79 Building Pedro Mendes Arquitectos
2014-08-03 01:00
架构师提供的文本描述。这座公寓楼位于本市两个建筑参考书之间。帕纳索建筑(1954年)是现代建筑的参考,而音乐之家(RemKoolhaas)则是在50年后建造的。在一个老房子的地方,一个锯齿轮廓出现了不规则的图案序列的天窗。
Text description provided by the architects. The apartment building is located between two architectonic references in the city. At one side the Parnaso building (1954), a reference of modern architecture, on the other the House of Music (Rem Koolhaas), built almost 50 years later. At the place of an old house a saw tooth silhouette emerges with an irregular pattern sequence of skylights.
一个蓝绿色的立面宣布住宅和商业的存在,在城市结构的波尔图。百叶窗开口的变化和变化反映了居民对日常生活的不同占领迹象。
A blue-greenish facade announces the presence of housing and commerce in the urban structure of Oporto. Variations and changes of the shutters openings register the different signs of occupation of everyday life of its inhabitants.
这一提议围绕着一种常量的观察,即大面积的四分卫一直以狭小而深邃的地块占据城市中心-洛特斯(Lotes)。在城市关系方面,建筑遵循了正规街道立面设计的顺序。多年来,主卷一直缓慢地扩展到许多后续的建筑和增加-商业或工业用途,或仅仅是住宅-都深入到室内花园和高度,形成了独特的剖面集。
The proposal worked around a constant observed in the way large quarters - quarteirões - have been occupying the center of the city with narrow and deep plots – lotes. As for the urban relations the construction has followed the order of the design of a regular street facade. Over the years the main volume has been spreading slowly over many successive constructions and additions - of commercial or industrial use, or just home - both in depth toward the interior gardens and height, creating distinct section sets.
这种双重生长和重叠条件与项目有关,在公共、私人、街道、商店、房屋、露台和花园之间产生复杂的联系关系。因此,两套或两组天窗界定和限制了原本仅限于拥有家庭成员的地区:一是欣赏花园的商店,另一种是顶部、家和有海景的工作室。在这两个项目之间,一套住房出售。
This dual growth and overlap condition is linked to the project, generating complex articulation relationships between public, private, street, shop, houses, terraces and garden. Thus, two sets or groups of skylights define and limit the areas that originally were to remain to a member of the owning family: the store enjoying the garden and at the top, the home and studio with vicinity views of the sea. In between these two programs a housing package to sell.
工作过程介于伊比利亚联邦双方的参照物之间,通常是理想化的,很少颁布。两位作者的友谊吸引了来自里斯本、马德里和波尔图的一系列投机门面,这两位作者都生活在20年前。此外,我们还必须处理卡夫卡美学状况、法规、官僚主义、城市管理的荒谬之处,以及不幸的是,近年来艰难的经济联系。所有这一切都经过了一个漫长的过程,毫无疑问,编织了建筑所用的织物或画布。
The working process was somewhere in between the mixture of references from the two sides of an Iberian Union, often idealized and rarely enacted. The friendship of the two authors drew a series of catalogs of speculative facades from Lisbon, Madrid and Porto where both coincided living 20 years ago. Furthermore we also had to deal with the absurdities of Kafkaesque situations, the regulations, bureaucracy, the city administration and, unfortunately, the difficult economic conjuncture of recent years. All this through a long process, that undoubtedly, weaves the fabric or canvas that architecture is made.
Architects Pedro Mendes Arquitectos
Location Rua Nossa Senhora Fátima 384, 4050-428 Porto, Portugal
Architect in Charge Luis Diaz-Mauriño, Pedro Mendes
Design Team Patrícia Costa Horta, Pedro Marques Alves, Tiago Marcelino Cruz e Pablo Martín Palomeque
Photographs Jorge Lopez Conde, André Martins
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