© Simon Menges

C.Simon Menges

架构师提供的文本描述。这座建筑是从城市环境中产生的，受到陡峭的屋顶和城市住宅建筑的垂直性的影响，受到新哥特式教堂直立装饰的巨大影响，受到古典主义建筑的沉重体积的影响，受到遍布整个天际线和港口起重机的塔楼的影响。

Text description provided by the architects. The building emerges from its urban context, influenced by the steeply pitched roofs and the verticality of the city’s residential buildings, by the monumentality of the upright ornaments of its neo-Gothic churches and the heavy volumes of its Classicist buildings, by the towers that dot its entire skyline and the cranes of its port.

以表现主义的心态，我们的目标是用几何学来塑造一种新的有节奏的构图，通过平衡块体和垂直性来传达情感。

With an expressionist mindset, we have aimed to use geometry to give shape to a new rhythmic composition that conveys feelings by balancing massiveness and verticality.

 © Simon Menges

C.Simon Menges

使用玻璃作为外部包覆材料，突出了建筑与周围环境的对比。它创造了一个明亮、透明和正直的物体。

The use of glass as the exterior cladding material highlights how the building contrasts with the conditions of its surrounding environment. It creates a bright, transparent and upstanding object.

 © Simon Menges

C.Simon Menges

这座建筑的内部结构很简单，大天窗是它们最大的特点。伟大的交响乐大厅不同于这些，因为它是一个雕塑的物体，嵌入一个几乎没有轮廓的矿物样的空间。

The building’s interiors are simple, large skylights being their utmost defining trait. The great symphonic hall differs from these in that it is a sculpted object, embedded into a barely outlined mineral-like space.

 © Simon Menges

C.Simon Menges

Architects Estudio Barozzi Veiga

Location Szczecin, Poland

Category Concert House

Architect in Charge Fabrizio Barozzi , Alberto Veiga

Project Leaders Pieter Janssens, Agnieszka Samsel

Project Team Marta Grządziel, Isak Mayor, Petra Jossen, Cristina Lucena, Cristina Porta, Ruben Sousa

Area 13000.0 m2

Project Year 2014

Photographs Simon Menges

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