© Damien Jacob

达米恩·雅各布

架构师提供的文本描述。当我们参观这个地方的时候，因为在那里部署了1500画廊和他的办公室。我认为这个项目应该利用现有的建筑、坚固的结构、你的楼板和现有的材料。建在高山之上，除了楼梯外没有通道，狭窄的道路不是一件容易的事情，所以施工技术必须是社区和形式相同的，空间和过程可能会带来一些不同。因此，诞生了该项目的核心概念；对其上升的条件的解释。

Text description provided by the architects. When we visited the place, since the prospect of deploying the Gallery 1500 and his office in there. I had the perception that the project should make use of the existing building, its solid structures, your slab and the existing materials. Build on top of a high hill, with no access besides the stairs and narrow allays is no easy task, so the construction technique had to be the same used by the community and the form, the space and process could bring some difference. Thus was born the core concept of the Project; interpretation of the condition for its upcicling.

 © Damien Jacob

达米恩·雅各布

在松开支撑区的地面后，我们拆除了二楼现有的墙壁，以使空间与画廊保持一致，从现有的一步开始，我们选择采用容量与流通相结合的方式进入三楼及其屋顶。在画廊的新楼板天花板上，用倒置的混凝土梁建造了​​，建造了露台的甲板和突出在景观和树林中的体积，用窗户将它们固定起来。

After releasing the ground for support areas, we dismantled the existing walls of the second floor to conform the space to the art gallery and, starting from an existing step, we chose to embrace the volume with the circulation to access the third floor and its roof. Over the new slab ceiling of the gallery, made ​​with inverted concrete beams, built the deck of the terrace and the volume that protrudes into the landscape and into the woods, framing them with their windows.

作为一种视觉连接地板的方法，打开画廊和办公室之间的隔阂，用马卡兰杜巴木处理整个循环的关闭，通常用作混凝土板的支撑锚，并用淡灰色墨水涂上整套。

As a way to visually connect the floors, opened up a gap between the gallery and the office, treat the closure of the entire circulation with maçaranduba wood, commonly used as support anchors for concrete slabs and painted the whole set with light gray ink.

 © Damien Jacob

达米恩·雅各布

Architects Rua Arquitetos

Location R. Babilônia , Rio de Janeiro - RJ, 20511-150, Brazil

Category Gallery

Architect in Charge Pedro Évora

Co-author Pedro Rivera

Staff Carina Batista, Mariana Albuquerque

Area 230.0 m2

Project Year 2014

Photographs Damien Jacob