© Brett Boardman

布雷特·博德曼

架构师提供的文本描述。在澳大利亚悉尼的SCAF(谢尔曼当代艺术基金会)委托的建筑设计竞赛中的逃犯结构。这是一场邀请参加的竞赛，每年举办四年，旨在展示来自澳大利亚、亚太地区和中东的新兴建筑师。简要地探讨了数字预制造的潜力.2014年，AR-MA成功地获得了该委员会。

Text description provided by the architects. Fugitive Structures in an architectural design competition commissioned by SCAF (Sherman Contemporary Arts Foundation) in Sydney, Australia. It is an invited competition, run annually over four years that seeks to showcase emerging architects from Australia, the Asia-Pacific and the Middle East. The brief was to explore the potential of digital pre-fabrication. In 2014, AR-MA were successful in securing the commission.

 © Brett Boardman

布雷特·博德曼

AR-MA的设计，“Trifolium”，是一个流畅的，连续的，事件空间组成的自我支持的科里安与内部的弯曲，黑色，镜面抛光不锈钢面板。制造像一个珠宝盒，有三千多个独特的部分，它是设计不足1毫米的公差。

AR-MA's design, "Trifolium", is a fluid, continuous, event-space composed of self-supporting Corian with an interior of curved, black, mirror-polished stainless steel panels. Fabricated like a jewellery box, with over three-thousand unique parts, it is designed to less than 1mm of tolerance.

 © Brett Boardman

布雷特·博德曼

展馆由三个弯曲的拱顶组织而成，这些拱顶在一个连续而无缝的表面上汇合在一起。这三片叶子的设计是为了将庭院分成更小、更亲密的空间，无论是在展馆内还是在展馆外。

The pavilion is organised as three curved vaults which come together in a continuous and seamless surface. The three leaves are designed to divide the courtyard into smaller, more intimate spaces both within and outside the pavilion.

从外部看，自支撑信封由152热成型和数控切割科里安面板组成.每个19毫米厚的面板是回扣和槽在一起，以形成一个水密的表面.AR-MA与ARUP的亚历克斯·爱德华兹(AlexEdwards)合作，利用有限元分析模型进行表面工程，以监测材料的刚度和强度。

From the exterior, the self-supporting envelope is composed of 152 thermo-formed and CNC cut Corian panels. Each 19mm thick panel is rebated and slots together to form a water-tight surface. AR-MA worked with Alex Edwards from ARUP to engineer the surface using a finite element analysis model to monitor the material stiffness and strength.

 © Brett Boardman

布雷特·博德曼

展馆需要定制编码软件来设计和制作。对于每个项目，取决于概念和复杂性，AR-MA将编写小脚本、插件，甚至独立程序，帮助建模和询问设计，并最终将其与计算机控制的制造连接起来。

The pavilion required custom coded software in order to design and fabricate. For each project, depending on the concept and complexity, AR-MA will write small scripts, plug-ins or even stand-alone programs that help model and interrogate the design, and ultimately link it to computer controlled fabrication.

 © Brett Boardman

布雷特·博德曼

这个项目一进入内部就显露出来了。当一个人移动到展馆的时候，黑色的镜面抛光的面板在进入时会反射出无数的景致。弯曲的面板被设计为通过反射内部和周围的四合院来引入外部。它是关于创造一个情感和好玩的内部，其中的反射，观点，光和阴影是不断变化的，因为你通过它。当太阳下山时，反射变得更加明显，42盏投射在混凝土桥面上的光纤灯在内部无限地反射，在头顶上产生了数百万颗恒星。

The project reveals itself upon entering the interior. Glimpsed as one moves up to the pavilion, the black, mirror-polished panels reflect a myriad of views upon entering. The curved panels are designed to bring the outside in by reflecting the surrounding courtyard in and around the interior. It is about creating an affective and playful interior in which the reflections, views, light and shadow are constantly changing as you move through it. The reflections become more apparent as the sun sets and the 42 fibre-optic lights cast into concrete pavers reflect infinitely around the interior creating millions of stars overhead.

 © Brett Boardman

布雷特·博德曼

将这两张皮合在一起的是452个独特的不锈钢托架，每个支架在焊接过程中都是自动跳汰机设计的。它的设计，使它只能一起走一条路，以减少风险，在生产过程中。

Holding the two skins together are 452 unique stainless steel brackets.  Each bracket is designed to be self-jigging during the welding process. It is also designed so that it can only be go together one way in order to reduce risk during manufacture.

 © Brett Boardman

布雷特·博德曼

制作过程在悉尼的Ox工程公司花了三个月的时间进行数控加工、激光切割、焊接和热成型，建筑师们也参与了制造和安装工作。AR-MA有一个团队在工厂编程和运行5轴数控路由器和一个团队现场。有了三千多件独特的作品，这个建筑项目变成了一个物流项目，在正确的时间把正确的材料送到正确的地点。

The fabrication took three months of CNC routing, laser-cutting, welding and thermo-forming at Ox Engineering in Sydney, with the architects taking part in the fabrication and installation themselves. AR-MA had a team at the factory programming and running the 5-axis CNC router and a team on-site. With over three-thousand unique pieces, the architectural project became a logistical one of getting the right material to the right place at the right time.

 © Brett Boardman

布雷特·博德曼

Architects AR-MA

Location 16/18-20 Goodhope Street, Paddington NSW 2021, Australia

Category Installation

Design Team Robert Beson, Gabriele Ulacco, Tony Ho, Guido Maciocci, Nono Martinez Alonso, Simon Vorhammer

Area 60.0 sqm

Project Year 2014

Photographs Brett Boardman