© Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

架构师提供的文本描述。一座新教教堂站在一个富裕的绿色住宅区里，步行10分钟就到了Shonan海滩。这座有50年历史的教堂的会馆太小了，于是决定在一个新的地方建造一座新教堂。与教会有关系的人说：“我们希望有一个适合赞美主的礼拜堂。”

Text description provided by the architects. A protestant church is standing at a rich green residential area at a 10-minute walk from the Shonan beach. The meetinghouse of the 50-year old church became too small and it came to a decision that a new church would be constructed on a new site. People related to the church said, "We wish to have a chapel appropriate to give praise to the Lord. "The words of the Bible are read, and heard in service.

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

建筑的结构是一层楼高有限的建筑，这样它就可以与一个低层住宅区相协调，目的是创造适合于祈祷和崇拜的空间，与六个不同高度的曲面屋顶相对应，从而使自然光在这些屋顶之间倾泻而下。从圣经创世开始的第一天到第六天，六个屋顶的意思就是第七天。

The composition of construction was a one-storied building with a restrained height so that it might harmonize with a low-rise residential area and aimed at creating space appropriate to prayer and worship with the six curved surface roofs at different heights, which allowed natural light to pour down between those roofs. A message got across that six roofs means the first to sixth day from the Creation in the Bible genesis and worship manifests the seventh day.

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

直接阳光和天窗是根据时区来调节的。

Direct sunlight and skylight are manipulated according to the time zones.

直接阳光不适合服务时区，但考虑到除服务外，直接阳光适用于时区，这种建筑的目的是在服务时区(周日上午10：30-12：00)和其他时区创造一个天窗空间。因此，在12个月的代表日内，每隔30分钟模拟一次光照，并根据时区进行处理。因此，服务时区在全年都会在柔和的天窗下创造出一个空间。如果服务接近完工时间，直接阳光就会开始在墙面上照射光线。动态变化的发生，直接阳光变化到一条线的状态在下午，并进一步采取另一种形式，倾盆大雨在三点钟左右。

Direct sunlight was inappropriate for the time zone of service, but considering that direct sunlight was appropriate for the time zone except for service, this construction was designed to create a space of skylight during the time zone for service (10:30-12:00 in Sunday morning) and direct sunlight during other time zones. So, light was simulated at intervals of 30 minutes on the representative days in 12 months and manipulated according to the time zones. As a result, the time zone for service comes to create a space under a soft skylight throughout year. If service comes close to finishing time, direct sunlight begins to draw a ray of light on the wall surface. Dynamic alterations take place that direct sunlight changes to the state of one line in the afternoon and further takes another form to pour down like shower at around three o'clock.

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

声音和光的肋骨

Ribs of sound and light

在教堂裸露的钢筋混凝土墙上随机刻划不均匀的纵向肋，并在肋间放置深灰色的声学板。矛盾的要求达成了一个解决办法，通过平衡，使人们很容易听到牧师的布道和读圣经的凹形音板，以及教会音乐的声音，如带有RC凸面的赞美诗。颤振回声通过随机肋骨俯仰减小。深灰色凹面与光的对比显示出直射凸面的浅灰色亮度。基于现代教堂建筑必须提供一个空间来阅读圣经的想法，人们想到，阳光直射黑暗空间的状态在明亮而不是黑暗的空间中成为现实。

Uneven longitudinal ribs were carved at random rhythm to the exposed RC concrete wall of the chapel, and dark gray acoustic boards were placed between the ribs. Conflicting requirement arrived at a solution through striking a balance, by making it easy to hear priests' preach and Bible Readings with concave acoustic boards, and the sound of ecclesiastical music such as hymns with RC convex surfaces. Flutter echo reduces by random rib pitches. Contrast of dark gray concave surfaces against light stands out a light gray brightness of direct sunlight shooting the convex surfaces. Based on the idea that modern church construction has to provide a space to enable the Bible Readings, it came up to mind that the state of direct sunlight shooting through a dark space became a reality in a bright, not dark space.

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

直接月光

Direct moonlight

在朔南的天空下，我们参加了一次礼拜，阅读和聆听圣经的话，并有时间在一个充满活力的阳光下，在下午的阳光下祈祷。满月之夜，月光直射一个漆黑的教堂.这样的时间和空间与地域的自然和风景相协调，希望人们会喜欢这个建筑。

Under the sky of Shonan, we participate in a service, read and hear the words of the Bible and have the time for pray in a space under dynamic direct sun light in the afternoon. Direct moonlight shoots through a pitch-dark chapel at night of the full moon. Time and space like this harmonizes with the regional nature and scenery and hopefully people come to love the construction.

室外兵马俑交叉

Outdoor terra-cotta cross

崇敬的弗鲁亚在以前的教堂里用手捡起5公斤重的沙子，一个兵马俑十字架被焚烧，和沙子混合在一起。这是因为我想把50年来的基督教协进会的历史和会众的愿望交织在一起。

Reverenced Furuya picked up 5KG sand by hand in the premises of the previous church and a terracotta cross was made being burned, mixed with the sand. This is because that I wanted to interweave the 50 years' history of Shonan Christianity association and the congregation's desires in it.

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

开敞式雨水管道

Open rainwater pipe

将狭缝安装在圆弧最低位置的外墙上，使之开启雨水管道。因此，看到雨水流进排水沟是一件令人愉快的事，尽管有大量松树叶，但树叶却没有挡住排水沟。

Slits were installed on the outside wall at the lowest position of circular arc to make it open rainwater pipes. As a result, it could be enjoyable to see rain flow in the gutters and leaves don't block the gutters in spite of abundance of pine leaves.

直射阳光和祈祷

Direct sunlight and prayer

阳光直射的空间，根据时间显示不同的表情，适合于一个人或几个人的祈祷。在祈祷之后的下午，它变成了一个由少数人祈祷的空间，阳光直射使光线的数目从1到2或3，以及它的角度按分钟变化。

Space where direct sunlight reveals various expressions according to times is suitable for one person's or several people's prayer. In the afternoon after prayer, it becomes a space for prayer by the small number of people and direct sunlight changes the number of the ray from one to two or three and its angle by the minute.

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

天窗与服务

Skylight and service

“圣经”的话被阅读，并在仪式中被听到。“圣经”和人们在服事期间暴露在阳光下是不恰当的。天窗适合服务。服务时间为上午10：30，为天窗提供安全空间。到中午12点。

The words of the Bible are read, and heard in service. It is inappropriate that the Bible and people are exposed to sunlight during service. Skylight is appropriate for service. The space is secured for skylight during service from 10:30 a.m. to 12:00 a.m.

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

中午后的礼拜堂

Chapel after noon

当圣歌唱到礼拜结束时，只有一缕薄薄的直射阳光射过礼拜堂。

Only one ray of thin direct sunlight shoots through the chapel when hymn is sung toward the end of service

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa

造物浮雕瓦

The Creation relief tile

在六个屋顶下，上帝手中的浮雕瓷砖被埋在南北的墙壁上，这是六天创世记的主题。未烘烤的瓷砖被刻有创世记的原始图片，并一个地烧掉。瓷砖的颜色是透明的，薄蓝色的，有晨雾的图像。六天的照片在设计上南北差别很大，不仅在礼拜堂，而且在各种房间，包括前厅、休息室、婴儿室和牧师室，都增添了乐趣。

Under the six roofs, relief tiles in the motif of the hand of God for the six-day Genesis are buried on the north-south walls. Unbaked tiles were engraved with original pictures from Genesis and burned one by one. The tiles were colored with transparent thin blue with the image of morning haze. The pictures of six days were delicately different in design between south and north, and added the enjoyment to find a picture not only in the chapel but in various rooms including the anteroom, rest room, baby room and pastors' room.

 Floor Plan

Structural design

结构设计采用箱形框架式钢筋混凝土结构，纵向墙厚300 mm，短侧向薄钢弯矩框架。弯曲板在曲率的一侧，厚度为250 mm，利用板的曲率作为梁组成屋顶，并作为钢弯矩框架的一部分抵抗水平力。曲线板采用空隙板，有效地跨开，侧方短方向的墙体得到完整的结构缝，以减轻水平力的负担。

Structural design was based on box frame type reinforced concrete construction with sufficient amount of wall 300mm thick in a longitudinal direction and thin steel moment frame on the short side direction. Curved slabs in the curvature for one side of 250mm in thickness that composes the roofs functions as beams using the curvature of the slab, and resists the horizontal force as part of steel moment frame. Void slabs were adopted for curved slabs, used to efficiently span them and the wall on the short side direction was given complete structural slits so that it might be relieved from the burden of a horizontal force.

 © Koji Fujii / Nacasa&Partners Inc.

Koji Fujii/Nacasa