福恩斯描述说：“整体形式是由20个递增直径的球体组成的，结合起来形成了一个经验张力的封套，一种在已知的舒适和与未知的不稳定的互动之间的崇高对话。”由此产生的形貌与一系列分布的传感器和照明源产生共鸣，它们通过结构应力流在元素间产生的孔隙流来发挥作用。

“The overall form is an aggregate of twenty spheres of incremental diameters, combined to create an envelope of experiential tension, a sort of sublime dialogue between the comfort of the known and an uneasy interaction with the unknown,” described Fornes. “The resultant morphology resonates with a series of distributed transducers and lighting sources playing out through streams of porosity derived from structural stress flows across the elements.”

更多关于“情况室”的图片和信息，休息后。

More images and information about the “Situation Room,” after the break.

 © Miguel de Guzmán

米格尔·德古兹曼

架构师：信封是通过布尔操作创建的，这些操作合并了球体，并通过固有的双曲率给出了刚性，而最好的方法是通过嵌套增量半径来存储。光滑球面交叉口的倒曲率在与一系列由收敛球面点导出的内部根茎网络混合时提供额外的加强。内部网络的细分和重组，最终分解成列，运载-负荷到地面，。内部形态的明显复杂性是球体密集聚集的直接结果，创造了丰富的空间条件，例如压缩/扩展、层次和分支、打结、…等。

From the architect: The envelope is created out of boolean operations merging the spheres and lending rigidity through the inherent double curvature, while best allowing for storage through nesting of incremental radii. The inverted curvature of smoothed sphere-intersections provide additional reinforcement while blending with a series of internal rhizomatic networks derived from convergent sphere points. The internal networks subdivide and recombine, eventually resolving into columns that carry down-loads to the ground,. The apparent complexity of the internal morphology is a direct result of the dense aggregate of spheres, creating a rich repertoire of spatial conditions exemplified by compression/expansion, hierarchies and branching, knotting, coves…

 © Marc Fornes & THEVERYMANY

c.Marc Fornes

 © Miguel de Guzmán

米格尔·德古兹曼

结构分析中的应力流通过一系列的分布式Agent来进行定向适应，并对其形态进行爬行。它们的轨迹最终变成非线性铝条，而力流中的间隙被转化为孔径。

Stress flows from structural analysis are used for directional fitness by a series of distributed agents crawling its morphology. Their trails are eventually materialized into non-linear aluminum stripes, while gaps within the force flows are translated into aperture.

 © Miguel de Guzmán

米格尔·德古兹曼

空间体验是通过在结构表面传播的十道共振声音来增强的，在这里作为分布式换能器的膜工作。该系统的设置为作曲家和参观者提供了一套适合居住的大型乐器-演奏设备.

The spatial experience is augmented through ten-channels of resonant sounds propagated across the structural surface, operating here as a membrane for distributed transducers. The system set-up provides a large scale inhabitable instrument-apparatus of play for both composer and visitor.

 © Miguel de Guzmán

米格尔·德古兹曼

空间包络、声膜、结构性能、装配部件和分布式照明通过一层霓虹灯效应被统一和融合在一起，模糊了人们对已知事物的感知。

Spatial envelope, acoustic-membrane, structural-performance, assembly-parts and distributed lighting are unified and amalgamated through a coat of neon-effect, blurring one's perception of the known.”

 Top Diagram. Image © Marc Fornes & THEVERYMANY

顶部图。图像(MarcFornes)

建筑师MarcFornes

Architects Marc Fornes & THEVERYMANY Location 97 Kenmare Street, New York, NY 10012, USA Category Temporal Installations Computation / Assembly MARC FORNES & THEVERYMANY Sound Composition Jana Winderen Fabrication bengal.fierro Organizers Storefront for Art and Architecture From Sat, 04 Oct 2014 Until Fri, 21 Nov 2014 Venue Storefront for Art and Architecture NYC Supporters Robert Rauschenberg Foundation Project Year 2014 Photographs Miguel de Guzmán