架构师提供的文本描述。我们首先提出两个挑战：

Text description provided by the architects. We start the project by posing two challenges:

第一：设计一座能够“感觉像一座城市”的建筑-这既是因为它的独特性，也是因为它产生的公共空间。

The first: to design a building that can ‘feel like a city’ – both due to its uniqueness and to the public spaces it generates.

第二：设计一座与远视相连接的建筑，同时在展厅内进行反思。

The second: to design a building which connects with distant perspectives when walking around, providing at the same time introspection when inside its exhibition halls.

 Courtesy of Estudio Carme Pinós

Estudio Carme Pinós提供

换句话说，一座“感觉像一座城市”的建筑，当我们居住在它的时候，它让我们感觉到它的一部分。

In other words, a building which ‘feels like a city’ and which makes us feel part of it when we inhabit it.

我们通过提高大厅的水平来解决这两个挑战。这使得我们可以腾出一楼，在那里我们放置了更开放和透明的空间：大堂和商店。我们的目标是创造公共空间，让公园通过建筑物下面的通道延伸到城市-这个空间在夜间用穿孔板获得的图纸照亮，此外，它还隐藏了支撑高架大厅的结构。

We solve these two challenges by raising the level of the halls. This allows freeing the ground floor, where we place the more open and transparent spaces: the lobby and the store. Our aim is to create public spaces, make the park extend into the city by passing under the building – a space which is lit at night with drawings obtained by perforating the plate, which in addition hides the structure supporting the elevated halls.

 © Ricardo Santonja

里卡多·桑托尼亚(Ricardo Santonja)

在高高的大厅下面，我们放置了一个半地下花园，作为通往礼堂的出口，这也可以被认为是一个前厅或户外餐饮区。因此，大礼堂-位于地下，通过大厅可以到达-可以被认为是地下的一半，并通过花园直接连接到城市。

Below the raised halls we place a semi-underground garden that serves as the exit to the auditorium and which can also be considered an anteroom or outdoors catering area. Thus, the auditorium – located underground and accessible through the lobby – can be considered as halfway underground and directly connected to the city thanks to the garden.

 Ground Floor Plan

这两个暂停的大厅在不同的层次上互相面对，一个大厅的游客可以看到另一个大厅下面的城市。我们相信，在两个展厅之间-即在展览之间-之间需要减压和放松空间。为了达到这个目的，这两个大厅是通过自动扶梯连接起来的，提供了一段让我们可以欣赏远处景色的旅程-与电梯所产生的去文本化完全不同，也不能为游客提供任何减压。

The two suspended halls face each other at different levels in a way that the visitor who exits one hall has a view of the city below the other hall. We believe decompression and relaxation areas are necessary between both halls – i.e., between exhibitions. With this aim, the two halls are connected by escalators, offering a journey which allows us to enjoy the distant views – completely different from the decontextualisation produced by elevators and which cannot offer the visitor any type of decompression.

 © Ricardo Santonja

里卡多·桑托尼亚(Ricardo Santonja)

在大楼的上部，可以欣赏到城市的景色，有咖啡店和餐厅。相对于它们，大厅之间由不同的层次组成，有一个露台酒吧-与室内餐厅保持在一起-可以欣赏拉那斯蜿蜒和萨拉戈萨世博会的美妙景色。

On the upper part of the building and with views to the city are the coffee shop and the restaurant. Opposite to them and created by the different levels between halls, there is a terrace-bar which – keeping with the indoors restaurant – allows to enjoy fantastic views of the Ranillas meander and Expo Zaragoza

 Courtesy of Estudio Carme Pinós

Estudio Carme Pinós提供

由于其独特和可行的结构，我们的建筑作为一个雕塑元素出现在公园内。

Thanks to its unique and feasible structure, our building appears as a sculptural element amidst the park.

我们希望我们的建筑成为技术进步和文化慷慨的象征-我们希望它只反映我们时代最好的东西。

We want our building to become a symbol of the progress of the technique and generosity of culture – we want it to be a reflection of only the best things of our times.

Architects Estudio Carme Pinos

Location Calle José Anselmo Clave, 4, 50004 Zaragoza, Spain

Category Museum

Project Year 2014

Photographs Ricardo Santonja

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