© Joana França

(Joana Fran A)

“(.)我们这个时代最令人痛苦的方面之一是，人们对一切与有意识地感知美丽有关的事物的意识被彻底摧毁。”安德烈·塔尔科夫斯基

"(...) One of the most distressing aspects of our time is the total destruction of people's consciousness of everything that is connected to a conscious perception of the beautiful." Andrei Tarkowski

 © Joana França

(Joana Fran A)

对于这对年轻夫妇的住所来说，想要与网站进行微妙的对抗是最昂贵和最被追逐的方面。这种对抗发生在两个方向，不仅在一个方向，而且平行于地段，由于地形的对角线斜率。这样就产生了调节方的形状，它扩展到地段前部的垂直线，在等高线的对角线处到达一个轴，慢慢地从地面上松开房屋，在底层设置亲密的区域，并在较低的层上创建柱子。

For this young couple's residence, the desire for a subtle confrontation with the site was the most expensive and chased aspect. This confrontation occurs in both directions, not only in one direction, but parallel to the lot, due to the diagonal slope of the topography. Thus arises the figure of a regulating square, which expanding to the perpendicular line at the front of the lot, arrives at an axis at the diagonal of the contours, slowly loosening the house from the ground, setting the intimate area on the ground floor and creating columns on the lower floor.

 © Joana França

(Joana Fran A)

适合其占领的敏感景观的艰难环境是从这个虚拟广场上阐述出来的，该广场为家里提供最佳的阳光和景色，力求不设置墙壁，但没有不同的用途，不同空间的尺度。

The difficult context of the sensitive landscape, appropriate for its occupation, was articulated from that virtual square that orients the home for the best sunlight and views, seeking to not set walls, but without different uses, scales of different spaces.

 Plan - Ground

平面图-地面

我们颠倒了接续功能顺序的逻辑：社交厅、客厅、餐厅、阳台、娱乐区；为了到达通向房子核心的轴线，厨房在阳台前面，餐厅在右边，办公室在左边，按照主人的建议，把房子的集体生活结合起来，在那里他可以从休闲和社交领域看到和看到。

We invert the logic of the sequence of succession of functions: social hall, living room, dining room, balcony, entertainment area; for an arrival on the axis that leads to the core of the house, the kitchen, in front of the balcony, the dining room to the right and the office to the left, integrating the collective life of the house as had been suggested by the owner, where he could see and be seen from the leisure and social areas.

 © Joana França

(Joana Fran A)

因此，对参观者和日常用户来说，意义是明确的，房子是开放的。

Thus, the meaning is clear to the visitor and the everyday user, the house is open.

 © Joana França

(Joana Fran A)

从客户的智慧和开放的假设出发，我们通过改变几乎每一个房间的高天花板和一个允许自然采光和交叉通风的裂口来暗示一个亲密的区域。这种斜撕裂表达了不同的功能，需要自然照明和通风，这是反对必要的隐私和灯光控制在卧室。因此，它点亮了夫妻的衣柜，照亮了女儿的套房和办公室。跟随和穿过有盖的阳台，是客厅照明餐厅的极限。

Starting from the clients' intelligent and open assumptions, we made an intimate area insinuated by changing high ceilings in almost every room and a rip that allows natural lighting and cross ventilation. This oblique tear articulates different functions that require natural lighting and ventilation, which is opposed to the necessary privacy and light control in bedrooms. Thus, it lights the couple's closet, lights and ventilates the daughter's suite and the office. Follows and passes through the covered balcony, and is the limit of the living room illuminating the dining room.

 © Joana França

(Joana Fran A)

在这个曲折的转弯中，我们设计了一个木制的甲板，从社会功能过渡到休闲区域，地面，现在被切割，现在被掩埋，和堤坝一起工作，这些堤坝最终被建在一个尚未建成的游泳池里，然后是在一条断断续续的小溪上的小森林。它用石头和混凝土使建筑和自然之间的界限更加坚定。因此，站在地面上，主体可以识别和思考森林，或草原。

In this zigzag that turns the body of the house, we articulate a wooden deck that makes the transition from social functions to the leisure area, the ground, at the ground level, is now cut, now buried, working with embankments that end up in a swimming pool not yet built and then the small forest on an intermittent stream. It makes the boundary between the built and the natural assertive, with stone and concrete. So, standing on the ground, the subject can discern and contemplate the forest, or the grassland.

 © Joana França

(Joana Fran A)

因此，在这些亲密的时刻，在连续下降到地面，在水平的景观和广阔的高原，在小山前，主体作出他的空间，以决定寻找的规模根据心情。

Therefore, in these moments of intimacy, in the successive descents into the ground, and in the horizontal landscape and the vast plateau, in the small mountain front, the subject makes his spaces, deciding which scale to seek according to the mood.

Architects Atelier Paralelo

Location Brasília, Brazil

Category Houses

Author Thiago de Andrade

Collaborators Arquiteto Andrea Denza, Arquiteta Larissa Lessa, estagiárias Alice Menezes e Natália Costa

Project Area 592.5 m2

Project year 2013

Photographs Joana França