架构师提供的文本描述。阿克玛尼·列格人只是站在库塔的“标志性通道”上，尤其是在列格地区。设计意图是将前面的列格街与后面的巴内萨里街连接起来。这个问题源于当地的生活方式，这种生活方式在白天和晚上都是生动活泼的行人所熟悉的。

Text description provided by the architects. The Akmani Legian simply stands as an “Iconic Passage” for Kuta, especially in Legian area. The design intention is to link the Legian Street in front with the Banesari Street behind. This issue derives from the local life style which is familiar with lively pedestrian, both during day and night.

 Floor Plan

当周围的环境与私人财产、商店、餐馆和酒吧的生意聚集在一起时，莱根街和班纳萨里街之间的通道对行人来说就变得不那么灵活了。通过我们的设计理念，我们希望提供一个灵活的行动，创建一个通道之间的莱根街和班纳萨里Steet作为通道的行人。

As the surrounding becomes clustered with business of private property, shops, restaurants and pubs, the access between the Legian Street and Banesari Street becomes less flexible for the pedestrian. With our design concept, we want to provide a flexibility of movement by creating a passageway between Legian Street and Banesari Steet as access for the pedestrian.

该网站非常独特，只有5米宽的开放，从利格街和巴内萨里街，但非常宽敞的中心地区。这一设计极力吸引公众从街道上走进来。不仅享受节目，还让他们走在“标志性通道”，作为一个机会，使公众更灵活地在列格地区。宽敞的中心区域被用作庭院，也是周围景观的导向。然后，土地的北部和南部地区的大量土地被抬高。在北部的顶部是屋顶花园酒廊，这也是公共交汇点，而南部是别墅使用。屋顶花园酒廊和别墅下的空间然后被大量的客房填满。

The site is very unique, with only 5 meters width of opening both from the Legian Street and Banesari Street, but very spacious in the center area. The design states vigorously to attract public from the streets to come in. Not only to have enjoyment in the programs, but also to let them walk along that “Iconic Passage” as an opportunity for the public to move more flexibly around Legian area. The spacious center area is used as a courtyard which also acts as the view orientation of the surrounding. The mass in the northern and southern part of the land is then raised. On top of the northern part is the Roof Garden Lounge which also becomes the public mingles point, while the southern part is used for Villas. The spaces under the Roof Garden Lounge and Villas are then filled by building mass of Guest Rooms.

 © Fernando Gomulya

c.Fernando Gomulya

循环旅程从5米宽的入口开始，这些入口将热闹的主要街道与酒店较为宁静的大堂区连接起来。然后，流经指向屋顶花园休息室，人们可以在那里欣赏库塔海滩的景色。虽然该建筑物的北部开放供公众进入，但该建筑物的南部是一个更私人的别墅区。

The circulation journey starts with 5m width entrances which bridge the lively main streets with the more serene Lobby area of the hotel. The circulation is then directed towards the Roof Garden Lounge where people can enjoy the view of the Kuta Beach. While the northern part of the building is open for public access, the southern part of the building is a more private area for Villas.

 © Fernando Gomulya

c.Fernando Gomulya

自然阳光和自然新鲜空气在设计过程中也很重要。由于该遗址的地理位置位于赤道线偏南，太阳路径方向来自南方。南部地区的群众被切断，以最大限度的阳光进入庭院，同时创造一个像剧院一样的空间，以吸引公众对建筑物。

Natural sunlight and natural fresh air are also important in the design process. Because of the geographical position of the site is located at slightly South of the Equator line, the sun path direction comes from the South. The mass in the Southern part is cut off to maximize the amount of the sunlight into the courtyard, in the same time creating a theatre like space to attract the public towards the building.

 © Fernando Gomulya

c.Fernando Gomulya

设计中选用的材料是为了促进当地材料的使用。在这些项目中使用的一些当地材料是Kerawang砖和乡土木材，并配以透明的玻璃和绿色植物。科王砖是一种局部通风砖。这种地方材料的使用是用新的方法和技术来创造一种新的形式的模式和外观。这种待遇的例子可以在庭院的外墙上看到。立面轮廓的形状是从巴厘岛的自然环境中改编而来的，比如山、山，以及像Pure这样的地方信仰建筑。这个轮廓是通过使用钢板框架来支持Kerawang砖块实现的，它允许将几个图案组合成一个新的模式，通过透气砖形成一个充满活力、充满活力的外观，并具有透光效果。

The material used in the design is chosen to promote the usage of local material. Some local materials used in the projects are Kerawang Brick and rustic wood, combined with clear glass and greeneries. Kerawang brick is a ventilation brick with local pattern. This usage of local material is developed with new method and technology to create a new form of pattern and looks. The example of the treatment can be seen in the façade at the courtyards. The shape of the façade outline is adapted from the natural environment in Bali, like mountain, hills, and building of local belief like Pure. This outline is achieved by using a steel plate frame to support the Kerawang Brick which allows the combination of few patterns into one new pattern creating a vibrant and dynamic façade with a light, see-through effect from the ventilation brick.

Kerawang砖的使用也创造了开放的空间，让自然的阳光和新鲜的空气进入建筑物。因此，公众地方，例如大堂、走廊和酒楼，都是自然通风的。在“标志性通道”理念的基础上，我们阐述了将通道转换成开阔绿色的感觉，以平衡整个设计目的。

The use of the Kerawang brick also creates spaces that are open, allowing natural sunlight and fresh air into the building. Therefore, the public areas, for example Lobby, Corridor, and Restaurant are naturally ventilated. Upon the idea of “Iconic  Passage”, we elaborate the idea to transform the passage into an open and green feel to balance the whole design purpose.

 Wall Detail

墙体细节

最后，阿克马尼·列格人的设计强调了局部保存，这一点在几个方面都得到了体现。首先，提出了行人通道的概念，即通过使行人的运动与建筑物的循环相适应。第二点是提出绿色屋顶表面作为维护自然环境的行为。这一绿色屋顶表面是用来取代现有的绿化面积，用于建筑的质量。最后是材料的选择，它促进了当地材料在新的处理中的使用，在现代环境中创造了一座具有地方传统的建筑。

To conclude, the design of the Akmani Legian emphasize on the local preservation, which is shown in few points. First is by presenting the idea of pedestrian walkway which is by adapting the pedestrian movement with the building circulation. Second point is by presenting green roof surface as the act of sustaining the natural environment. This green roof surface is to replace the existing green area that is used for the building mass. Lastly is the selection of material which promotes the usage of local material in a new treatment creating a building with a local tradition in a modern setting.

 © Fernando Gomulya

c.Fernando Gomulya