© Leonardo Finotti

莱昂纳多·芬诺蒂

架构师提供的文本描述。从史前时代就有人居住，因为它的特权和战略位置，帕梅拉呈现在今天，由于不同的文化影响，先后居住在该地区，直到今天。中世纪城堡在景观上的存在是显而易见的。这是一种双重关系，特别是在晴天，当从城堡保持，景观打开里斯本。除了这种强烈的历史特征外，该领土还整合了葡萄牙两个最重要的保护区：阿尔拉比达自然公园和萨多河口自然保护区。历史与景观融为一体。

Text description provided by the architects. Inhabited since prehistoric ages due to its privileged and strategic location, Palmela presents nowadays as the result of the influence of the different cultures that successively inhabited that area until today. The presence of the Medieval Castle on the landscape is evident. This becames a dual relationship specially on clear days, when, from the castle keep, the landscape opens up to Lisbon. In addition to this strong historical identity, the territory integrates two of the most important protected areas in Portugal: the Arrábida Natural Park and the Sado Estuary Nature Reserve. History and Landscape merge in one place.

在这个小村庄的中心，城堡和周围的景观-巴里斯谷-形成了一片空白。因此产生了一个新的体积，牢固地锚定在地面上，它由一个混凝土单体组成，线条简单，与城堡的巨大形状有关，同时也与周围铰接屋顶的几何形状有关。这一建筑重新定义和总结了博阿维斯塔广场正面的界限，加强了它的结构。

In the heart of this small village, a void is subjected to the presence of the castle and the surrounding landscape: the Barris Valley. Thus arises a new volume, firmly anchored to the ground, which consists of a concrete monolith, with simple lines, that relates to the massive figure of the castle and, at the same time, to the geometry of the articulated roofs of the surrounding. This construction redefines and concludes the limit of the facade of the Boa Vista Square, strengthening its structure.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

这些表面和材料揭示了建筑的建造过程(就像城堡本身一样)，不仅与环境建立了几何关系，而且还通过在混凝土中添加了绿色颜料(使帕尔梅拉的城市景观呈现在屋顶和正面上的色调)来建立色彩关系。用于混凝土浇铸的木板将其纹理印在外部外观的连续表面上，使其具有天然的松脉浮雕。经过清洁和规划，这些面板被回收和重复使用在内地板，墙壁和家具，建立了相同的公制节奏内和外面的房子。

The surfaces and materials reveal the construction process of the building (like the castle itself), establishing not only the geometric relationship with the environment but also the chromatic relationship through the use of ochre pigment added to concrete (tone present on the roofs and facades that make the urban landscape of Palmela). The wooden panels used for concrete casting imprint their texture to the continuous surface of the exterior facades, giving them a natural pine vein relief. After cleaning and planed, these panels were recovered and reused on the inner floors, walls, and furnisher, establishing the same metric rhythm inside and outside of the house.

空间组织被分为三个层次，分布在一个木制楼梯。在一楼，一个低于道路水平的空地构成了一个以自然光为特征的出入大厅。在一楼，它位于更多的私人地区的房子，组织沿着一个露台位于一边的地段，以确保他们的最佳照明和通风条件。二楼聚集了指定用于住宅社会生活的区域，在那里，洞口的设计是为了在一天的不同时间捕捉不同的景观，具有不同的尺度。从面对博阿维斯塔广场的房间的书房区域，可以追踪到它的日常活动流量；中午，餐厅的开放形成了城堡的静态图像，在日落时，客厅的开放覆盖了巴里斯山谷广阔的葡萄园景观。

The spatial organization is divided by three levels, distributed by a wooden staircase. On the ground floor, an open space, lower than the road level, constitutes as an access lobby, characterized by the natural light. On the first floor it’s located the more private areas of the house, organized along a patio situated on one side of the lot that ensures their optimal illumination and ventilation conditions. The second floor aggregates the areas designated to the social life of the house, where the openings were designed to capture different landscapes, with different scales, at different times of the day. From the study area of the room that faces the Boa Vista Square it’s possible to track its daily movement fluxes; at noon, the opening of the dining room frames a static image of the castle and, at sunset, the opening of the living room encloses the extensive verdant vineyards of the Barris Valley landscape.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

Architects Paratelier

Location Palmela, Portugal

Category Houses

Architect in Charge Leonardo Paiella, Mónica Ravazzolo

Area 186.0 sqm

Project Year 2014

Photographs Leonardo Finotti