The project involved the restoration of the front building Pacaembu Stadium, which opened in 1940. © Nelson Kon

该项目涉及修复1940年启用的Pacaembu体育场前建筑。(Kon)

架构师提供的文本描述。在圣保罗的Pacaembu市体育场的北看台下安装的保罗马查多德卡瓦略足球博物馆庆祝这项运动，这项运动已成为巴西最著名的表现之一。将建筑、展览设计和策划结合起来，展示足球是如何帮助形成国家身份的，同时也是受到民族文化影响和加强的。博物馆于2008年9月开放，占地面积6900平方米，位于查尔斯米勒广场前。

Text description provided by the architects. Installed under the north stands of the Municipal Stadium Paulo Machado de Carvalho - the Pacaembu in Sao Paulo - the Football Museum celebrates the sport that became one of the best known Brazilian manifestations. Architecture, exhibition design and curation are integrated to show how football helped form the identity of the country and at the same time, was influenced and enhanced by the national culture. Opened in September 2008, the museum covers an area of 6 900 square meters in front of the Charles Miller Square.

 Suspended by steel rods, a wooden walkway installed on the monumental gateway connects the two halves of the route and promotes a dialogue with the external space, Charles Miller Square. © Nelson Kon

悬挂在钢棒上的一条木制走廊安装在这条巨大的通道上，连接着路线的两部分，并促进了与外部空间查尔斯·米勒广场的对话。(Kon)

体育与文化之间的关系自20世纪初开始存在于Pacaembu社区。美国中央情报局(CIA City)雇佣的英国城市规划师巴里·帕克(Barry Parker)考虑到了法国总统约瑟夫·布瓦德(Joseph Bouvard)的评论，认为叛军的石窟不适合住在房子里，因为山谷的比例太好了-山坡似乎是为看台量身定做的-因此，中央情报局(CIA City)聘请了一位英国城市规划师来设计这个街区。

The relationship between sport and culture is present in the Pacaembu neighborhood since its inception in the early decades of the twentieth century. Barry Parker, the English urban planner hired by Cia City to design the neighborhood along the lines of a garden city, took into account the comments of his French counterpart Joseph Bouvard and suggested that the rebel grotto, unsuitable for occupation with houses, were used to house a stadium, as the valley proportions were so perfect for this - the side slopes seemed tailor-made to house the stands.

 Independent activities allocated on the threshold between the Museum building and the square attract new patrons to the site previously underutilized despite its 30 thousand square meters. © Nelson Kon

在博物馆大楼和广场之间的门槛上分配的独立活动吸引了新的赞助者来到这个以前利用不足的场地，尽管它有3万平方米。(Kon)

Severo Villares为Pacaembu体育场设计，并尊重土地的地形，突出了集体使用空间的趋势。在体育场前，一块3万平方米的地块被预留给一个广场-多年来，由于重视个人交通而损害车队利益的公共政策，该广场成了一个停车场。

The Severo Villares design for the stadium of Pacaembu, and respect towards the topography of the land, underlines the tendency of that space for collective use. In front of the stadium, a plot of 30 thousand square meters was reserved for a plaza - which, over the years and due to public policies that value individual transport to the detriment of the team, became a parking lot.

 In the entrance hall, is clearly one of the biggest operations of the project: the removal of walls, slabs, beams and columns so that the original structure of the stadium was visible. Thus, the architecture has become an integral part of the museum experience. © Nelson Kon

在入口处，显然是该项目最大的运作之一：拆除墙壁、板、梁和柱，使原体育场的结构清晰可见。因此，建筑已经成为博物馆体验不可或缺的一部分。(Kon)

在提出在体育场前，面向广场的建筑中安装足球博物馆时，建筑设计将世纪初城市工程的意图连接起来，并将它们的财产归还给集体使用。博物馆的几项独立活动，如礼堂、酒吧和商店等，分布在建筑物的工地上，赋予了纪念性廊道画廊新的意义，并邀请游客留在这一空间。因此，博物馆成为公共空间再生的工具，因为它吸引了人们。如果这种吸引力不是与巴西最具影响力的文化活动之一足球直接相关的话，这种质量可能是不可能的。

In proposing the installation of the Football Museum in the building in front of the stadium, facing the square, the architectural design connects the intentions of the urban project at the beginning of the century and redeem their properties for collective use. Distributed on the site of the building, several independent activities of the Museum, such as an auditorium, a bar and a shop, give new meaning to the monumental portico gallery and invite visitors to stay in that space. Thus, the Museum becomes an instrument of regeneration for public space, as it attracts people to it. And this quality would probably not be possible if the appeal were not so directly connected to one of the most powerful Brazilian cultural events, football.

2013年，在博物馆空间内，巴西足球参考中心向公众开放。这一地区负责刺激足球博物馆的内容，与图书馆和媒体图书馆，参考中心也是一个项目设计的毛罗蒙霍兹建筑。

In 2013, within the museum space, the Brazilian Football Reference Center was opened to the public. This area is responsible for stimulating the Football Museum's contents, with a library and media library, the reference center is also a project designed by Mauro Munhoz architecture.

 Suspended by steel rods, a wooden walkway installed on the monumental gateway connects the two halves of the route and promotes a dialogue with the external space, Charles Miller Square. © Nelson Kon

悬挂在钢棒上的一条木制走廊安装在这条巨大的通道上，连接着路线的两部分，并促进了与外部空间查尔斯·米勒广场的对话。(Kon)

Architects Mauro Munhoz Arquitetura

Location Estádio Municipal Paulo Machado de Carvalho, São Paulo - São Paulo, 01234-010, Brasil

Category Museum

Project Architect Mauro Munhoz

Co-authors Daniel Pollara e Paula Bartorelli

Project Team Laércio Monteiro, Guilherme Zoldan, Paula Thyse, Vivian Santinon, Mariane Bona, Renata Swinerd, Lais Delbianco, Luiz Henrique Ferreira, Eloise Amado, Suzana Barboza, Sarah Mota Prado, Carolina Maihara, Pedro Simonsen e Luis Felipe Bernardini

Project Area 6900.0 m2

Project Year 2008

Photographs Nelson Kon