EK3 bob

2014-08-12 00:00

 © Nikolay Kazakov

c.Nikolay Kazakov

架构师提供的文本描述。康普-林特堡步行区尽头面积为15750平方米的新购物中心融入了城市环境，并向步行区的前厅开放。通过主入口处楼顶的抬高，突出暴露在城市中的位置，使城市建筑成为土质建筑的参照。建筑物入口处的入口处是指在这一前厅起主要作用的展馆，同时也是两个城市方向线之间的交汇处，通过这个路口，可以清楚地看到通往购物中心的入口处。

Text description provided by the architects. The new mall with a size of 15750 m² at the end of the pedestrian zone of Kamp-Lintfort, integrates itself in the urban context and opens to the forecourt in the pedestrian zone. By a raise of the head building at the main entrance, the exposed urban location is accentuated and make urban building reference to oposite buildings. The cut of the entrance in the structure refers to the pavillion, which plays a major role on this forecourt and at the same time it is an intersection between two urban orientation lines, through which the entrance into the shopping arcade is clearly visible defined for passers.

 Courtesy of bob-architektur

鲍伯-Architektu

天井-购物中心的中心

The patio – the heart of the mall

即使第一栋建筑-所谓的“三白巨人”-不得不在情节上让位，但以抽象的方式存在是显而易见的。为了参照前摩天大楼的位置，在建筑物内作了正式的切口.

Even if the first building – the so-called "three white giants"- had to give way on the plot, there existance is nevertheless noticeable in an abstract way. As cross-references to the position of the former skyscrapers, formal incisions inside the building were made.

 © Nikolay Kazakov

c.Nikolay Kazakov

一方面，庞大的主体被模糊起来；另一方面，城市结构的支离破碎和地理位置的特殊特征被创造出来。

On the one hand the voluminous body was limbered up, on the other hand references to the fragmented urban structure and the special features of the location were created.

 Ground Floor Plan

其中一条划线标志着摩尔塞道购物商场的入口，并将购物中心与步行街连接起来。第二个决定性的点产生了EK3的心脏-一个慷慨的庭院。在这个院子里，有三棵土生土长的橡树，象征着三大白色巨人的主题。位于市中心的一片自然景观，曾有过巨大的住宅建筑。

One of these cuts marks the entrance of the shopping arcade on the Moerser Road and connects the mall with the pedestrian zone. A second decisive point gives rise to the heart of the EK3 – a generous courtyard. In this patio, three indigenous oaks were plant, which take up the theme of the three white giants symbolically again. A piece of nature in the middle of the city on a site with formerly huge residential buildings.

 © Nikolay Kazakov

c.Nikolay Kazakov

这一基本想法在整个建筑中被采纳，对这三个白色巨人的敬意变得如此具体。在露台上的玻璃正面是一个橡树叶结构，作为图片参考。通过它，它产生了一个令人兴奋的灯光和阴影的发挥，在光明淹没的地区的购物中心。对于游客来说，庭院可以从商场免费到达，并邀请他们在绿荫树下逗留。

This basic idea was taken up in the entire building and the tribute to the three white giants was made so tangible. The glass facade, which orients on the patio is strewn with an oak leaf structure as a pictorial reference. Through that, it produces an exciting play of light and shadow in the light flooded areas of the mall. For visitors, the patio is freely accessible from the mall and invites to linger under shade-giving trees.

 © Nikolay Kazakov

c.Nikolay Kazakov

动力宣传

The kinetic publicity

建筑、宣传和公共空间的出现都是连贯的、相连的，抛出所谓的“动态性”.这里的特点是，广告空间可以创新地整合在砖块结构中，而不是按照惯例放置在正面。考虑到流动的交通和对汽车司机的看法，砖块在这一点上被铺成了一个破碎的“锯齿形”结构。这样，一个平面正面的三维结构被创造出来，它可以被公众所覆盖。

Architecture, publicity and the appearance in public space are coherent connected threw so-called kinetic Puclicity. The special feature here is, that advertising space could be integrated in the brick strucure innovatively, instead of beeing placed on the facade conventionally. Taking into account the flowing traffic and the perception of the car drivers, the brick was layed in an up breaking "zig zag" structure at this point. In this way a three dimensional structure out of a plane facade was created, which could be covered with publicity.

 © Nikolay Kazakov

c.Nikolay Kazakov

动态光影游戏

Dynamic light- and shadow play

马龙哈格迈斯特熟料“俄勒冈州”与珠光闪闪的部分案例购物中心从购物区到停车场水平与400个投球进入一个五颜六色的变化建筑盖。立面点击收到令人印象深刻的建筑材料坎普-林特堡，并给予建筑一个动态的灯光和影子发挥其银色的光芒。

Maroon Hagemeister clinker "Oregon" with pearly shimmering parts cases the shopping mall from the shopping areal to the parking level with 400 pitches into a multicolored changing building cover. The facade clicker receives the impressing building material of Kamp-Lintfort and gives the building a dynamic light and shadow play with its silvery shine.

“熟料是典型的条件下莱茵河地区和泄露鲁尔地区与其历史工业建筑，砖”，罗伯特韦泽尔斯确定，他为什么决定使用哈格迈斯特立面熟料。紫红色砖块的银质部分与表面上随机分布的闪光元素和窗户相互作用，干扰了立面的大面积，这就参考了周围不同规模的开发。在标记角，哈格迈斯特制造了煤渣块。外型和斜面是作为巨大的熟料花边建造的。

"The clinker is typical for the conditions of the lower rhine area and the leaking Ruhr area with its historical industry buildings, made of brick", Robert Wetzels establishes, why he decied to use Hagemeister facade clinker. Silvery parts of the maroon brick interrupt the massiveness of the facade in interaction with seemingly random interspersed shining elements and windows, which make reference to the different sizes of the surrounding development. For the marking corner, Hagemeister manufactured cinder block. Outstickings and inclined planes were built as massive clinker laces.