© Gia Wolff

(Gia Wolff)

建筑师：

From the Architect:

一种解构的绳索变换罩-Herzog

A deconstructed Canopy of ropes transform Herzog & de Meuron’s architectural space for the Turbine Hall into a carnival space reminiscent of Oscar Niemeyer’s Sambadrome in Rio de Janeiro.

 © Gia Wolff

(Gia Wolff)

天篷，是一个巨大的和前所未有的安装在表演部门的显示山下降大厅：一个室内狂欢节的客人由克莱尔塔特现代的涡轮大厅策划。用馆长坦金斯的话说，展览“与狂欢节作为反抗仪式、异己节和表演艺术相结合，以及诺丁山狂欢节作为一个有争议的场所，专门用来思考公共空间、表演和参与的概念”，所有这些都位于“檐篷”的建筑装置内。

Canopy, was a monumental and unprecedented installation within the performance department for the show Up Hill Down Hall: An Indoor Carnival guest curated by Claire Tancons for Tate Modern‘s Turbine Hall. In the words of curator Tancons, the show "engages with Carnival as ritual of resistance, festival of otherness and performance art, and with the Notting Hill Carnival specifically as a contested site from which to reflect on notions of public space, performance and participation," all situated within the architectural installation of Ca

 © Gia Wolff

(Gia Wolff)

为了增强涡轮厅的进行性，5500英尺的定制，厚厚的粉红色-红色绳索悬挂在大厅的一端到另一端。绳索诱使观众通过独特的街道大小的空间，并引导他们与表演者和参与者。

As a means to enhance the processional nature of the Turbine Hall, 5,500 feet of custom made, thick vibrant pink-red ropes hung from one end of the hall to the other. The ropes enticed audience members through the unique street-sized space, and guided them alongside the performers and participants.

 © John Hartmann (Freecell Architecture)

约翰·哈特曼(Freecell Architecture)

纵向悬挂，550英尺长，看似发线型的细绳，物理连接到建筑物的屋顶桁架在东端和西端的大厅，并在视觉上连接的巨大空间与十接触线曲线。在曲线的最低点，绳子把小径分开，在桥上和桥下织布，把观众带到树冠的空间里。在很近的地方，但就在手臂够不到的地方，绳子暴露了它们巨大的尺寸和粗糙扭曲的纹理。

Suspended lengthwise, 550 feet long and seemingly hairline thin pieces of rope physically connected to the building’s roof truss on the east and west ends of the hall, and visually connected the vast space with ten catenary curves. At the lowest point in the curve, the ropes split paths and wove above and below the bridge to bring viewers inside the space of Canopy. Up close, but just out of arms reach, the ropes revealed their massive size and rough twisted texture.

 © John Hartmann (Freecell Architecture)

约翰·哈特曼(Freecell Architecture)

在力所能及的范围内，用马龙格里菲斯的表演“联邦杰克中没有黑”编舞。这些绳索被用作人群控制装置，并与狂欢者和睦相处。在紧张的情况下，每个绳架模拟沿线的一个点，并定义了表演的空间。路线上每一点的变化都重新定义了表演区域，帮助观众和表演者从大厅的一端移到另一端。

Within reach, smaller hand-held ropes were choreographed with Marlon Griffith's performance of No Black in the Union Jack. These ropes were used as crowd control devices, and moved in harmony and discord with the revelers. Held with tension, each rope bearer simulated a point along the line and defined the space for the performance. Shifts at each point along the line redefined the performance area and helped move the audience and performers from one end of the hall to the other.

该节目的其他合作者包括Hew Locke‘s，Give and Take，Central St Martin的学生项目，The Sky is Dose，和Dub形态学的一幅声景。

Other collaborators for the show included Hew Locke’s, Give and Take, Central Saint Martin’s student project, The Sky is Dancing, and a soundscape by Dubmorphology.

 © John Hartmann (Freecell Architecture)

约翰·哈特曼(Freecell Architecture)

这个装置提供了一个独特的机会，可以探索狂欢节的空间和表演创意，以及正在进行的研究项目“浮动城市：基于社区的游行浮标建筑”的发现，这是哈佛大学GSD Wheelwright奖2013年颁发的一个项目。

This installation was a unique opportunity to explore spatial and performative ideas from carnival in tandem with discoveries made through the ongoing research project, Floating City: The Community-Based Architecture of Parade Floats, a project awarded by Harvard GSD Wheelwright Prize 2013.

建筑师Gia Wolff Location Tate现代，伦敦SE1，英国类别临时设施建筑师，负责Gia Wolff客座策展人克莱尔·坦克斯·柯尔奇团队，当代艺术和表演馆长凯瑟琳·伍德，泰特和卡布辛·佩罗，助理策展人，罗伯特·西尔曼协会手持式绳索协调员安德里亚·赫拉达手持式绳索表演协调员泰特现代工程斯科特·休斯，中央圣马丁学院学生安德里亚·赫拉达和泰特志愿者，剪接乔泰勒的Ropeloft，英国绳索操纵尼克布朗的Balckout，英国项目年2014年照片吉娅沃尔夫，约翰哈特曼(弗里塞尔建筑)

Architects Gia Wolff Location Tate Modern, London SE1, United Kingdom Category Temporal Installations Architect in Charge Gia Wolff Guest Curator Claire Tancons Curatorial Team Catherine Wood, Curator, Contemporary Art and Performance, Tate and Capucine Perrot, Assistant Curator, Tate Modern Engineering Scott Hughes of Robert Silman Associates Handheld Rope Coordinator Andrea Herrada Handheld Rope Performance Andrea Herrada, students from Central St. Martin’s, and Tate Volunteers Rope Splicing Joe Taylor of Ropeloft, UK Rope Rigging Nick Brown of Balckout, UK Project Year 2014 Photographs Gia Wolff, John Hartmann (Freecell Architecture)