架构师提供的文本描述。位于西北爱尔兰风景如画的部分，这位新设计师的工作室和客人住宿构成了一个庭院与客户的现有家(也由实践设计)。这个新工作室属于贫瘠到农舍的类型，属于爱尔兰乡村建筑的功利主义必要性。正是从这一地方农庄的先例，无论是实质上还是形式上，这座建筑都得到了它的灵感。

Text description provided by the architects. Located in a scenic part of North West Ireland, this new designer’s studio and guest accommodation forms a courtyard with the client’s existing home (also designed by the practice). This new studio belongs to the genre of the lean-to agricultural shed and the utilitarian necessity of rural Irish building. It is from this precedent of local farmyards, in both materiality and form, that this building derives its inspiration.

庭院的空间布局来源于农村建筑的类型学，即非正式的、往往是计划外的庭院群，而不是典型农家院的古典布局。波纹覆层的垂直特性与相邻房屋的水平标有混凝土的混凝土形成对比，这种对比是由于混凝土的质量和持久性以及波纹金属的短暂性和细腻性所造成的。

The spatial arrangement of the courtyard springs from the typology of the rural building cluster of informal and often unplanned courtyards rather than the classical arrangements of the model farmyard. The vertical nature of the corrugated cladding contrasts with the horizontal board marked concrete of the adjacent house, this contrast is accentuated by the mass and permanence of the concrete and the transience and delicacy of the corrugated metal.

 © Ros Kavanagh

(Ros Kavanagh)

工作室本身的定位是为了最大限度地利用它的视野和任何可用的阳光；因此，屋顶在一侧升起，将西方的阳光带入演播室，而当太阳光向西移动时，窗户的孔径就会减小。这个翻转的屋顶也吸引了人们对美妙景色的关注。

The studio itself is orientated to maximise its views and any available sunlight; for this reason the roof is lifted up on one side to get western sunlight into studio, and while the sunlight diminishes as it moves further west then the aperture of window reduces. This upturned roof also serves to draw the eye to the wonderful views.

 © Ros Kavanagh

(Ros Kavanagh)

工作室已经成为一个引人注目的特点，在一个景观的重要性，但不是形式。

The studio has become a striking feature in a landscape used to the materiality but not the form.

 Floor Plan