© Jaime Font

c.Jaime Font

架构师提供的文本描述。每年，加泰罗尼亚市民都会纪念1714年9月11日的事件，这是西班牙继承战争中的一个重要日子，它象征着伏尔泰人所谓的“巴塞罗那人对自由的极度热爱”。今年是这些活动300周年，巴塞罗纳文化基金会(FundacióEnric Miralles)在该市举办了7座公共设施，作为其“三角文化”项目的一部分。

Text description provided by the architects. Every year, citizens of Catalonia commemorate the events of September 11th 1714, a key date in the War of the Spanish Succession that has come to symbolize what Voltaire called “the Barcelonans’ extreme love of freedom.” With this year marking the 300th anniversary of these events, Barcelona Cultura enlisted the Fundació Enric Miralles to curate 7 public installations around the city as part of its Tricentenari BCN program.

 © Runze Hu

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由Urbanus和ETSALS共同组成的身份展馆

IDENTITY pavilion by URBANUS together with ETSALS

在全球化时代，我们如何重新定义身份概念？与绝对或静态的身份形象不同，我们时代的身份是非常动态的，不断相互同化和相互反应。因此，我们通过另一个镜头探讨加泰罗尼亚的身份，在乌尔巴纳斯(局外人)和ETSALS(内部人)之间不断地来回对话，在设计过程结束时产生新的灵感和意想不到的结果。

How can we redefine the idea of Identity in an era of globalization? Instead of an absolute or static image of Identity, the identities of our age are very dynamic, constantly assimilating and reacting with each other. Therefore, we approached the Identity of Catalonia through an alternative lens, a constant back and forth dialogue between Urbanus (outsider) and ETSALS (insider), generating new inspirations and unintended consequences at the end of the design process.

 © Runze Hu

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从罗马拱门到加泰罗尼亚拱顶

From roman arch to Catalan vault

身份展馆将现有的大型广场分成两部分，恢复1714年的旧广场，同时在城市中形成一个新的聚集点；一个聚集和交换地点，将举办不同的活动来展示加泰罗尼亚人的身份。

The Identity pavilion divides the large existing plaza into two, recovering the old 1714 square while generating a new gathering point in the city; a congregation and exchange spot that will host different activities showcasing Catalan Identity.

 © Runze Hu

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这个空间是由传统的加泰罗尼亚粘土拱顶抽象而成的，突出了原始罗马拱门形态的演变。使用有凝聚力的小竹子网络减少了支撑的需要，消除了临时支撑的必要性。这允许一个巨大的跨越结构，材料厚度只有10毫米，使用标准工业生产的竹子从中国带来。

The space is configured by an abstraction of the traditional Catalan clay vault, highlighting the evolution of the form from the original Roman arch. The use of a cohesive network of small bamboo pieces reduces the need for buttressing and eliminates the necessity of temporary supports. This allows for a large spanning structure with a material thickness of just 10mm, using standard industrially produced bamboo pieces brought from China.

 © Runze Hu

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结构简化到任何人都可以参加它的集会。为了证明这一点，建成的展馆得到了许多学生的参与。这类建筑系统在概念上与著名的加泰罗尼亚人金字塔“人类城堡”有着相似之处，作为一种公共建筑形式，不同的个体为了一个共同的最终目标而团结在一起。

The construction is simplified enough so that anyone may participate in its assembly. In demonstration of this, the completed pavilion was built with the participation of many students. This type of construction system conceptually shares similarities with the “Human Castles”, the famous Catalonian human pyramids, as a form of communal construction in which different individuals team up together for a common final goal.

 © Runze Hu

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节日结束后，展馆将被拆除。一些部分将被重新用于其他设施，其余的将被回收，并作为冬季取暖的生物燃料提供给不同的社区。

Once the festival is over, the pavilion will be disassembled. Some pieces will be re-used for other installations and the remaining ones will be recycled and given to different communities as bio fuel for heating in winter.

Architects Urbanus, La Salle

Location Plaça Nova 08002 Barcelona, Spain

Category Pavillion

Author Architects Urbanus; Liu Xiaodu, Meng Yan / La Salle: Josep Ferrando + Eugeni Bach + Jaime Font + 25 estudiantes

Project Architect Bernat Riera

Team Runze Hu, Zhifei Hao, YanHui Ma, YueYu Luo

Project Year 2014

Photographs Runze Hu, Jaime Font, Eugeni Bach & Albert Cabrer