Shonen Junk studio 201

2014-07-11 01:00
 © Kenta Hasegawa (OFP)
(OFP)
架构师提供的文本描述。这个计划是为位于原宿外围的猫街的一家老式服装店的内部设计。这个位置的特点是楼梯从街道上看起来不错,尽管它是一家地下商店。
Text description provided by the architects. This plan is for the interior of a vintage clothing store along the Cat Street on the outer neighborhoods of Harajuku. The characteristic of this location is the staircase that looks good from the street despite being an underground store.
 © Kenta Hasegawa (OFP)
(OFP)
这个项目既满足了店主“向各种类型和世代销售商品”的要求,也满足了“吸引顾客”到这个地下设施商店的必要性。
This project had to fulfill both the request of the shop owner to “sale goods toward various genres and generations” and also the necessity of “attracting customers” to this underground facility store.
 
在超过7米高的楼梯区域,我们不得不放置一个从街上吸引眼球的物体。
In the staircase area measuring more than 7m high, we had to place an object to be eye-catching from the street.
 © Kenta Hasegawa (OFP)
(OFP)
一件6米高的物品是由钢筋钢制成的,它向商店内部流动,成为一件产品陈列的家具。
Flowing toward inside the store to become a product display piece of furniture, an object of 6m high was made out of reinforced steel cubes.
 Floor Plan

                            
我们具体规划了每个区域,以便能够强烈地感受到产品之间的年龄/类型的差异。
We specifically planned each zones so that those distinctions of age/genre between products are strongly felt.
 © Kenta Hasegawa (OFP)
(OFP)
展位面积为2平方米,用于展示类似产品;其他物品则陈列在展位之间的外部空间上。
Booths measuring 2 square meters are installed to display similar products; meanwhile the other items are displayed on the outside spaces between those booths.
 © Kenta Hasegawa (OFP)
(OFP)
我们的目标是通过用一个三角形的屋顶关闭展位,改变每个展位的内部装饰,以及调整它们之间的空间距离来增加每个区域的独立性。
We aimed to increase the independence of each zone by closing the booths with a triangular roof, by changing the interior finish of each booth, and also by adjusting the distance of the spaces between them.
 © Kenta Hasegawa (OFP)
(OFP)
通过选择落叶松胶合板作为隔间的外部结构,使结构具有较好的强度。为了重新安排顾客在通道之间的心情,我们在地板上选择了一种透明的油漆,上面显示了已经存在的灰泥漆,一幅白色的油漆用于天花板和商店的墙壁,还有一幅白色的油漆用于隔间的外墙。
By selecting a larch plywood for the exterior of the booths, we gave the structure better strength. In order to reset the mood of the customers between the passages, we chose a transparent paint on the floor showing the already existing mortar finish, a white painting for the ceiling and walls of the store and a white staining for the outer wall of the booths.
 © Kenta Hasegawa (OFP)
(OFP)
我们打算让您感受到对下一个区域的期待,因为产品在展位之间和通过安装在它们上的窗口都是可见的。
We intended that you feel the anticipation for the next zone as the products are visible between the booths and through the windows installed on them.
 © Kenta Hasegawa (OFP)
(OFP)
在这个以不同类型和世代的产品为特色的商店里,从年长到年轻的各种人都会相互层次分明和相互交融。
In this store featuring products of various genres and generations, a variety of people from elder to younger ages will layer and cross between each other.
 © Kenta Hasegawa (OFP)
(OFP)
虽然在其他旧服装店中仍然很少见,但我们的目标是在许多方面成为一家没有边界的商店。
While still rare among other old clothes shops, we aimed at becoming a store that is borderless in many ways.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects studio 201
Location Japan, 〒150-0001 Tokyo, Shibuya, Jingumae, 5 Chome−2−25 5・2・25ビル
Category Retail
Interior design Manabu Okano[studio201](Architect)
Area 103.0 sqm
Project Year 2013
Photographs Kenta Hasegawa (OFP)

                    

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