架构师提供的文本描述。新南威尔士州安南山的澳大利亚植物园AGL展馆和新南威尔士州的域托拉斯将两个极具象征意义的概念结合在一起：半永久性戏剧广场(娱乐)和更永久的乡土小屋(效用)。

Text description provided by the architects. The AGL Pavilion at The Australian Botanic Garden, Mount Annan, NSW designed for The Royal Botanic Gardens and Domain Trust of NSW draws together two highly symbolic concepts: the semi permanent theatrical marquee (entertainment) and the more permanent vernacular shed (utility).

AGL馆位于公园重要的湖滨分局内，是植物园内最大的聚集区，它被设计成一系列新游客设施的中心，可供休闲野餐和200人参加的活动使用。

Centrally located within the important lakeside precinct of the park, the largest gathering area within the botanic garden, The AGL Pavilion has been designed to be the centre piece of a series of new visitor facilities, catering for events ranging from casual picnics to 200 people.

 © Peter Bennetts Photography

彼得·本奈茨摄影

该项目反映了客户的主要价值观，即致力于景观的首要地位、环境责任、认真分配资源和致力于创建一个花园，其价值与其对文化和公共领域的贡献以及对其植物学成就的贡献同等重要。这座建筑坐落在山顶上，俯瞰湖面，面向东方，以周围灌木丛为背景。经过几条蜿蜒穿过公园的小径之一，这座建筑引人注目的山顶位置为周围环境带来了秩序和特征，提供了对花园和湖泊的全面看法。

The project, reflects the key values of the client, being a commitment to the primacy of landscape, environmental responsibility, careful allocation of resources and a commitment to the creation of a garden that is valued as much for its beauty and contribution to the cultural and public domain as it is for its botanical achievements. The structure sits atop the hill overlooking the lake, facing east and framed by the backdrop of the surrounding bushland.  Approached by one of several pathways that meander through the park, the building’s dramatic hilltop location brings order and identity to the surrounding context, delivering sweeping views of the garden and lake.

侯爵宣布它的存在，庆祝它的位置，吸引你的注意力并吸引你注意它。展馆位于其中心，为众多用途提供服务，从停站到婚礼或守夜，在亲密程度足以满足小型休闲访问和大到足以举办大型活动之间找到了平衡。它使您欢迎，鼓励活动，框架意见和邀请进一步探索花园，同时不断提醒您，它是一个二级结构的花园，并确保您的焦点和注意力回到景观。

The marquee announces its presence, celebrates its position, grabs your attention and draws you to it. Entered at its centre and catering for a wide range of uses, from a pit stop to a wedding, or a wake, the pavilion strikes a balance between being intimate enough for small casual visits and large enough for big events.  It makes you welcome, encourages activity, frames the view and invites further exploration of the garden, whilst constantly reminding you that it is a secondary structure within the garden and ensuring your focus and attention return to the landscape.

 © Peter Bennetts Photography

彼得·本奈茨摄影

柱子、屋顶平面、屏蔽和结构几何学的节奏创造了一系列的空间，将建筑物与其场地联系起来，使其在花园中有强大的存在，并表明它作为花园内一个重要的目的建筑的作用。

The rhythm of columns, roof planes, screening and structural geometries creates a series of spaces that tie the building to its site, giving it a powerful presence in the garden and signifying its role as a key destination building within the garden.

棚屋提供住所和主要的聚集空间、走廊入口、平衡和支撑以及水箱，这些都有助于将建筑物锚定在工地、厕所和蓄水处。这是一个简单的程序，以最小的手段，最大的效果和适度的预算实现。这座建筑几乎完全是用钢建造的。

The shed provides shelter and the main gathering space, the verandah entry, balance and support and the tanks, which help anchor the building to its site, toilets and water storage. It is a simple program, achieved with a minimum of means, maximum of effect and modest budget.  The building is made almost entirely of steel. 

 Ground Floor Plan

该项目通过探索钢提供的结构经济，创造和定义其空间动态，允许墙壁和交叉支撑的自由设计。梁被允许做他们需要做的事，关节是清晰的，暴露的和著名的。细节表达了钢铁的独特品质，在这样做的过程中，使它们内在的美学。阳台的支撑提供刚性的棚，而大跨度的屋顶材料提供了一个干净的屋顶设计与薄边。

The project creates and defines its spatial dynamic through an exploration of the structural economies offered by steel, allowing for a wall and cross brace free design.  Beams are allowed to do what they need to do and joints are clear, exposed and celebrated.  The detailing expresses the unique qualities of steel and in doing that makes them inherent to its aesthetic.  The verandah buttresses provide rigidity to the shed, whilst the large span roofing materials deliver a clean roof design with a thin edge. 

 © Peter Bennetts Photography

彼得·本奈茨摄影

该建筑的原始、强壮、坚固、脚手架的特性为展馆的建造提供了一种戏剧性和务实的方式。所有的东西都可以被看到，并参与到空间的建造中。

The raw, muscular, robust, scaffold nature of the structure delivers a dramatic and pragmatic approach to the construction of the pavilion.  Everything is allowed to be visible and to participate in the making of the space. 

 © Peter Bennetts Photography

彼得·本奈茨摄影

6米高的立柱定义了场地和空间，然后被高水平的可回收木材屏风和飞天屋顶“包围”。屋顶的细长向三个方向倾斜，增强了展馆的帐篷风格，将最低的一点伸向建筑中心，并向外延伸。回收塑料筛选过滤太阳，平衡高度和框架的看法，提供人的规模，微妙和轻。

The 6m high columns define the site and spaces, which are then ’enclosed’ by the high level recycled timber screens and flying roofs.  The slenderness of the roof, which is pitched in three directions, enhances the tent like character of the pavilion, drawing the lowest point to the building’s centre and pushing out to the views.  The recycled plastic screening filters the sun, balances the height and frames the views, providing human scale, delicacy and light.

 © Peter Bennetts Photography

彼得·本奈茨摄影

建筑结构、屏风和屋顶的相互作用赋予了建筑空间的慷慨性、三维特征和概念的清晰性。力量与轻盈、开放与封闭、稀薄与清晰之间的相互作用，是建筑规划的核心，也定义了建筑的力量和美。它是一座能激励和提升你的慷慨建筑。这座展馆的灵感部分来自澳大利亚最古老的国家公园的奥德利野餐馆，这是一座非常受人喜爱和使用广泛的建筑，以其结构的诚实、建筑的简洁、人类的规模和围堵的质量而受到高度赞扬。

This interplay of structure, screens and roofs give the building its spatial generosity, three dimensional character and conceptual clarity.  The interplay between strength and lightness, openness and enclosure, rawness and clarity are central to the building’s program and define the building’s strength and beauty.  It’s a generous building that inspires and lifts you. The pavilion was in part inspired by the historic Audley Picnic Shelter in Australia’s oldest national park, a much loved and well used building, highly regarded for its structural honesty, constructional simplicity, human scale and quality of containment.

 © Peter Bennetts Photography

彼得·本奈茨摄影

这座建筑的建造具有生态和环境的珍贵感，它的位置和进入它的一切都是宝贵的。这些材料都是以其资源效率、寿命长、维护最少和老化能力好而被选择的，它们都是不用进一步修饰或处理的。什么都没有隐藏，什么都没有被掩盖，什么都没有画。(鼓掌)

The building has been constructed with a sense of the ecological and environmental preciousness of both its place and everything that has gone into it. The materials were all chosen for their resource efficiency, long life span, minimal maintenance and ability to age well and are all used without further embellishment or treatment. Nothing is hidden, nothing is covered, nothing is painted.  

Architects Kennedy Associates Architects

Location The Australian Botanic Garden, Narellan Rd, Mt Annan NSW 2567, Australia

Category Community

Area 350.0 sqm

Project Year 2013

Photographs Peter Bennetts Photography

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