架构师提供的文本描述。时间几何

Text description provided by the architects. The Geometry of Time

从本质上讲，重塑就是覆盖一种物质属性和另一种物质属性。换句话说，它是用新的情感重新诠释现有物质属性的情感意义的工作。

In essence, remodeling is covering one material property with another material property. In other words, it is the work of reinterpreting the sentimental meaning of existing material property with new sentimentality.

 © Sun Namgoong

(孙南光)

空间被人占据，但记忆的痕迹由空间和时间留在物理空间，而不是地方。这就是为什么建筑同时成为恐惧和模糊的主题的原因。太空在过去的足迹中吐出过去的记忆，而现在的人对此进行了重新解读。如果材料的性质有几何学，它会是什么，它应该是什么？

Space is occupied by someone, but the trace of memories by the space and time remains in the physical space, not the place. This is the reason why architecture is the subject of fear and dimness at the same time. Space spits out the past memories in the footsteps of the past that are reinterpreted by someone who lives in the present. If there is geometry in material properties, what could it be and what should it be?

 © Sun Namgoong

(孙南光)

新的感伤空间-时间的几何

New Sentimental Space The Geometry of Time

客户在登记批次后的第二天打电话给我们，要求我们提供一个设计计划。在安排约会之前，我毫不犹豫地做了一次，好像我认识房主一样。是因为这样的信心吗？

The client called us the day after registering the lot to request a design plan. I did not hesitate even for a second before setting up an appointment as if I had known the owner. Was it because of such confidence?

 © Sun Namgoong

(孙南光)

作为一名电视商业制作人，客户对架构有着很强的要求，并且对细节有明确的要求来实现这些原则。我认为架构师创建架构，但客户创建架构师。他要求将现有的独户住宅改造成办公室空间，采用一种新的、复杂的、充满现代材料的感伤方式。一座有几十年历史的砖房需要什么样的形式和材料来更新现代的感觉呢？

The client, who is a TV commercial producer, had strong principles about architecture and clear requirements for the details to realize them. I thought that architects create architecture, but clients create the architects. He demanded remodeling the existing single-family house into office spaces with a new type of sophisticated sentimentality covered with modern materials. What kind of forms and materials are needed to renovate with modern sentiments a brick house that is decades old?

 1st Floor Plan

一楼图则

Giwa的几何和感性标识符Giwa(朝鲜屋顶瓷砖)是有序的。

The Geometry of Giwa and the Sentimental Identifier Giwa (Korean roofing tiles) is order.

 Courtesy of JOHO Architecture

由Joho建筑公司提供

 Courtesy of JOHO Architecture

由Joho建筑公司提供

天瓦屋顶是一种几何序的系统。它是一个优化的耐雨降雪单元和一个经济系统的组合，以建立山墙形状。这些瓷砖彼此配对，以创造纹理和实际复杂。然而，复杂的天花瓷砖有时被放置在模糊的边界线上。Giwa群的弯曲图形形成波浪形和山墙的三角几何，构成了过去的秩序。你如何理解重复纹理和几何学所创造的规则，并现代地重新解释这些单元的几何聚类？它们来自于感性认同的几何组合。

Giwa roofing is a system of a type of geometric orders. It is a combination of units optimized to endure rain and snow and an economical system to build the gable shape. These tiles pair up with one another to create texture and tactual sophistication. However, the sophisticated Giwa tiles are sometimes placed on the ambiguous borderline. The curved figures of Giwa cluster to form the wavy shapes and the triangular geometry of gable constructs the order of the past. How would you comprehend the rules created by the repetition of its texture and geometry and modernly reinterpret the geometric cluster of the units? They come from the geometric combination by sentimental identification.

 Facade Study

立面研究

现有的红色天瓦和砖的几何形状与黑色不锈钢的灰色四面体在质地和材质上形成了鲜明的对比。不同的几何原理共享异质性和同质性，同时形成一个接触点。它是两个共存的事物之间的张力，没有一个人是优越的，是时间和空间的多愁善感所创造的平衡点。

The existing geometry of red Giwa and bricks contrasts with the gray tetrahedrons of black stainless steel in terms of texture and material sentimentality. The different principles of geometry share heterogeneity and homogeneity and form a contact point at the same time. It is the tension between two co-existing things with no one being superior, and the balance point created by the sentimentality of time and space.

 © Sun Namgoong

(孙南光)

地下室的空间重构与扩展

Space Reconstruction and Expansion of Basement

最重要也是最困难的部分是考虑到扩展空间的商业化，对测量结果进行回顾。它意味着建筑改造的范围和预算，决定着建筑未来的商业价值。考虑到有限的预算和未来的可扩展性，我选择了可以扩大的地下室空间，不管建筑面积比如何，作为这个项目的主要场地。换句话说，考虑到未来可扩展性的最大虚拟测量，我在地下室固定了所需的停车位。

The most important and the most difficult part of remodeling is reviewing the measurements considering the commerciality of expanded space. It means the scope and budget of remodeling and decides the future commercial value of architecture. Considering the limited budget and the future expandability, I chose the basement space that can be expanded regardless of floor area ratio as the major site of this project. In other words, I secured on the basement the required parking space considering the maximum virtual measurements for future expandability.

 Brick Wall Study

砖墙研究

这个空间计划提供停车位，并用作与地下室相连的各种形式的外部空间。为了保证停车位的安全，改变了一个钢制杠杆图案，使顶部的百叶窗和底部的石头交替形成一个图案。除了使用停车位外，还在顶部的百叶窗内插入LED单元，以便在夜间进行各种活动。大理石新外墙的水平流动连接到现有的停车位，使地下室空间最大化，用于各种用途，如画廊。地下室空间被充分利用，但不改变楼面面积比率，以腾出空间进行更多的扩展。顶层的现有房屋拆除了现有的天花板材料，为租房者提供了方便的空间。

This space has been planned to provide the parking space and to be used as various forms of exterior space connected to the basement. To secure this parking space, a certain steel lever pattern was changed in angle to alternate the louver on top and the stone on the bottom to create a pattern. LED units were inserted inside the louver on top to allow various activities at nighttime in addition to the use of space for parking. The horizontal flow of the new exterior walls in marble connects to the existing parking space to maximize the basement space for various uses such as a gallery. The basement space was used to the fullest without changing the floor space ratio to leave room for additional expansion. The existing house on top removed the existing ceiling materials to open up the space for the convenience of renters.

 © Sun Namgoong

(孙南光)

几何重构

The Reconstruction of Geometry

87个黑色不锈钢四面体砌块构成了包围现有砖墙的基本单元。黑色不锈钢立方体的外部是由530个三角形和菱形组成的皮肤块。换句话说，530个几何形状是由顶部和底部的钻孔板和中心的激光切割三角形来划分和重新配置的。大约200000个钻孔圆圈和15000个几何图案的图案在不同的数量和质量上过滤了来自外部的光线。光线被重组，空间被重新配置。过去的足迹被几何学改造，空间被几何光的变化赋予时间感。

Eighty-seven black stainless steel tetrahedron blocks form the basic unit that encases the existing masonry walls. The exterior of black stainless steel cubes is a lump of skin made of 530 triangles and rhombuses. In other words, the 530 geometric shapes are divided and reconfigured by the bored plates on top and bottom and the laser-cut triangles on the center. The pattern of about 200,000 bored circles and 15,000 geometric patterns filter the light from the outside in various quantities and qualities. Light is reorganized and the space is newly configured. The past footsteps are reconfigured by geometry and the space is given the sense of time by the change of geometric light.