架构师提供的文本描述。贝茨智能参与点OfView点燃他们的新悉尼工作室。建筑师和室内设计师是照明设计的最大支持者之一。他们对照明如何增强他们创造的空间有一个清晰的理解。他们也意识到光线不好的后果。

Text description provided by the architects. Bates Smart engage PointOfView to light their new Sydney Studio. Architects and interior designers are amongst the biggest supporters of lighting design. They have a clear understanding of how lighting can enhance a space they have created. They also appreciate the consequences of poor lighting.

获奖的照明咨询公司PointOfView也是如此，当时建筑师贝茨·斯马特(Bates Smart)向他们介绍了位于20世纪40年代建造、艺术装饰设计的20世纪福克斯电影公司(20世纪福克斯电影公司)前办公室的悉尼新工作室。

And so it was when award winning lighting consultancy PointOfView was briefed by architects Bates Smart to light their new Sydney Studio located in a 1940's built, art deco designed, former offices of the 20th Century Fox Film Corporation.

这是一段史诗般的情节。

It was a brief of epic proportions.

 © Brent Winstone

布伦特·温斯顿

其理念是加强清洁，永恒和克制的建筑，同时创造一个舒适和刺激的环境，在其中开展业务。哦，是的，并且遵守项目预算和商定的时间表。

The idea was to enhance the clean, timeless and restrained architecture while simultaneously creating a comfortable and stimulating environment in which to conduct business. Oh yes, and adhering to a project budget and agreed time line.

原来的建筑位于悉尼苏里山联邦街80号，在其辉煌的岁月里，它是一个充满魅力的电影活动中心，也是装饰艺术的一个壮观的例子。不幸的是，就像许多帮助20世纪福克斯出名的银幕偶像一样，这座建筑本身在最近的日子里也陷入了困境。虽然外表保留了一个恒星的形象，但内部狭小，在经济上是不可行的。

The original building located at 80 Commonwealth Street, Surry Hills, Sydney, was, in its glory days, a hub of glamorous film activity and a spectacular example of the art deco kind. Unfortunately, like so many of the screen idols that had helped make 20th Century Fox famous, the building itself, had in more recent times, fallen on hard times. While the exterior retained a stellar image, the interior was cramped an economically unviable.

 © Brent Winstone

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这些年来，人们为振兴它的命运作出了各种努力。然而，直到建筑师福克斯约翰斯顿在9年的参与中开始恢复以前的辉煌，进展甚微。巴顿(Barton)和麦卡锡(McCarthur)与唐·卡梅隆(Don Cameron)和法恩斯工作室(Fns Studio)一起，随后激发了令人兴奋的新商业和创意潜力。当时，电影金库、办公室、放映室和储物柜的内部迷宫被改造成了如今的开放而诱人的空间。

Over the years various attempts were made to rejuvenate its fortunes. However little progress was made until architects Fox Johnston began to restore some of its former glory during a nine-year involvement. Exciting new commercial and creative potential was subsequently brought to life by Barton and McCarthur, in conjunction with Don Cameron and Fearns Studio when the interior labyrinth of film vaults, offices, screening rooms and storage cupboards was transformed into the open and inviting space it is today.

PointOfView公司后来将与唐·卡梅伦合作，为堪培拉的酒店提供开创性的服务。

PointOfView would later collaborate with Don Cameron on their groundbreaking work for hotelhotel in Canberra.

英联邦街80号很快成为日本自行车商店、一家亲密酒吧、一家熙熙攘攘的食品商场、一位花卉设计师和一家黄金时代影院的必经之路。输入Bates智能架构师和PointOfView。

80 Commonwealth Street soon became the must have address for a Japanese Bicycle Shop, an intimate bar, a bustling food emporium, a floral designer and a Golden Age Cinema. Enter Bates Smart Architects and PointOfView.

 © Brent Winstone

布伦特·温斯顿

最终目标是创造一个舒适、刺激的环境，这是他们心目中最重要的目标，因此，PointOfView的设计师们就开始工作了。由于客户的大部分任务都是以屏幕为基础的，因此在工作空间中使用的间接光线低于推荐值，然而，通过点亮天花板和墙壁，可以获得亮度的感觉。悬空，黑色的线性荧光上升剖面提供了一种节奏感，整个开放空间和抵消白色油漆曝光的光束和服务。

With the ultimate goal of a comfortable and stimulating environment foremost in their minds the designers at PointOfView set to work. As the majority of their client's tasks were screen based, lower than recommended indirect light was used in the work spaces, however a perception of brightness was achieved by lighting the ceilings and walls. Suspended, black linear fluorescent uplighting profiles provided a sense of rhythm throughout the open spaces and offset the white painted exposed beams and services.

工作区光线的减少使工作人员的注意力集中在室内设计的协作性上，然后又被轨道上的另一层照明所强调。重点还明确了工作室的建筑特征，并建立了更有吸引力的活动区域，如接待和突破工作区。

The reduced light levels in the workspace areas focused staff’s attention on the collaborative nature of the interior design that was then accented by another layer of lighting on tracks. The highlight also pinpoints the architectural features of the studio and establishes more inviting activity zones such as reception and break out workspaces.

 © Brent Winstone

布伦特·温斯顿

一层装饰照明被应用在几个地区，以创造一个视觉锚地。在一楼的主要会议室有一个没有修剪，凹环，提供一般照明，而聚光灯通过特色屏幕投影碎片到接待室地板上有一种诱人的影响。其他会议区域是由大的，发光的圆盘识别，与工作空间上的线性配件形成对比。

A layer of decorative lighting was applied to several areas to create a visual anchorage. The main meeting rooms on the ground floor have a trimless, recessed ring to provide general lighting while spotlighting through the feature screen projects shards onto the reception floor with an inviting affect. Other meeting zones are indentified by large, glowing discs that contrast with the linear fittings over the work spaces.

最后，与许多PointOfView项目一样，还有一个重要的定制元素。例如，楼梯安装了高度抛光的镀铬椭圆形天花板功能，突出原来扶手的重要性，提升天花板，创造一个具有高度和体积感的开阔空间，同时反映楼梯井的活动和活动。这些定制元素，在这种情况下，旨在反映建筑艺术装饰遗产，是帮助使POV项目的原始宝石。20世纪福克斯电影公司将感到自豪。贝茨·斯马特也很高兴！

Finally, as with many PointOfView projects, there was a significant element of customization. The staircase for example, was fitted with a highly polished, chrome oval ceiling feature that highlights the materiality of the original handrail, uplights the ceiling and creates an open space with a sense of height and volume whilst reflecting the movement and activity in the stairwell. These custom elements, in this case designed to reflect the building art deco heritage, are what help make POV projects original gems. The 20th Century Fox Film Corporation would be proud. Bates Smart was very happy too!

PointOfView公司在悉尼和墨尔本设有办事处，并因出色的照明解决方案而获得许多国际奖项。

PointOfView has offices in Sydney and Melbourne and is the recipient of many international awards for extraordinary lighting solutions.

 © Brent Winstone

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Architects Bates Smart

Location 43 Brisbane Street, Surry Hills NSW 2010, Australia

Category Offices Interiors

Project Year 2014

Photographs Brent Winstone