© Leonardo Finotti

莱昂纳多·芬诺蒂

架构师提供的文本描述。JG大楼的设计始于网站本身。当你从上面靠近的时候，我们的意图是在顶部建造一个巨大的花园，以便使建筑在景观中消失，并使它成为连接350.000平方米土地的山谷斜坡的一座视觉桥梁。

Text description provided by the architects. The design of JG House started with the site itself. As you approach from above, our intention was to create a huge garden on top, in order to make the construction disappear on the landscape and make it work as a visual bridge connecting to the slopes of the valley that splits the land of 350.000 square meters.

一个绿色的长板把屋顶和后面的斜坡连接起来。20米长，覆盖在楼上的入口大厅，所有的卧室都在那里。

A long green slab connects the roof to the slope behind. With 20 meters long, covers the entrance hall that is located on the upper floor, where all the bedrooms are.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

那层楼的U形平面图覆盖了阳台、餐厅和家庭剧院。中央空旷的空间，双天花板，是客厅和雕塑花园的所在地。

The U shaped floor plan of that storey covers the veranda, dining room and home theatre. The central empty space, double ceiling, is where the living room and sculpture garden are located.

 Floor Plan

主要的建筑理念是建造一个长20米的露台，没有任何枕头。楼上的卧室被投影在阳台上，没有任何垂直支撑。皮拉子的缺乏强化了内外一体化的理念，将客厅、阳台和花园本身连接起来。

The main architectural concept was to create a veranda, also 20 meters long, without any pilars. The bedrooms on the upper floor are projected over that veranda, without any vertical support. The lack of pilars reinforce the idea of integration between the inside and the outside, conecting the living room, the veranda and then the garden itself.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

工程师查询的解决方案是使用空腹桁架。我们在正面和侧面的立面上使用了这种矩形开口的桁架。这是房子的外部结构骨架，允许我们在阳台上的楼上有卧室，没有任何支撑。空腹桁架是连接上下钢梁和垂直细长柱的体系的结果。

The solution for that engineer query was the use of the Vierendeel truss. We used that kind of truss of rectangular openings on the frontal and lateral façades. That is the exterior structural skeleton of the house that permitted us to have the bedrooms on the upper floor over the veranda without any support. The Vierendeel truss results from the system that connects the lower and the upper steel beam with vertical slim pilars.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

该住宅的亮点之一是中央客厅和雕塑花园在房子的波顿，与双天花板和部分玻璃屋顶为室内带来自然光。上一层的两边都是一座钢桥，穿过双天花板，把客厅从花园里分割开。在雕塑花园里，我们委托巴西艺术家埃内斯托·内托(ErnestoNeto)为一个特定的地点安装艺术。

One of the highlights of this residence is the central living room and the sculpture garden at the botton of the house, both with double ceiling and part of glass roofing bringing natural light to the interiors. Both sides of the upper floor are connected by a steel bridge crossing the double ceiling and spliting living room from the garden. On the sculpture garden we commissioned the Brazilian artist Ernesto Neto for a site specific art installation.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

我们选择修整，只是天然材料，特别是生混凝土在墙壁上，木材在天花板和地板和天然石头在一些细节。我们认为，自然材料的时代，与尊严，与自然互动，随着年龄的增长，他们证明建筑被大自然接受。

We chose for finishing, just natural materials, specialy raw concrete on the walls, wood on the ceiling and flooring and natural stone on some details. We consider that natural materials age well, with digninity, interacts with the nature and as they get old, they evidence the acceptance of the architecture by the Nature.

在这个项目中，我们刚刚与最好的巴西设计师合作，如塞尔吉奥·罗德里格斯、雨果·弗朗萨、萨尼尼·德扎宁、玛丽亚·卡迪达·马查多、埃特尔·卡莫纳和克劳迪娅·莫雷拉·萨勒斯。

In this project, in the interior design we just worked with the best Brazilian designers such as Sergio Rodrigues, Hugo França, Zanini de Zanine, Maria Candida Machado, Etel Carmona and Claudia Moreira Salles.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

Architects MPGARQUITETURA

Location Petrópolis, Brazil

Category Houses

Architect in Charge Miguel Pinto Guimarães

Coordinator Architect Renata Duhá

Architects Team Vinicius Cesar

Area 762.0 sqm

Project Year 2013

Photographs Leonardo Finotti