© Willem Schalkwijk

c.Willem Schalkwijk

架构师提供的文本描述。自十八世纪以来，拉巴斯的城市布局一直保持不变。十九世纪初有了更大的发展，定义了类型学和形态学。目前，这是一个仍保留了相当一部分历史建筑、清醒和不断的例子的空间，远离大陆的主要城市和一般的与世隔绝，导致拉巴斯向波菲里亚时代的物理转变明显推迟，当时他受到迪亚兹驱动的阿非塞米安托的强烈影响。值得注意的是，在使用过火的隔墙方案、中间庭院和廊道的使用中，以及对服务的整体厌恶方面，这种趋势是值得注意的。这座城市以150码为分批的正交布局，定义了规模和规模，值得我们今天去欣赏，即使是每时每刻都有家庭细分。

Text description provided by the architects. Since the eighteenth century , the urban layout of La Paz remains constant. In the early nineteenth century had a greater development defined typology and morphology. Currently , it is a space that still retains a significant portion of its historic buildings , sobriety and constant examples sencillez.La remoteness from major mainland cities and isolation in general as a result had an apparent delay in the physical transformation of La Paz to the Porfirian era when he received a strong influence of afrancesamiento driven by Diaz. It should be noted this trend in the use of the overcooked septum schemes middle courtyard and verandas using flared at the ends , as well as aversion to services integrados.La orthogonal layout of the city in batches of 150 yards , which defined both the scale and the size are worth appreciating today , even with family subdivisions that look all the time.

 Lower Floor Plan

低层平面图

历史家园

The historic home

拉巴斯隔板位于波菲里奥·迪亚兹时代的住宅区，离木板路有六个街区，有三个海湾和一些附属设施(厨房和服务)，以及后来的一些因素让历史方案受到影响，所以第一件事是：取消建筑，使其不符合时代要求，以INAH授权的方式进行修复，根据雅典的信。

The house septum La Paz, located six blocks from the boardwalk, in a residential area of the era of Porfirio Diaz, has three bays and some annexes ( kitchen and service ) as well as some elements of later times lets affecting historical scheme, so the first thing was: rid the building of its anachronistic additions, to restore it in the manner authorized by the INAH, based on the letter of Athens.

 © Willem Schalkwijk

c.Willem Schalkwijk

在开始这项工作时，我们发现随着时间的推移，有着不同的用途：首先，住房是一所小学，最后变成了一家妓院。这些使用的图像是在记忆中创造的，并且仍然记得最近在房子里发生的一些暴行。事实上，为了让邻居允许我们修理隔壁的篱笆，我们只好派了一位女建筑师，却没有得到我们，谁在一个失眠的夜晚只讲述了承载着我们的回忆。

When starting this work we found that had different uses over time : first, housing was, then, a primary school and eventually became a brothel. Such uses an image created in memory and still remember some recent atrocities that occurred in the house . In fact, to ask the neighbor to allow us to repair the adjoining fence we had to send an architect woman, and did not get us, who narrated memories connoted only supports have heard in a sleepless night.

在修复主要走廊时，不仅是井和原来的厨房，而且老黑板显然是30多岁的学龄儿童。此外，我们亦尽力恢复街道原有的物业精神。因此，我们建议购买一批丢失的，我们，以及例外的罗望子。不幸的是，这是街区上的最后一栋房子仍然有这些功能，但为了恢复它唤起了以前邻居的记忆。

When restoring the main corridors were not only the well and the original kitchen, but the old blackboards thirties obviously belonging to school age. In addition, we did our best to restore the original spirit of the property in respect of the street. Thus, we proposed to buy a batch that had been lost, which we, along with exceptional tamarind. Unfortunately it is the last house on the block that still has these features, but to restore it evoked the memory of former neighbors .

 Section BB

BB节

新的空间需要综合要素：住宅用途和办公空间，它决定将功能划分为几个部分，以便在不同地区和建筑主题之间建立亲密关系。

The new space required composite elements : residential use and office space, it determined that the functions were divided into sections to create intimacy between the different areas and architectural themes .

 © Willem Schalkwijk

c.Willem Schalkwijk

旧的办公室或律师事务所的建筑被保留下来，然后厨房和门厅也开始了，他们和住在一起的人共用了这个。为了提供动力，路径是在现有痕迹的基础上恢复的，用手掌武装它。这一概念扩展到新的海湾，以便统一使用形态-同时也为当代的附件设计了第二级空间游戏，作为驱动连接，主卧室位于底层，服务位于顶层，有助于为边界提供独立出入的缓冲。

The old building for offices or law firms are retained, then the kitchen and foyer, which use shared this with the stay was also started . To give drive, the path is restored based on existing traces, arming it with palm. This was extended to the new bay in order to give unity both use morphology also a second level for contemporary annex was designed with space game and, as a driving link, the master bedroom is located on the ground floor and services at the top end, which helps cushion the boundary with independent access.

花园地板上出现了一个水池，作为雕塑遗迹，唤起了那个时代房屋服务的古老低谷。

There is a pool emerging from the garden floor as sculptural remnant, evoking the ancient troughs of the services of the houses of the period .

 © Willem Schalkwijk

c.Willem Schalkwijk

在这个项目中，产生了关键材料，如退火红砖，以及空间的比例。分区-特别是他的红色-充当了一个活页夹和独特的主题类型学单元。

In this project resulted critical materials such as annealed red brick, and the proportions of the spaces . The partition - particularly his red- served as a binder and unique theme typological unit.

他们的想法不是切断隔膜，而不是用传统的方式，而是用不同的方式来定义每个空间的个性。它是一种尊重历史建筑的隔断类型，但插入了现代设计元素和地方材料。

The idea was not to cut the septum and not use the traditional way, but do it in different ways to define the personality of each space. It was the type of partition respect the historic building, but inserting elements of contemporary design and local materials.

 © Willem Schalkwijk

c.Willem Schalkwijk

由于材料的严格组合，在比例和表达上都适当使用，导致了这种创造性的锻炼，在不同的纹理和形状之间进行塑料旅行，通过基于颜色的审美刚性丰富了对话，这种对话在时间上传播，扰乱了不同的记忆元素。

The result of the strict combination of materials, with proper use, both in proportion and expression, resulting in this creative exercise a plastic travel between the different textures and shapes, enriched by aesthetic rigidity as based on color a dialogue that travels in time, upsetting the different elements of memory.

 © Willem Schalkwijk

c.Willem Schalkwijk

Architects TAC Taller de Arquitectura Contextual

Location La Paz, Mexico

Category Renovation

Architect in Charge Alejandro D’acosta Lopez, Claudia Turrent Riquelme

Collaborator Miguel Angel Cuesta Ortega

Area 196.0 sqm

Project Year 2009

Photographs Willem Schalkwijk