架构师提供的文本描述。从照明和组织的角度来看，巴塞罗那这套公寓最有争议的地方显然是中心。与室内庭院和垂直核心相接触的区域。与外立面接触的部件已经处于独立工作的理想位置，因此不需要太多的翻新。因此，我们最初提出了一个项目的双重方法。

Text description provided by the architects. The most contentious part of this apartment in Barcelona, from the point of view of lighting and organization, is clearly the center. The areas in contact with the interior courtyards and the vertical core. The parts that are in contact with the facades are already ideally placed to work by themselves, and therefore do not need much renovation. So, we initially propose a dual approach to the project.

 © Andrés Flajszer

c Andrés Flajsze

我们需要把中心地带的冲突变成一个不仅有效而且令人兴奋的地区。把“几乎什么都不做”投射到公寓的其他地方。

We needed to turn the conflict in the center into an area that not only works but is a fascinating and exciting area. And projecting the "do almost nothing" in other parts of the apartment.

中心部分是从消除过度碎片化和实施更具现代生存性的系统着手的，即静态循环和程序自然混合，从而避免仅供流通的空间。

The central part is approached from the elimination of excessive fragmentation and the implementation of systems of more contemporary livability, where the static circulation and programs are naturally mixed and thus avoid spaces only for circulation.

 © Andrés Flajszer

c Andrés Flajsze

该中心被改造成一个景观，其中包括三个封闭的盒子，一个音乐盒，一个浴室-洗衣，和浴室-厨房。一种景观，其中可移动的元素被自由地排列，没有等级。在此公共上下文中专门使用并与其他元素共存的元素。一种边界不是如此界定的景观，更多的扩散和交错的当代动力被吸收。一种支持多种变化和变化的景观，其速度与我们在更多的城市环境中所能做到的相同。

The center is transformed into a landscape that contains 3 closed boxes with a music box, a bathroom-laundry, and bathroom-kitchen. A landscape where the movable elements are laid out freely and without a hierarchy. Elements that are used specifically and coexist with other elements in this common context. A landscape where the boundaries are not so defined, and more diffuse and interlaced contemporary dynamics are absorbed. A landscape that supports the multiple variations and transformations at the same rate that we can make them in more urban settings.

 © Andrés Flajszer

c Andrés Flajsze

同时，新组织强调地板和天花板的空间连续性，作为这一景观的基础支撑元素，仅以旧房间的痕迹为界。

At the same time, the new organization emphasizes the spatial continuity of the flooring and ceilings, as base supports element of this landscape, only delimited by the traces of the old rooms.

这种景观也给了我们一些编程上的宁静，让我们不知道未来50年我们将如何生活。一个被迫的不确定的支持，以能够吸收最大的可变活动，如今天的生产脚本，织物，艺术品，食品，音乐，绘画.不可能孤立的活动，自然地彼此串在一起。创造家园的工厂。

This landscape also gives us some programmatically tranquility, allowing us the luxury of not knowing how we will live for the next 50 years. A support of forced uncertainty to be able to absorb the maximum variable activities, as today are the production of scripts, fabrics, artwork, food, music, drawings.... Activities impossible to isolate, and strung naturally with each other. A home factory of creation.

 © Andrés Flajszer

c Andrés Flajsze

第二部分重点论述了“几乎什么都不做”的隐蔽性努力。只有一些经济效益的策略，才能充分利用木箱的结构来集中所有的设施。我们保持框架并移动它。我们回收现有砖块作为新的分区。我们只加热了必需品。我们将画廊空间作为热调节的中间空间来管理。简而言之，我们在空间上压缩了翻修所涉及的最大层数，以使其真正成为一个新的国内景观所需的不确定性。

The other part focuses on the efforts of the invisibility of "doing almost nothing." Only some strategies of economic efficiency, exploiting the structure of wooden boxes to concentrate all the facilities. We keep the framing and move it. We recycle existing bricks for new partitions. We heated only the essential. We manage the gallery space as an intermediate space for thermal regulation. In short, we spatially compress the maximum number of layers involved in the renovation to give the uncertainty required for it to really be

 © Andrés Flajszer

c Andrés Flajsze

Architects NUG

Ubicación Barcelona, Barcelona, Spain

Architect in Charge Amadeu Santacana, Umberto Viotto

Área 143.0 m2

Año Proyecto 2013

Fotografías Andrés Flajszer