工程项目Termoprojeto-Engenharia e Projectos，LDA。Termoprojeto-Engenharia e Projectos，LDA R2设计-www.r2Design.pt家具制造商Paularte-www.paularte.com更新520平方米-社会地区分机908m2-温泉；226平方米-新的社会地区；425平方米-商业楼层；340平方米-技术和机械领域现场面积10.560m2的制造商装车.多规格少规格

Engeneering projects Termoprojeto - Engenharia e Projectos, Lda. Termoprojeto - Engenharia e Projectos, Lda R2 Design – www.r2design.pt Furniture makers Paularte – www.paularte.com Renewal 520m2 – social areas Extension 908m2 - spa; 226m2 - new social areas; 425m2 - business floor; 340m2 - technical and mechanical areas Site Area 10.560m2 Manufacturers Loading... More Specs Less Specs

 © Nelson Garrido

尼尔森·加里多

架构师提供的文本描述。关于架构项目：

Text description provided by the architects. About the architecture project:

Minho酒店的更新和扩建项目是从2006年建造的一栋建筑开始的，2014年新建了公共区域和水疗中心。扩建的目的是维护现有建筑的建筑，尽管其朴素和普通的设计，给酒店带来了更有效的形象。

Hotel Minho renewal and extension project starts from a building constructed in 2006, renovated in 2014 with new public areas and spa. The extension was designed to maintain the existing building’s architecture, despite its plain and common design, introducing a more effective image to the hotel.

 © Nelson Garrido

尼尔森·加里多

该解决方案的目的是非常简单，在一些空间，高度内向，保留现有的结构，并引入新的区域，在楼面以下的主要入口。绿色屋顶和现有白色外墙的连续性旨在将新建筑的视觉影响降到最高水平。

The solution intended to be very simple and in some spaces, highly introverted, retaining the existing structures and introducing the new areas in the floors below the main entrance. The green roof and the continuity of the existing exterior white walls are intended to decrease to the highest level the visual impact of the new constructions.

 Floor Plan

为了加强与遗址、当地材料、建筑传统和乡土建筑图标的关系，新的扩展以板栗木为主要特征之一。这种材料在周围环境中非常丰富，被用作新程序的保持者，负责创造新空间的极限。木箱是酒店组织的新元素，创造了室内和外部设计的氛围和基调，说明每一层楼之间都有很强的连续性。

Pursuing a stronger relation with the site, local materials, constructive traditions and vernacular architectonic icons, the new extension used chestnut wood as one of the main features. This material, abundant in the surroundings, is used as the retainer of the new programs, being responsible for creating the limits of the new spaces. The wood boxes are the new element of organization of the hotel, creating the mood and the tone for the interior and exterior design, stating a strong continuity between every single floor.

 © Eva Sousa

伊娃·索萨

该项目发展到了最小的细节，整合了室内和外部空间，有效地利用了自然光线、内庭院的视觉传达器和几个装饰项目的设计，这些装饰项目可能包括家具、照明甚至酒店标志系统。

The project was developed to the smallest detail, integrating interior and exterior space, using efficiently the natural light, the visual philter of the inner patios and the design of several decoration items that might range from furniture, lighting or even the hotel sign system.

 © Nelson Garrido

尼尔森·加里多

室内设计：

The interior design:

明豪酒店的建筑项目决定了室内设计是全球建筑战略的重要组成部分。作为外壳的建筑和以内部设计为核心的建筑之间的区别，被刻意地消失在一个单一的解决方案中。

Hotel Minho architecture project determined the interior design as a strong part of the global architecture strategy. The difference between in and out, architecture as a shell and interior design as its core, was deliberately faded into one single solution.

 © Eva Sousa

伊娃·索萨

正如上面提到的，因为我们处理的是一个现有的建筑，这个项目的目的是在外部保持现有架构的主要特征，但在内部更自由地工作。通过为酒店营造新的氛围，彻底重新定义了室内设计的材料、家具、装饰之间的平衡、建筑解决方案与氛围的关系。

As mentioned above, because we were dealing with an existing building, the project intended to maintain the main features of the existing architecture on the outside, but working more freely on the inside. The materials, the furniture, the balance between finishes, the relation between the architectonic solutions and the mood tone of the interior design, were completely redefined by creating new ambiances for the hotel.

 © Nelson Garrido

尼尔森·加里多

在酒店的几层中引入的木材体积，通常从内到外，将酒店的这两个区域及其周围连接起来。这些藏书承载了新的酒店项目，如商业区、温泉疗养室等，所有这些都带有非常简单、朴素、几何和夹缝的本地板栗木，形成了坚固的内部结构，充满了个性，有着明亮而温暖的色调。由于酒店位于一个以树林、河流和当地传统为主要景点的地区，室内设计本来就非常自然，似乎由来已久就在那里，让人们看到最好的环境景观，或者在不可能的情况下，把自己开放给新扩建项目所创造的私人外部区域。它经常建立在现代细节之间的联系，从二十世纪中叶到某些方面的建筑，木工或家具雇佣兵。该项目拒绝了时尚、时尚或“酒店设计”的倾向。事实上，为了实现这一点，工作室开发了几项家具、照明、室内装潢和水疗处理功能，以达到这个象形文字想象所要求的正确的视觉效果。

The wood volumes introduced in the several floors of the hotel, commonly going from the inside to the outside, link these two areas of the hotel and its surrounding. These volumes host the new hotel programs, such us the business areas, the spa treatment rooms, among others, all with very simple, plain, geometric and cladded in local chestnut wood, resulting in strong interiors, full of character, with the right tone of light and warmth. Because the hotel is located in a region where the woods, the river and the local traditions are the main attractions, the interior design intended to be very natural, seeming to be there since ages, opening its views to the best landscape of the surroundings or when not possible, opening itself to private exterior areas created by the new extensions. Its frequent the links established between modernistic details from the mid XX century to certain aspects of the architecture carpentry or furniture mercenary. The project rejected the trendy, the fashionable or the “hotel design” tendency. In fact, to achieve this, several items of furniture, lighting, upholstery and spa treatment features were developed by the studio in order to achieve the right visual impact that was demanded by this pictoric imaginary.

 © Nelson Garrido

尼尔森·加里多

主要灵感来自葡萄牙60年代的现代建筑和产品设计，以及米尼奥地区当地的本土建筑。Arne Jacobsen、Alvar Aalto和Arménio Losa、Januário Godinho和lvaro Siza等国际巨头在这项工作中有着强大的直接和间接影响，其中一些公司在Minho酒店项目中引入了家具项目。

The main inspirations were breathed in the Portuguese modern architecture and product design of the 60’s, as well as on the local vernacular architecture of the Minho region. International names as Arne Jacobsen, Alvar Aalto and local giants as Arménio Losa, Januário Godinho and Álvaro Siza, have strong direct and indirect influence in the work and some of them with furniture items introduced in the Hotel Minho project.

 © Eva Sousa

伊娃·索萨

材料和产品：

Materials and products:

Minho酒店所有建筑项目所用的木材-室内和外部包覆、天花板、家具、标志系统-都是伊比利亚板栗木，这是伊比利亚半岛东北部的一种常见木材。该项目投资于在这一主要材料和其他材料之间有适当的平衡，总是中立的，并基于一个白色调色板。其中，白色卡拉拉大理石用于墙壁和地板，以及一些特殊项目，如悬挂灯，柜台和洗脸盆。白色的墙壁，白色的漆板，玻璃和镜子经常被用来强调面对木材的中性元素。剩下的取决于家具和所有剩下的装饰物。

The wood used in all Hotel Minho construction items – interior and exterior cladding, ceilings, furniture, sign system – is Iberian chestnut wood, a common one in the northeast of the Iberian Peninsula. The project invested in having the right balance between this main material and the other ones, always neutral and based on a white palette. Among these, white Carrara marble was used both in walls and flooring, as well in some special items such as suspended lamps, counters and washbasins. White walls, white lacquered panels, glass and mirrors were frequently used to accentuate the neutral element facing wood. The rest is up to the furniture and all the remaining decorative items.

 © Eva Sousa

伊娃·索萨

在这个问题上，除了工作室开发的许多项目(20多件产品，重复共131件)外，该项目还使用了从当地商店收集的许多古董物品，再制造出重要的家具设计项目，如雅努里奥·戈迪尼奥的Pousada安乐椅(1951年)，并按照同样的原则使用了许多当代和现代产品：温暖，优雅高效的设计。该项目开发的家具现已演变成一个名为Bracara的新系列，由我们的工作室和葡萄牙品牌Paularte共同开发-www.paularte.com-并将于2015年初投放国际市场，新产品将反映同样的概念。

On this matter, besides the numerous items developed by the studio (more than 20 products, repeated to a total of 131 pieces), the project used many vintage items collected from local stores, re-manufactured important furniture design items left behind such as the Pousada easy chair (1951) by Januário Godinho, and used many contemporary and modern products in accordance with the same principles: warm, elegant and efficient design. The furniture developed to the project have now evolved to a new collection called Bracara, developed between our studio and Portuguese brand Paularte – www.paularte.com - and will be release in the beginning of 2015 into the international market, with new items reflecting over the same concepts.

 © Eva Sousa

伊娃·索萨

Architects Virgula i

Location Vila Nova de Cerveira, Portugal

Category Renovation

Project lead architect and interior design JP Pereira

Design Team Pedro Guedes, Teresa Aguiar and Pedro Durães Leite

Project Year 2014

Photographs Nelson Garrido, Eva Sousa

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