© Jane Messinger

(简·梅辛格)

架构师提供的文本描述。这所房子位于伯克希尔小镇的一个密林，占地16英亩的地方。该遗址最初没有什么景观，也没有多少太阳穿透性，地形由陡峭的斜坡、沿东边的垂直岩壁和一条向西容易发生季节性洪水的小溪组成。这些戏剧性的元素指导了建筑物的选址，以及景观、景观和日光可以融入设计的方式。

Text description provided by the architects. This home is located in a small Berkshires township on a densely wooded, 16-acre property. The site initially afforded no views and little sun penetration, its topography defined by a steep slope, a vertical rock ledge along its east edge, and a creek prone to seasonal flooding to the west. These dramatic elements informed the siting of the buildings and the ways that landscape, views, and daylight could be integrated into the design.

 © Jane Messinger

(简·梅辛格)

该项目采用了“花园中的机器”设计方法，其中当代词汇和最小形式强调了建筑工程与自然景观之间的关系。胡仙与剑桥的景观建筑师里德希尔德布兰德密切合作，发展可持续森林，以及设计花园梯田和建筑景观墙。最初的设计策略集中于对遗址进行操作，以尽可能多地保护自然地形。一条200英尺长的板状混凝土挡土墙沿着该遗址的东侧向北向南延伸，为建筑物、花园和草地开辟了新的高原。宾馆紧靠着这面墙，在陡峭的山坡上锚定建筑大会，而主楼和甲板则从地形向外延伸到树梢。一条直线的青石通道连接着宾馆和主房子，通向树梢的西阳台，俯瞰下面的小溪。

The project embraces a “machine in the garden” design approach, where contemporary vocabulary and minimal form underscore the relationship between built work and natural landscape. AW collaborated closely with Cambridge-based landscape architects Reed-Hilderbrand on both the development of sustainable foresting as well as the design of garden terraces and architectural landscape walls. The initial design strategy focused on manipulating the site to preserve as much of its natural topography as possible.  A 200-foot long board-formed concrete retaining wall runs north—south along the site’s east edge to expose new plateaus for buildings, garden, and meadow. Clinging to this wall, the guesthouse anchors the building assembly in the steep hillside, while the main house and deck project out from the landform into the treetops.  A linear bluestone path connects guesthouse and main house, and leads to the west balcony in the tree-tops, looking out over the creek below.

 Floor Plan

一个最小的材料调色板唤起了质朴和精确，反映了景观和建筑的并列顺序。建筑物被覆盖在高性能的雨幕上，屏幕上有多个复杂的西方红雪松板，磨出多个轮廓，形成一个随着太阳运动而变化的图案。板是组织在垂直海湾由铝T剖面，产生一个纹理的节奏，以容纳开口，开窗，和屏幕。用铝L剖面创建的格子体积显示了这两栋建筑的主要入口，同时屏蔽了室内空间，使其免受南方阳光的照射。建筑内部完全是白色的，强调光的发挥，客户的艺术收藏，以及景观的看法。

A minimal materials palette evokes both rusticity and precision, reflecting the juxtaposed orders of landscape and architecture. Buildings are clad in a high performance rainscreen of knotty western red cedar boards, milled with multiple profiles to generate a pattern that changes with the sun’s movement. The boards are organized within vertical bays delineated by aluminum T-sections, producing a textured rhythm that accommodates openings, fenestration, and screens. Lattice volumes created with aluminum L-sections indicate primary entrance to both buildings, while screening interior spaces from exposure to southern sun. Building interiors are entirely white, emphasizing the play of light, the client’s collection of art, and views of the landscape.

 © Jane Messinger

(简·梅辛格)

Architects Anmahian Winton Architects

Location Red Rock, United States

Category Houses

Design Team Nick Winton, AIA, Alex Anmahian, AIA, Makoto Abe, Project Architect; Sydney Thiel, LEED AP, Mazen Sakr

Landscape Reed Hilderbrand LLC Landscape Architecture

Area 6400.0 ft2

Project Year 2013

Photographs Jane Messinger

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