项目经理Alain Bruner合作者Matthieu Labardin Acoustics AAB结构工程/木材信封BETEM机械/管道/电气工程BETEM平面设计Atelier 59 Scenography Art-Scenique Client Melun CityHall制造商装载.

Project Manager Alain Bruner Collaborators Matthieu Labardin Acoustics AAB Structural Engineering/ Timber Envelope BETEM Mechanical/ Plumbing/ Electrical Engineering BETEM Graphic Design Atelier 59 Scenography Art-Scenique Client Melun Cityhall Manufacturers Loading...

 © Herve Abbadie

赫夫·阿巴迪

架构师提供的文本描述。这座建筑植根于一个由空白空间(游乐场，宽阔的大道…)构成的非结构化的城市遗址中。建筑作为现代城市发展的对象(公寓楼、体育馆和学校)。

Text description provided by the architects. The building takes its roots within an unstructured urban site made of blank spaces (playgrounds, wide avenues…) and building as objects from the modernist urban development (blocks of council flats, gymnasium and school).

 © Herve Abbadie

赫夫·阿巴迪

音乐学院的建筑让人想起了一个音乐盒，它的砖墙是坚固而清醒的，它的金铜合金包层是珍贵的。

The Music Academy building remind of a « music box », solid and sober with its brick walls, precious by its gold copper alloy cladding.

 © Herve Abbadie

赫夫·阿巴迪

它的形状和谐地切断了它的天际线。从它的黄金开口的节奏标点符号的外观，取决于他们的方向和他们的需要在自然光。

Its shape cuts out harmoniously its skyline. The rhythm from its golden openings punctuates the facades depending of their orientations and their needs in natural light.

 © Herve Abbadie

赫夫·阿巴迪

这种公共设备在周围和建筑物周围的台阶上形成了一种特征和同质性。

This public equipment shapes an identity and homogeneity out of the steps of the surroundings and the buildings neighbourhood.

 © Herve Abbadie

赫夫·阿巴迪

用于该项目正面的两种主要材料-黑砖和铜-既不豪华，也不显眼：

The two mains materials used for the facades of that project, dark bricks and copper, complete one another without neither luxury nor apparent protocol:

-黑砖唤起了机构的持久性

- The dark brick evokes the institution’s permanence

-铜铝合金(Tecu Gold)，揭示了教学艺术中的感性和可塑性。

- The copper-aluminium alloy («Tecu Gold »), reveals the sensuality and the plasticity in the teaching arts

 Exploded Axonometric

爆炸轴测

该项目的大气、规模、做法和不同地方的庇护在一个单一的卷。场地的特性将与其创作功能相联系，具有准确的效果和比例、节奏和紧张。

The project sheltered atmospheres, scales, practices and various places within a single volume. The identity of the venue will be associated to its creative function with accurate effects and proportions, rhythms and tensions.

 © Herve Abbadie

赫夫·阿巴迪

这种文化设备的多重性是由其支离破碎而提出的。这一个揭示不同类型的教导，创造横截面和间隙，允许间接和不同的光扩散取决于日子和季节。不同氛围之间的对比有助于为每一项活动(舞蹈工作室、音乐学院、归还小组室)及其在建筑物内的发现提供一个特征：

The multiple vocation of this cultural equipment is suggested by its fragmentation. This one reveals different kinds of teachings, creates cross sections and interstices allowing the indirect and various lights diffusion depending on days and seasons. Contrasts between different atmospheres contribute to give an identity to each activity (dance studio, music academy, restitution group room) and its spotting within the building:

 © Herve Abbadie

赫夫·阿巴迪

可以俯瞰外面的开口，楼上舞蹈室的灯光，音乐学院的内向，房间的大小和高度都有选择，它们都围绕着一个露台和它的枫树(用于制作琵琶的木料)。归还组房方便出入，多用途工具，位于正门前，有双高和相对独立。

Openings overlooking outside and lights for the dance studios upstairs, inwardness for the music academy giving a selection of sizes and height to its rooms, all of them wrapped around a patio and its maple (wood used in lute-making). Easy accessibility for the restitution group room, multipurpose tool, situated in front of the principal entrance, enjoying a double height and a relative independence.

 Master Plan

矿物平坦的正面，垫子和粗糙的，是由长的斜面，这些显示出一个金色的铜质，光滑和反射，闪烁的光通过高钢“竖琴”和穿孔板过滤器。建筑物的白天和夜间外部气氛将建立在黑砖和金铜之间。

The mineral flat facades, mat and rough, are carved up by long splays; these ones reveal a gold coppered matter, smooth and reflective, which sparkled the light through tall steel “harp” and perforated panel filters. The diurnal and night-time external atmosphere of the building will set up between the dark brick and the golden copper.

 © Herve Abbadie

赫夫·阿巴迪

这两个外观的事物相互协调地完成：炭灰和金，吸收和反射表面，矿物孔隙和金属亮度。他们一起正确地调整，并设置音乐，因为音乐实践需要它。

The two façade’s matters complete each other harmoniously: charcoal grey and gold, absorbent and reflective surfaces, mineral porosity and metallic brightness. They tune together with exactitude and set to music as the musical practice requires it too.