the large-scale sceno- graphy of a living situation based on the very personal ideas of an internationally influential designer who changes every year. Following London design team Doshi Levien’s successful launch of the imm cologne’s new design event (2012) and the subsequent edition by Luca Nichetto (2013), Koelnmesse nominated Danish designer Louise Campbell to create "Das Haus – Interiors on Stage 2014".

 © Koelnmesse, Studio

c.Koelnmesse，工作室

2014年1月，在国际室内设计博览会IMM古龙水上，她建造了一座技术含量较低的住宅，作为一个可灵活使用的开放空间，其中的家具只是象征着基本功能。对于丹麦人来说，灵活性、舒适性和创造力是理想家庭应该满足的最重要的要求。

At the international interior design fair imm cologne in January 2014, she built a low-tech house as an open space for flexible use in which the furniture merely served to symbolise basic functions. For the Dane, flexibility, comfort and scope for creativity are the most important requirements an ideal home should satisfy.

 © Koelnmesse, Studio

c.Koelnmesse，工作室

像“爱丽丝梦游仙境”那样的“豪斯”

A "Haus" like something from "Alice in Wonderland"

路易丝·坎贝尔想用“达斯·豪斯”来讲述故事。其中一人追求爱丽丝梦游仙境的主题，她的冒险把她带到了微型和巨大的世界。“达斯豪斯”的维度似乎也发生了轻微的变化，超长的桌子和床产生了一些令人不安的效果，从而让2014年“大豪斯”(Das Haus)的游客们获得了一场引人入胜的规模戏。

Louise Campbell wanted to use "Das Haus" to tell stories. One of them pursued the theme of Alice in Wonderland, whose adventures take her to both miniature and giant- sized worlds. The dimensions in "Das Haus" seemed to have been shifted slightly too, and ultra-long tables and beds produced some disconcerting effects, thus treating visitors to "Das Haus" 2014 to a fascinating play with scale.

 © Koelnmesse, Studio

c.Koelnmesse，工作室

路易丝·坎贝尔(LouiseCampbell)称她的场景及其与尺度和度量的游戏为“0-100”(为测量而制作)。在其他事情中，这个标题中的许多层次的意义暗示着在忙碌的活动和完全的放松之间寻找正确的平衡。整个家庭的工具和网格也强调了测量和衡量事物在我们现代生活方式中所起的主要作用。

Louise Campbell called her scenography and its play with scale and measurements "0-100. (Made to measure.)". Amongst other things, the many layers of meaning in this title allude to the search for the right balance between hectic activity and total relaxation. The tools and grids present throughout the house also served to emphasise the major role measuring and weighing things up play in our modern lifestyle.

 © Koelnmesse, Studio

c.Koelnmesse，工作室

这座房子的基本形式表达了斯堪的纳维亚设计中的简单、简洁的语言，并呼应了它对天然材料的偏好。路易丝·坎贝尔(LouiseCampbell)选择了一个由后波束网格构成的开放空间，并在温暖、欢迎的光线下沐浴。

The basic form of the house spoke the simple, unclutter- ed language of Scandinavian design and echoed its prefer- ence for natural materials. Louise Campbell took an open space structured by a post-and-beam grid and bathed it in warm, welcoming light.

 © Koelnmesse, Studio

c.Koelnmesse，工作室

与此同时，她把自己的“豪斯”看作是一种设计，而不是建筑：“房子本身可以被看作是一件大家具。它是一个供人们使用的大型储藏室。或者你可以说它是一个可供生活的货架，”路易丝·坎贝尔(Louise Campbell)务实地说。然而，这座房子和它的设计师的实用主义，主要以她的照明设计而闻名，还有大量的惊喜、诗歌和幽默等着我们去发现。

At the same time, she sees her "Haus" as a piece of design rather than architecture: "The house itself can be seen as a big piece of furniture. It's one big storage unit for people. Or you could say it's a shelf for life," says Louise Campbell pragmatically. And yet be- hind the pragmatism of the house and its designer, who is mainly known for her lighting designs, there was a wealth of surprises, poetry and humour waiting to be discovered.

 © Koelnmesse, Studio

c.Koelnmesse，工作室

路易丝·坎贝尔(LouiseCampbell)是新一代前卫设计师中的主角之一，他们不仅尊重斯堪的纳维亚现代主义的伟大传统，而且还建立了新的自信。这位设计师1970年出生于哥本哈根，受英国-丹麦父母两种文化的影响，先后就读于伦敦家具学院和丹麦设计学院。她的客户包括路易斯·保尔森、扎诺塔、海伊、皇家哥本哈根、霍尔梅加德、斯泰尔顿、穆托、内停和丹麦文化部。

Louise Campbell is one of the leading protagonists in a new avant-garde generation of designers who are evolving the grand tradition of Scandinavian Modernism not only with respect but with new-found self-confidence as well. Born in Copenhagen in 1970 and influenced by the two cultures of her Anglo-Danish parents, the designer studied both at the London College of Furniture and the Danish Design School. Her clients include Louis Poulsen, Zanotta, HAY, Royal Copenhagen, Holmegaard, Stelton, Muuto, In- terstop and the Danish Ministry of Culture.