Forest House NORM Architects
2014-09-27 01:00
架构师提供的文本描述。这座私人别墅位于哥本哈根北部的一片山坡上。原来的建筑是一个非常封闭和黑暗的建筑,与美丽的周围完全没有交互作用。因此,我们的任务是彻底改造这座房子,给它一种开放、通风的斯堪的纳维亚氛围,在材料和建筑上与周围的自然相结合。
Text description provided by the architects. This private villa is situated on a sloping forest lot in North of Copenhagen. The original structure was a very closed and dark building that did not interact with the beautiful surrounds at all. The task was therefore to completely redo the house and give it an open and airy Scandinavian atmosphere that in choice of materials and architecture engaged with the nature surrounding it.
因此,我们的想法是尽可能开放房子,让森林的风景成为室内的唯一装饰,将森林的某些景观设计成一个开放的方案,通过消除房屋不同空间之间的隔阂,使房屋的不同功能在两个层次上融为一体。只有浴室的表面有变化。
The idea was therefore to open up the house as much as possible and let the scenery of the forest be the sole decoration of the interior by framing certain views of the forest and to create an open plan that allowed the different functions of the house to melt together in one continuous flow on the two levels by eliminating the barriers between the different spaces of the house. Only the bathroom has a change in surfaces.
我们想要创造一个实用,纯洁和安静的美的结合。在日本萨比价值观的驱使下,我们用天然的材料和泥土的颜色来增加灵魂和历史,来塑造有趣的事物,而不是一种抛光和装饰的美。结合纯白的墙壁,斯堪的纳维亚的简朴的家具和诗意的北欧风景,这座房子的目标是一种感官的空间体验。
We wanted to create a combination of utility, purity and a quiet beauty. Motivated by Japanese Sabi values, we used natural materials and earthy colours to add soul and history to shape interestingness rather than a polished and decorated beauty. Combined with the pure white walls, the Scandinavian simplicity of the furniture and the poetry of the Nordic scenery, the house aims to be a sensuous spatial experience.
房子的正面是从倾斜的房屋里出来的,有着白色的墙壁和黑色的薄薄的窗框,有节奏地打破了外表,这是受维特根斯坦大厦的启发,也是该房产的一个清晰而中心的焦点。
The facade of the house that comes out of the sloping property, with its white walls and thin black window frames that rhythmically breaks the exteriors is inspired by the Wittgenstein House and is a clear and central focal point on the property.
Architects NORM Architects
Location Copenhagen, Denmark
Photographs Jonas Bjerre-Poulsen
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