Marilia Project SuperLimão Studio

2014-09-24 01:00
 © Maira Acayaba
(Maira Acayaba)
架构师提供的文本描述。建筑设计
Text description provided by the architects. Architectural Design
这座房子的历史位于波利斯塔大道几米处,从20世纪初开始,1915年的第一个规划就证明了这一点。与该地区的豪宅相比,它的比例适中,但细节丰富,在近一个世纪的生活中,它经历了几次翻修和使用。
The history of this house located a few meters from Paulista Avenue begins in the early twentieth century, as shown by its first plan from 1915. Modest in its proportions compared to the mansions in the region, but rich in detail, it has undergone several renovations and uses over almost a century of life.
因为它是一个小幸存者今天,在一个地区的高玻璃塔,这是决定从一开始,房子将仍然存在。
Because it is a small survivor today, in an area of high glazed towers, it was decided right from the beginning that the house would still exist.
 Planta 2° Pavimento
Planta 2°Pavimento
 
 
 
 
为了使小面积的住宅适应新的商业用途,决定巩固环境,创造可根据客户需要关闭的大空间,从而使空间具有极大的灵活性。
To adapt the house with small compartmentalized areas for its new commercial use, it was decided to consolidate the environments, creating large spaces that can be closed according to the customer's needs, thus giving great flexibility to the space.
这需要进行重大的结构和基础设施干预。因此,决定所有的干预措施都将以这样的方式进行,以便新的和旧的之间的对比是明确的。
This required a major structural and infrastructural intervention. Thus, it was decided that all interventions would be undertaken in such a way so that the contrast between the new and the old would be explicit.
 © Maira Acayaba
(Maira Acayaba)
选址与容量
Siting and Volume
为了在不失去住宅特性的情况下,尽可能地寻求最高的使用系数,对立法、能源使用和房屋所经历的不同时期的决定因素进行了深入的研究。
Seeking the highest coefficient of use possible without losing the building's residential characteristic, a thorough study was done in which the determining factors were legislation, energy use and the different periods that the house had gone through.
使用不当的地区被拆除后,一栋有两层楼的建筑物就可以被拆除了。
The demolition of poorly used areas allowed for a building with two floors.
 © Maira Acayaba
(Maira Acayaba)
这些都是按照新的特点建造的,创造了金字塔的体积。因此,所有环境都可以直接访问慷慨的露台。
These were constructed in compliance with the new characteristics, creating a pyramidal volume. Thus all environments have direct access to generous terraces.
在基坑开挖过程中,发现了漂亮的大砖块压路机。这个空间被用作一个技术区域,有电气、液压和电梯设施。
During the excavation of the basement for the foundations, beautiful baldrames with large bricks were found. This space was used as a technical area with electrical, hydraulic, and elevator facilities.
 © Maira Acayaba
(Maira Acayaba)
由于它的历史,并考虑到它是一种结构砖石结构,我们决定建立一个独立的金属结构,它作为外骨骼直接将新的荷载直接转移到现有房屋下面的新地基上。
Due to its age and given that it is a structural masonry construction, we decided to create an independent metal structure, which as an exoskeleton transfers the new loads directly to new foundations literally underneath the existing house.
在需要修复墙壁的情况下,使用了不同的修复技术,例如放置由拉杆连接的外部轮廓。它们压缩墙壁,防止它们像扑克牌一样倒塌。这是意大利中世纪建筑修复中广泛使用的一种技术。
In instances where the walls needed to be restored, different restoration techniques were used such as placing external profiles, connected by tie rods. These compress the walls and prevent them from collapsing like a house of cards. This is a technique widely used in restorations of medieval buildings in Italy.
 Section BB
BB节
外壳和包层
Enclosures and Cladding
在原来的地板上,墙壁被剥落,显示了房屋的不同时期和修复。砖拱门,混凝土衬砌与河流鹅卵石是一些元素,出现在这一阶段的项目。墙壁被拆除,适当地储存材料,在适当的阶段被重复使用,在地板上制造新的砌块。木地板、屋顶梁、框架、门窗也是如此,这些都是按照最初的用途修复和使用的,或者是翻新后的家具。
In the original floors, the walls were peeled displaying the different periods and restorations of the house. Brick arches, concrete lintels with river pebbles were some elements that appeared in this phase of the project. The walls were removed, storing their material properly, which were reused at the appropriate stage to make new blocks on the floors. The same happened with the wooden floor, roof beams, frames, doors and windows that have been restored and used in accordance with their original purpose or refurbished to create furniture.
 © Maira Acayaba
(Maira Acayaba)
正如我们所强调的,外面的地板是用破碎的瓷砖做的,门是用屋顶瓷砖做的​​。
As we have highlighted, the exterior floor is made of broken tiles and the door is made ​​with the roof tiles.
上部楼层的围护结构采用滑动框架,允许自然光线进入和通风。
The enclosure of the upper floors was made with sliding frames that allow the entry of natural light and ventilation.
为了使这个住宅适应新的办公项目,我们要充分利用现有的质量,这在几乎整个结构和材料的使用上是明确的。一楼的地板被重新安装,新的区域有一个水泥板地板。
To adapt this residence for the new office program, we were to make the most of existing qualities, which is explicit in the use of almost the entire structure and materials. The flooring of the first floor was re installed, and the new areas have a cement slab flooring.
 © Maira Acayaba
(Maira Acayaba)

                            
Sustainability
除了几乎完全再利用现有材料外,预制结构还大大减少了碎片的产生,从而减少了运输过程中的能源消耗和二氧化碳排放。
Besides the almost total reuse of existing materials, the prefabricated structure drastically reduced the generation of debris, and consequently the energy expenditure and CO2 emissions from transportation.
能源效率是本项目的一个主要因素,因此,利用电子模型和能源软件设计进行了几项研究,确定了材料和开口。
Energy efficiency was a major factor in this project, thus, several studies using electronic models and software design of energy were used to define the material and openings.
宽的原墙保证了高的热惯性,与交叉通风相结合,创造了一个舒适的环境,并尽量减少了空调的使用。
Wide original walls guarantee a high thermal inertia, which combined with cross ventilation create a pleasant environment and minimize the use of air conditioning.
 © Maira Acayaba
(Maira Acayaba)
在新的故事,滑动框架允许通风和优化进入光线。
In the new story the sliding frames allow ventilation and optimize the entry of light.
所有雨水都是通过隐藏在凸起的地板下的排水沟收集的。它被过滤并储存在两个装有10,000升的大型储罐中,位于地下。安装在屋顶上的小型储水罐允许重力水的使用,从而减少了抽水的需要,而不使结构超载。
All rainwater is collected through drains hidden under the raised floor. It is filtered and stored in two large tanks holding 10,000 liters, located underground. Smaller water storage tanks located on the roof allow the use of water by gravity, thus reducing the need for pumping without overloading the structure.
 © Maira Acayaba
(Maira Acayaba)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects SuperLimão Studio
Location São Paulo - São Paulo, Brasil
Category Commercial Architecture
Autores Lula Gouveia, Thiago Rodrigues, Antonio Carlos Figueira de Mello, Sérgio Cabra
Project Area 450.0 m2
Project Year 2014
Photographs Maira Acayaba
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