© Raoul Kramer

拉乌尔·克雷默

架构师提供的文本描述。富宁

Text description provided by the architects. Funen

这十所房子是500座住宅的总体规划的一部分，同时也是一座名为“Het Funen，Hidden Delights”的建筑公园的一部分。这个三角形的地点位于历史中心和阿姆斯特丹东部最近重新开发的港口区域之间，这是一个旧的拖车停车场。在东边和南面，一堵“墙”，里面有300多套公寓和办公空间，用来遮挡附近铁路的噪音。在这个半开放的街区内，一个松散的网格被设置，其中包含16个较小的住宅块，位于一个公园。这些“暗影”的高度从9米到18米不等。已经发生了从公共部门向私人部门的转变。包括公园在内的城市规划是启动和委托的-传统上由城市指导-并由一家公司IBC Vastgoed开发和建造。

These ten houses are part of a masterplan for 500 dwellings and a park by the Architecten Cie, called 'Het Funen, Hidden Delights'. The triangular site is located between the historic center and the recently redeveloped harbor area in the east of Amsterdam, a former parking lot for towed cars. Along the east and the south side a 'wall' containing over 300 apartments and office spaces shields the site from the noise of the adjacent railroad. Inside this semi open block a loose grid is set up, containing 16 smaller housing blocks positioned in a park. These 'Hidden Delights' vary in height from 9 to 18 meters. A shift from the public to the private has taken place. The urban plan including the park is initiated and commissioned -traditionally operations directed by the City- and developed and build by one single company, IBC Vastgoed.

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公园的维护工作将由一家私人公司负责，而不是由城市来负责，但公园将继续向公众开放。有三个几乎正方形的街区，大小为30.5×27.7米，应该包含2.5层楼高。建造前两层是必须的；第三层应该是50%的建筑和50%的屋顶露台/花园。在我们的街区内，房屋的体积平均分布在这十所房子上，每栋房子分配了633立方米。这些房屋是按照一种被称为背靠背住房的类型来组织的。它们将从街区中间的过道进入。这个“迷你峡谷”摧毁了必须从公共领域正式进入的强制性存储空间和技术设施的正面。

The maintenance of the park will be handled by a private firm, not by the city, but the park will remain publicly accessible. There are three almost square blocks that measure 30.5 by 27.7 meters and should contain 2.5 stories. It was obligatory to build the first two stories in alignment; the third should be 50% building and 50% roof terrace/garden. In our block the volume is distributed evenly over the ten houses; each is allocated 633 cubic meters. The houses are organized according to a typology known as back to back housing. They will be accessed from an aisle in the middle of the block. This "mini-canyon" rids the facades of the obligatory storage spaces and technical facilities that formally have to be accessible from the public domain.

 © Raoul Kramer

拉乌尔·克雷默

前门放在后面，房子向内翻。通过把“肠子”像水表、煤气表、走廊和楼梯放置在较暗的公寓区域里，门面可以向光和视野敞开，通向公园所在的地方。另外三座建筑面积稍小，但高得多(18米)，就在这座大楼的旁边。通过将给定的2.5层楼解释为2.5层楼，就像约翰·马尔科维奇(JohnMalkovich)一样，我们可以在没有正式决定的情况下做出一个“干净”的开端；一块6层1.5=7.5米高。为了在主计划中创建空间，这个卷被变形和重新分配，尽可能地从相邻的卷中推开。在正交网格中，一个对角线的视野打开了。

The front doors are positioned in the back; the houses are turned inside out. By placing the 'intestines' like water and gas meters, hallways and stairs in the darker zones of the apartments, the facades can open up to the light and to the view, to where the park is. Three other buildings with a slightly smaller footprint, but considerably higher (18m), rise up next to the block. By interpreting the given 2.5 floors as 2 + ½ story as in Being John Malkovich we could make a ‘clean’ start without formal determination; a block of 6 + 1.5 = 7.5 meters high. To create space within the masterplan this volume is deformed and redistributed, pushed away as much as possible from the adjacent volumes. Within the orthogonal grid a diagonal vista opens up.

 © Raoul Kramer

拉乌尔·克雷默

此操作所使用的设计工具是小岛的轻微旋转，将其定向到两个块之间的开放空间，而不是两个“盲”墙，从而提供一个公共快捷方式。参照点是给定的每套住宅633立方米。虽然所有的房屋在同一时间拉伸和压缩，无论是在高度或长度，他们仍然保持原来的体积。虽然类型学的一些特点仍然存在，但所有的房屋都是独特的，从一层半到四层，从120到160平方米，都是独一无二的。所有的房子都是不同的，但它们是一个更大的整体的一部分；它们是一体的。建筑物的振幅现在从5米到15米不等，但总的来说，平均仍然是7.5米。在这一过程中，作为建筑组织工具的标准建筑海湾成为了“弹性”。

The design tool deployed for this operation is the slight rotation of the isle, orienting it onto two open spaces between the blocks, instead of two ‘blind’ walls and as such providing a public shortcut. Point of reference is the given 633 m³ per dwelling. While all houses are at the same time stretched and compressed, either in height or in length, they still maintain this original volume. Although some features of the typology remain, all houses are individual and unique reaching from one-and-a-half to four stories, from 120 to 160m2. All houses are different but part of a larger whole; they are one. The amplitude of the building now varies from 5 to 15 meters, but overall the average is still the required 7.5 meters. In the process the standard building bay as an organizational tool of construction became ‘elastic’.

 © Raoul Kramer

拉乌尔·克雷默

Architects NL Architects

Location Funenpark, 1018 Amsterdam, The Netherlands

Category Apartments

Architect in Charge Pieter Bannenberg, Walter van Dijk, Kamiel Klaasse, Mark Linnemann

Project Year 2009

Photographs Raoul Kramer