架构师提供的文本描述。这场比赛的节目，在2008年由哈密顿·马森赢得。

Text description provided by the architects. The programme of this competition, won in 2008 by Hamonic + Masson & Associés architects, was to reconstruct the Marne departmental archives annexe, situated in the French city of Reims. The new construction is located opposite the old building, and the project was completed and delivered by Hamonic + Masson & Associés in 2014. The aim was to turn the building in to a modern history research hub and a regional information centre, whilst expanding the linear archival storage space from 7km to 18km.

 © Sergio Grazia

塞尔吉奥·格拉齐亚

考虑到这个项目的规模和对网站的影响，我们希望通过几种方式来阅读Reims的档案，根据距离或离建筑的距离来讲述不同的故事，并允许人们在浏览过程中发现许多不同的元素和感觉。

Considering the size and the impact on the site, we wanted this project for the Reims archives to be read in several ways, to tell different tales depending on distance or nearness to the building, and to allow the discovery of many different elements and feelings as one walks through.

位于缓坡上，建筑物的立面方式不会破坏或超载设置。这是我们从背景中看到的一条线。游客走一条路，逐渐让路到入口坡道。接待处是一个中间空间，在通往内部花园之前。入口展示了建筑的功能结构，我们通过透明的庭院看到了这一点。

Located on a gentle slope, the building stands in such a way that does not spoil or overload the setting. It’s a line that we see from the background. Visitors take a path that gradually gives way to the access ramp. The reception area is an intermediary space, before opening onto the inner garden. The entrance demonstrates the building’s functional organisation that we see through the transparent patio.

 © Sergio Grazia

塞尔吉奥·格拉齐亚

时间的影响将揭示天然原材料(玻璃、金属和金黄漆混凝土)的魅力。这些工业材料以其丰富性、质感和振动，在诗歌中得到了发展。它是一种美学的精致，如果谨慎运用，就会赋予建筑的一致性和同一性。

The effect of time will reveal the charm of the natural, raw materials (glass, metal and golden-brown varnished concrete.) With their richness, textures and vibrations, these industrial materials gain in poetry. It is an aesthetic refinement, which, if applied with care, gives the building consistency and identity.

 © Sergio Grazia

塞尔吉奥·格拉齐亚