架构师提供的文本描述。在由丹麦著名建筑师维尔赫姆·劳里岑(Vilhelm Lauritzen)在哥本哈根上市的“电台之家”(Radio House)中，丹麦国家博物馆最近重新开放了大量的历史乐器收藏。从20世纪50年代开始，这座优雅的现代主义建筑经历了一次大规模的整修，其目的是强调所列建筑的重要性和细节的独特性。

Text description provided by the architects. In the listed ’Radio House’ of Copenhagen, by renowned Danish Architect Vilhelm Lauritzen, the Danish National Museum has recently re-opened its vast collection of historical musical instruments. The elegant modernistic building from the 1950’ies have gone through an extensive refurbishment, respectfully carried out to emphasize the unique character of the listed building’s materiality and detailing.

 Floor Plan

Creo Arkitekter A/S，A熟练和NIRAS是博物馆设计概念和实现的幕后推手，其中包括四个精心设计的声音空间，作为藏品教育计划的一部分。

CREO ARKITEKTER A/S, ADEPT and NIRAS is behind concept and realization of the museum design that includes four delicately detailed sound spaces as part of the collection’s educational program.

 © Laura Stamer

劳拉·斯坦纳

包括国家音乐博物馆(National Music Museum)和四个声音空间“声音博物馆”在内的广播之家，在很大程度上对原建筑进行了翻新，展示了一种保留原始设计意图的经典方法，但同时也为其增添了当代生活和现代气息。

The Radio House, including the National Music Museum and the four sound spaces ’The Sonorous Museum’, is refurbished in great respect of the original building, showing a classic approach that preserves the original design intentions, yet adding contemporary life and modernity to it.

 © Kaare Viemose

卡雷·威默斯

广播电台大楼独特的建筑，反映了维尔赫姆·劳里岑的空间宇宙，是翻修过程中的主要灵感。从展览设计的透明性到“索尼斯博物馆”的声学墙壁中的色彩、图案和节奏的发挥，一切都是现代建筑元素和细节的现代诠释，来自维尔赫尔姆·劳里岑的建筑。

The unique architecture of the Radio House, reflecting the spatial universe of Vilhelm Lauritzen, has been the main inspiration during the refurbishment process. Everything, from the transparency of the exhibition design to the play of colors, patterns and rhythm in the acoustic walls of ’the Sonoruous Museum’, is a modern day interpretation of architectural elements and details from Vilhelm Lauritzen’s buildings.

 © Laura Stamer

劳拉·斯坦纳

展览设计通过音乐史围绕着客人的身体活动-在展出的物品和乐器、图形插图和与博物馆客人互动的倾听台之间进行微妙的平衡。该设计交替的玻璃陈列柜，使仪器似乎漂浮在空中和开放式展台显示更大的仪器。

The exhibition design is build up around the guest’s physical movement through musical history - a movement communicated in a delicate balance between exhibited objects and instruments, graphic illustrations and listening stations interacting with the museum guest. The design alternates between glass showcases making the instruments seemingly float in the air and open tableaus showing larger instruments.

 © Kaare Viemose

卡雷·威默斯

“响亮的博物馆”由四个声音调节的工作室组成，在声学上适合一个特定的乐器组：弦乐、铜管、打击乐器和混合乐器。这四个空间被设计为互动教室，以便为参观学校的班级提供对古典乐器及其声音幽灵的亲身体验。

’The Sonorous Museum’ is comprised of four sound regulated studios, acoustically adapted to a specific instrumental group: strings, brass, percussion and mixed instruments. The four spaces are designed as interactive classrooms in order to provide visiting school classes with a hands-on experience of the classical music instruments and their sound spectre.

 © Laura Stamer

劳拉·斯坦纳

这四个空间设计成同一美学主题的空间变体。每个空间都是用木板覆盖的，设计来满足和创造特定乐器组的最佳声学环境。从打击乐空间的垂直板、弦乐的看似振动的盒式磁带到黄铜空间的图形清晰，这四个空间在表达上都是当代的、现代的，但也是非常经典的-这是维尔赫尔姆·劳里岑(Vilhelm Lauritzen)列出的大师作品中意欲精神的简单而精确的延续。

The four spaces are designed as spatial variations on the same aesthetic theme. Each of the spaces are clad in wood veneer, designed to meet and create the optimal acoustic setting for a specific instrumental group. From the vertical lamellae of the percussion space, the seemingly vibrating cassettes for strings to the graphical clarity of the brass space, the four spaces stands out as both contemporary modern and yet very classic in their expression - as a simple and precise continuation of the intended spirit in Vilhelm Lauritzen’s listed master piece.

 © Kaare Viemose

卡雷·威默斯