© Federico Cairoli

c.Federico Cairoli

架构师提供的文本描述。该项目位于20多米乘40米，有极好的景观后泻湖的Ubajay游艇俱乐部。在其最后三分之一的深度，它有一个3米的水位差向洪泛区。

Text description provided by the architects. The project is located on a lot 20 by 40 meters, with excellent views to the rear lagoon of the Ubajay Yacht Club. In the last third of its depth, it has a level difference of three meters towards the floodplain.

 © Federico Cairoli

c.Federico Cairoli

相邻的建筑物对这个项目有两种不利的情况：向西。一座误入歧途入侵近一米的房子，正好在地块中央，东边有一处服务区，有些退化，几乎就在聚会的墙壁上。我们考虑了现存的树木，特别是坡口处的三棵松树，一边是一棵雅卡朗达，前面是中等大小的蒂帕。

The adjoining buildings had two unfavorable situations for the project: to the west. a house that mistakenly invades almost a meter, exactly in the middle of the lot, and eastward a service area, somewhat degraded, housed almost to the party wall. We considered the existing trees, especially three pines at the start of the slope towards the pond, a jacaranda on one side and medium-sized tipa in front.

 Section AA

AA节

这片土地在该地区几乎是独一无二的，是圣达菲巴拉那河沿岸系统典型河岸的一部分，但根据已知记录，它处于安全的高度，即在非洪泛区。此外，虽然这个地方属于私人社区，但如何在不失去隐私的情况下解决与自然景观的坦率接触，却存在一些难题。不知何故，“国家”的田园诗世界也不可避免地面临着开放与封闭、透明与不透明、隐私与曝光之间的紧张关系。

The land is virtually unique in the region, as part of a typical bank of the coastal system of Paraná River in Santa Fe, but at a safe altitude, i.e. in a non floodplain according to known records. Also, while the place belongs to a private neighborhood, there were some dilemmas as to how to solve a frank contact with the natural landscape without loss of privacy. Somehow the idyllic world of "countries" inevitably also faces the tension between the open and closed, the transparent and the opaque, or privacy and exposure.

 © Federico Cairoli

c.Federico Cairoli

景观的优势构成了探讨自然与文化之间辩证关系的基础，认识到每一次机会都是在这里和现在重新思考和构想建筑的机会。重新思考还应该包括某些类型的推测，这些推测将考虑到站点的所有变量、限制和条件。

The preponderance of the landscape constituted the basis from which to explore the dialectic relationship between nature and culture, understanding that each opportunity is an occasion to rethink and conceive architecture in this context, here and now... Rethinking should also include certain typological speculations that would consider all the variables, limitations, and conditions of the site.

 © Federico Cairoli

c.Federico Cairoli

这样，书的结构和它们之间的联系就避免了陈规定型观念和先入为主的观念，最近流行起来，只从现存的树木、聚会墙、景观和地形中解决其空间组织问题。这就产生了一个与之形成鲜明对比的项目，就像硬币的两面一样，它不会掩盖甚至加剧这些城市/郊区地区仍然存在的紧张局势。

This way, the configuration of the volumes and their links procured to stay away from stereotypes and preconceived ideas, so fashionable lately, to recognize the place and solve its spatial organization exclusively from the existing trees, the party walls, the landscape and the topography. This results in a project with contrasts, like the two sides of a coin, that doesn't hide, and even exacerbates, the tensions that still exist in these urban/suburban localities.

 Ground Floor Plan

该项目的结构分为底层两卷和上层一卷。前两个纵向偏移，一个到街道，另一个到泻湖。一间房子为女儿们提供服务和一间卧室，这为聚会墙设置了一个视觉屏障，解放了松树区。另一种是社会区域，靠近后界，将景观引入房屋。它还允许避免入侵对方的墙，并保留雅卡兰达。两者之间的一个小区域产生主访问。

The project is structured through two volumes on the ground floor and one on the upper floor. The first two are offset longitudinally, one to the street and the other to the lagoon. One houses services and a bedroom for the daughters, it establishes a visual barrier to the party wall and frees up the pine area. The other contains the social areas and approaches the rear boundary to introduce the landscape into the house. It also allows to elude the invasion of the other party wall and keeps the jacaranda. A small area between both generates the main access.

 © Federico Cairoli

c.Federico Cairoli

与此垂直的是上层，一个带有不透明边的盒子，它结束了对隐私意图的解决，并关闭了双方。

Perpendicularly to these is the upper level, a box with opaque sides that concludes the resolution of privacy intended, closed to the sides.

 © Federico Cairoli

c.Federico Cairoli

在街道上，一堵墙延伸和悬垂，用来划定一个通道庭院，并至少部分地关闭通往房屋内部的景致。在整个门面上使用最小的开口有助于这一点。相反，即使牺牲了最好的阳光，在后面，这个项目完全向景观开放，尽可能地通过一个由悬臂组成的甲板在斜坡上延伸。

To the street, a wall extends and overhangs to delimit an access courtyard and to close, at least partially, the views to the interior of the house. The use of minimal openings on the entirety of the facade contributes to this. In contrast, even sacrificing the best sunlight, at the back the project opens entirely to the landscape, extending as much as possible through an expansion comprised by a deck that cantilevers over the slope.

 © Federico Cairoli

c.Federico Cairoli

我们很少使用材料-混凝土，白色饰面，木材，玻璃和铝-和暴露的结构获得了相关的空间和表达的整体结构。简而言之，该项目意在表示其当代特征，而不是首先忽略那些永久的建筑关注：一个地点、一个时间、一个材料、一个天气，以及一个特定的居住方式。

We used few materials - concrete, white finishes, wood, glass, and aluminum - and the exposed structure acquires relevance in the spatial and expressive configuration of the whole. In short, the project intends to denote its contemporary character without overlooking, in the first place, those permanent preoccupations of architecture: a place, a time, material, weather, and a specific way of inhabiting it.

Architects Estudio Irigoyen, Navarro Arquitectos

Location San José del Rincón, Argentina

Category Houses

Project Area 195.0 m2

Project Year 2012

Photographs Federico Cairoli