OOI House Czarl Architects

2014-08-14 01:00
 © Tim Nolan
提姆·诺兰
架构师提供的文本描述。这个项目的赞助者是从事医学研究的年轻专业人员。
Text description provided by the architects. The patrons of this project are young professional involved in medical R&D with a teenage daughter and an elderly person. The client has expressed their desire to live in a house where parents, children and grand parents can live, work, play and enjoy hobbies  together interactively. A sense of fun and adventure, green consciousness and functionality are a few key concerns.
 © Tim Nolan
提姆·诺兰
地点位于汤普森树保护区内,周围都是成熟的树木和茂密的植被,从前面经过陡峭的道路即可到达。与新加坡其他大多数地块不同的是,该地块形状极佳,是一片狭长的地块,其长度与相邻的陡峭公路平行。
Site ContextLocated within the Thompson Tree conservation area, the site is well surrounded by mature trees and dense vegetation and is accessible from the front by a steep road. Unlike most other landed housing sites in Singapore, the site is perculiar in shape with it being a long narrow plot with its length running parallel to an adjacent steep road.
 © Tim Nolan
提姆·诺兰

                            
Design Approach
由于网站的严格限制,需要压缩方案空间要求和形式表达,使功能和形式相互衔接和互补。这导致对场地和空间规划和正式表述进行了不同的系统方法的探索。
Due to the tight constraints of the site, there is a need to compact programmatic spatial requirements and formal expression such that function and form are cohesive and complimentary to each other. This led to an exploration of a different systematic approach to the site and space planning and formal expression.
 © Tim Nolan
提姆·诺兰
在这里,起居室是房子的心脏,它必须通过在上面引入一个双倍的音量来强调。主循环和房子的其余部分都围绕着这个主要的锚空间组织起来。
Here, the living room is the heart of the house and it is necessarily accentuated by introducing a double volume above it. The main circulation and the rest of the house is organized around this main anchor space.
 © Tim Nolan
提姆·诺兰
采用连续RC板作为一种策略,在集成视觉美学的同时,组织空间和规划需求。在这个连续的表面上,房子的各种空间被连在一起,这样房子的不同程序就能相互依赖地运行。
The continuous RC slab is deployed as a strategy to organize spatial and programmatic requirements while integrating with visual aesthetics. Various spaces of the house are strung along this continuous surface in succession so that different programs of the house are able to operate co-dependently.
 © Tim Nolan
提姆·诺兰
从一楼以泳池楼梯的形式起飞,平板继续作为一个美化的甲板,然后在二楼(为卧室)一个部分倾斜的平面,然后翻转,并折叠回自己,成为一个观赏绿色倾斜平台在三层楼。楼板又一次向上翻转,最终形成了屋顶。
Taking off from the ground floor in the form of the pool stairs, the slab continues as a landscaped deck , followed by a partially sloping plane on the 2nd floor ( for the bedroom ) before upturning and folds back upon itself to become  a viewing a green sloped platform at 3rd storey. The slab yet upturn again eventually to form the roof.
 © Tim Nolan
提姆·诺兰
通过模糊垂直和水平,内外之间的区别,板的蛇形流动成为一个清晰的建筑笔画的形式表达。例如,从边界外的陡坡地形中提取参考资料,游泳池楼梯的倾斜和二楼的景观可以被看作是外部地形的直接延伸。
By blurring the distinction between the vertical and horizontal, the inside and the outside,  the serpentine flow of the slab becomes a legible architectural stroke of formal expression. By drawing references from the steep slope terrain just outside of the boundary,the tilt of the pool stairs and the landscape on the 2nd floor, for instance, can be seen as an immediate extension of the terrain beyond.
 © Tim Nolan
提姆·诺兰
在房子的其他地方,在类似的开玩笑的行为,颠覆的悬臂部分的房子,悬臂箱是故意倾斜,以再次提及倾斜的地形,同时创造一个好玩的冒险的内部为十几岁的居住者。在这里,凸起的地板变成了一个地下的藏身之所,一个储藏室,以及一个沉陷的浴场。
Elsewhere in the house, in a similar tongue-in-cheek act of subversion of  the cantilevered portion of the house, the cantilevered box  is deliberately tilted to reference yet again the sloped terrain while creating a playful adventurous interior for the teenage occupant. Here, the raised floor becomes an underground hideout, a storage as well as a sunken area for bath.
 © Tim Nolan
提姆·诺兰
在上面,倾斜的屋顶呈现出一个令人愉快的翻滚绿色,从主卧室迎接眼睛,取代了另一个传统的隐私屏幕的需求,主人居住在3楼。
Above, the sloped roof presents a pleasant tumbling green that greets the eye from the master bedroom, replacing the need for another conventional privacy screen for the master occupants on the 3rd Floor.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Czarl Architects
Location Singapore, Singapore
Category Houses
Design Team Carl Lim, Anditya Dwi Saputra, Sheryl Asi Perculeza
Area 354.0 sqm
Project Year 2010
Photographs Tim Nolan

                    

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