Mining and Metallurgy Heritage Centre - Café In Banca V2S architectes

2014-12-14 01:00

架构师提供的文本描述。班卡村位于巴斯克乡村(Pyrénées-亚特兰蒂斯，64岁)，位于阿尔杜兹山谷。

Text description provided by the architects. The village of Banca is in the Basque Country, (Pyrénées-Atlantiques, 64) in the Aldudes valley.

 © Julien Lanoo

朱利安·拉诺

这个村庄具有强烈的特性，由从圣蒂安·德巴伊戈里通往西班牙边界的地方公路交叉而过。在该村建立一个遗产中心，使班卡有机会通过突出当地矿场的历史吸引游客。

This village has a strong identity and is crossed by the local road leading from Saint Étienne de Baïgorri to the Spanish border. Building a heritage centre in the village gives Banca an opportunity to attract visitors by highlighting the history of the local mines.

 Ground Floor Plan

这一文化项目还包括建造一家咖啡馆，作为当地娱乐场所，333名居民期待已久，这是该村几年前关闭的最后一家酒吧。它将建在镇上的主要广场上。

This cultural project also includes building a café as local entertainment, long awaited by the 333 inhabitants as the last bar in the village closed a few years ago. It will be built in the town's main square.

 © Julien Lanoo

朱利安·拉诺

我们怎样才能在一个建筑特色很强的巴斯克小村庄里提出一个现代化的项目呢？通过重新诠释景观。班卡已被建造在山腰使用一系列梯田，切入比利牛斯的景观。石挡土墙是村庄形象不可分割的一部分。这个项目产生于适应土地的过程：一个石头基座，里面有固定的设计空间，接待处和咖啡厅架。咖啡厅的窗户俯瞰着风景，使它成为当地人和游客的灯塔。

How can we come up with a modern project in a small Basque village with very strong architectural identity? By reinterpreting the landscape. Banca has been built into the mountainside using a series of terraces, cutting into the Pyrenean landscape. The stone retaining walls are an integral part of the village's image. The project springs from this process of adapting to the land: a stone pedestal containing the set design space on which the reception and the café stand. The café windows look out over the landscape, making it a beacon for locals and visitors.

 © Julien Lanoo

朱利安·拉诺

该地点的主要限制因素是土地的下坡。班卡村紧靠着山腰，地块沿山长下降了三米。因此，我们的选择涉及整体利用景观和路堤的形状，沿着现有的大型挡土墙。另一个制约因素是班卡村的建筑形象，其特征是根深蒂固的巴斯克地域认同。

The site's main constraint is the downslope of the land. The village of Banca clings to the mountainside and the plot drops down three metres along its length. Our choice therefore involves total use of the landscape and the shape of the embankment, along a large existing retaining wall. The other constraint is the architectural image of the village of Banca, marked by a deeply-rooted Basque regional identity.

 © Julien Lanoo

朱利安·拉诺

这个项目需要能够结合当地的技术和现代风格，让每个人接受它。

This project needs to be able to combine local know-how and a modern style for everyone to accept it.

 © Julien Lanoo

朱利安·拉诺

目的是充分利用规范和这些约束。最高和最低点之间的3米高差让人想起一整层开槽进入土地，有一个低入口(博物馆的技术入口)和一个高入口(咖啡馆的公共入口)。这将符合规格，包括一个博物馆的当地矿山(因此不需要很多光)和咖啡馆，实际上需要看到，面向外。这个石座应该成为公共空间的一种实际延伸，由受保护的高地块、接待处和阳台上的景观视点组成。

The aim was to make the most of the specification and these constraints. The 3 metre height difference between the highest and lowest point calls to mind an entire storey slotted into the land, with a low entrance (technical entrance for the museum) and a high entrance (public entrance for the café).  This would fit the specification that includes a museum on the local mines (therefore not needing a lot of light) and a café that actually needs to be seen, facing outwards. The idea is that this stone pedestal should become an actual extension of the public space, sequenced by the protected high plot, the reception and the balcony viewpoint over the landscape.

 © Julien Lanoo

朱利安·拉诺

里面的大部分材料都是粗糙的。这是合适的质量突出的完成。“技术”房舍(厕所、电梯、厨房)被装在路堤边，完全用木头装饰，以优化咖啡厅和信息区的景观方面的自由空间。它保持着同样的精神，与材料有着密切的联系：展览内容直接印在木板上。信息层次结构的建立得益于印刷信息的材料的纹理(木材、有机玻璃、粘合剂)。

Most of the materials inside are left rough. It is the fitting quality that highlights the finishes. The "technical" premises (toilets, lift, kitchen) are packed on to the embankment side and entirely fitted out in wood, to optimise free space on the landscape side for the café and the information area. It maintains the same spirit, offering an intimate connection with the material: the exhibition content was printed directly on to the wooden panels. Information hierarchies were created thanks to the texture of the material on which the information is printed (wood, Plexiglas, adhesive).