架构师提供的文本描述。哈玛梅市历史中心一所房屋的翻新和扩建。现有的房子是突尼斯传统的四合院。随着时间的推移，它被转换，但保留了固体和空隙的交替，提供光和自然通风。客户单独居住，但经常接待客人，简短的要求两个独立的生活区。

Text description provided by the architects. Renovation and extension of a house in the historic heart of the city Hammamet. The existing house is a traditional Tunisian courtyard house. It was converted over time but retained an alternation of solids and voids that provide light and natural ventilation. The client lives alone but often receives guests, and the brief demanded two separate living areas.

 Axonometric

该项目的目的是维持这两个庭院，并组织其周围的主要生活功能，并创造大量的横向和纵向连接-空间和视觉。这样用户就可以在房子的不同空间和层次之间进行交互。

The aim of the project was to maintain the two courtyards and to organize the main living functions around them, and to create a multitude of horizontal and vertical connections - spatial and visual. So that the users can interact between the different spaces and levels of the house.

 © Sophia Baraket

(索菲亚·巴拉凯)

两层延伸是对齐的正面俯瞰街道。它和邻近的建筑物一样高。增加的体积揭示了一个房子的存在-到目前为止从街道上看不见的房子。分机区是客人居住的地方。它有自己的独立平台，从一个新的楼梯进入。房子的核心是从工作室平台忧虑，并建立了视觉联系。

The two level extension is aligned on the facade overlooking the street. It rises to the same height as the neighboring buildings. The added volume reveals the presence of a house hitherto invisible from the street. The extension hosts the guests living area. It has its own independent terrace that is accessed from a new staircase. The core of the house is apprehensive from the studio terrace, and a visual connection is established.

 Floor Plan

他们的选择是使用当地的材料和技术。所有的木制品和金属制品都是当地工匠定制的。使用石膏和石灰油漆的所有外墙使用传统的技术，使新的建筑与环境很好地结合。它还强调了对光和阴影的作用的正面。地板铺在混凝土里，生在客厅里，蜡在卧室里，白洗在两个庭院里。

The choice was to use local materials and know-how . All woodwork and metalwork were custom made by local artisans. The use of plaster and lime paint on all exterior walls using traditional techniques allows the new construction to be well integrated with the context. It also underlines the facade by the play of light and shadows. The floors are in concrete that is left raw in the living room, waxed in the bedrooms and white-washed in the two courtyards.

 © Sophia Baraket

(索菲亚·巴拉凯)

为了统一外部空间，所有的外表面都以相同的方式处理。

All exterior surfaces are treated in the same way in order to unify the exterior spaces. 

 © Sophia Baraket

(索菲亚·巴拉凯)