© José Ramón Oller

(JoséRamón Oller)

架构师提供的文本描述。圣克里斯托巴尔拉古纳是位于加那利群岛特内里费岛东北部的一个城镇，其历史中心于1999年被联合国教科文组织宣布为世界遗产，成为唯一的非围墙殖民城市。它建于十五世纪末，现在居住着15万人，一直延伸到一个平原上-一个古老的湖泊-周围环绕着群山。

Text description provided by the architects. San Cristóbal de La Laguna is a town located in the northeastern interior of the island of Tenerife in the Canary Islands, whose historic center was declared a World Heritage Site by Unesco in 1999 as the only example of non-walled colonial city. Founded in the late fifteenth century, and inhabited today by a hundred and fifty thousand people, it extends on a plain - an old lake - surrounded by mountains.

 © José Ramón Oller

(JoséRamón Oller)

其中一座山是梅萨莫塔山，这是一座小而平坦的小山，在这座城市上空耸立着一座了望台，上面有海瑟斯、松树和桉树。在它的裙子，沿着道路，从城市边缘点缀着单一家庭的房屋和田野到山顶，是在这里描述的房子在一个角落的地块与壮丽的景观平原。

And one of these mountains is the Mesa Mota; a small, flat hill that rises as a lookout - with heathers, pines and eucalyptus - over the city. On its skirts, along the road that leads from the urban fringe dotted with single-family homes and fields to the summit, is located the house described here on a corner plot with magnificent views over the plain.

 © José Ramón Oller

(JoséRamón Oller)

该项目考察了独居家庭的类型学、边缘景观的营造、对象与自然的关系、模糊的、深思的、创造性的、理性限制和条件的人为结果与自然的自发性和惊奇之间的关系。

The project investigates the typology of the single family home, the construction of landscape in the margins, the relationship between object and nature; the ambiguity, immensely thoughtful and creative, between the artificial result of reasoned restrictions and conditions, and the spontaneity and surprise of nature.

 © José Ramón Oller

(JoséRamón Oller)

房屋的位置含糊不清，就在农村和城市土地之间的边界上。这是翻译和使用的理由，在作出决定，以指导项目。因此，体积站在山坡上，整个覆盖着草，仿佛试图拖曳其轮廓的表土。这个物体最初似乎是在山上蒙面的，相反，由于它的人为条件，它拒绝模仿这个地方。这一讽刺是通过选择一种灰蓝色的草来强调的，这种草是高高的，滑过两高的褶皱。由于提供了波纹金属片作为覆层，与山的绿色背景形成对比，花园的设计更加紧张，花园的设计用白色花朵和茉莉花围成了一道门藤，这是一种非典型的芬芳。

Ambiguity is implicit in the very location of the house, right on the border between rural and urban land. This is translated and used as a reason in making decisions that guide the project. Thus, the volume stands on the hillside and is covered in its entirety with grasses, as if trying to drag the topsoil of its profile. The object, which initially seems to be masked on the mountain, on the contrary, rejects mimesis with the place due to its artificial condition. This irony is emphasized by the choice of a grayish blue grass, which is elevated, slips and falls through the folds of the two heights. Tensions are heightened even more with the provision of a corrugated metallic sheet as cladding, in contrast with the green background of the mountain, and the design of the garden, fenced with a gate-vine with white flowers and jasmine, an atypical fragrance delimiting the place.

 © José Ramón Oller

(JoséRamón Oller)

因此，该房子质疑在限制范围内的景观建设和对象/自然之间的关系，在与现有领土的关系占主导地位的单一家庭住宅类型是否足够：地形适应、景观的景观(拉古纳、泰德、梅萨·莫塔，.)，保护不受盛行风的影响，阳光和阴影的使用(南方的冬季花园和北方的夏季花园，与果树-李子、杏仁和鳄梨-一起栖息，在慷慨的春季循环中有利于两边的交叉和持续使用)。

The house therefore questions the construction of the landscape within the limits and the relationship of object / nature in the adequacy of a typology of single-family house to use, where relations with the existing territory prevail: topographic adaptation, views over the landscape (La Laguna, Teide, Mesa Mota, ...), protection from prevailing winds, the use of sunlight and shadows (the winter garden to the south and the summer garden to the north, sheltered with the fruit trees - plums, almond and avocado -, favoring the cross and continuous use of both sides during the generous spring cycles).

 © José Ramón Oller

(JoséRamón Oller)

它回应了一个反思的过程，即链接到以前的工作，因为他们致力于实验，从严格的功能和经济反应到客户的要求，通过重新解释和重新建造场所。

It responds to a process of reflection that links to previous work meaningful due to their commitment to experiment, from a strict functional and economic response to customer requirements, through the re-interpretation and re-construction of places.

Architects Virgilio Gutiérrez Herreros

Location Santa Cruz de Tenerife, Spain

Category Houses

Technical Architect Pedro Alonso Quecuty

Collaborators Attenya Campos de Armas, Fermín Delgado Perera, Iván Ascanio Delgado

Project Area 439.0 m2

Project Year 2013

Photography José Ramón Oller