Courtesy of Stufish Entertainment Architects

Stufish娱乐建筑师提供

架构师提供的文本描述。斯塔菲斯娱乐建筑师已经完成了2000座，现场娱乐韩剧剧院在武汉，中国。这座最先进的剧院是为了容纳著名的戏剧导演佛朗哥·德拉戈的全新戏剧表演、杂技水上奇观“韩剧”而建造的。

Text description provided by the architects. Stufish Entertainment Architects has completed the 2,000 seat, live entertainment Han Show Theatre in Wuhan, China. The state-of-the-art theatre has been purpose-built to house the brand new theatrical, acrobatic water spectacle, ‘The Han Show’, by renowned theatre director Franco Dragone.

 Courtesy of Stufish Entertainment Architects

Stufish娱乐建筑师提供

汉剧剧院的设计是基于中国传统的纸灯笼，因此它的绰号是“红灯”。其目的是重建一个立即被识别和标志性的中国符号，其美学包覆覆盖了剧院雄心勃勃的礼堂和飞行塔。

The Han Show Theatre’s design is based on the traditional Chinese paper lantern – hence its nickname ‘The Red Lantern’. The intent was to recreate an instantly recognisable and iconic Chinese symbol with the aesthetic cladding that covers the theatre's ambitious auditorium and fly tower.

斯图菲什的概念图现在已经成为现实，因为传统的竹制纸灯笼上层建筑被重新诠释，八个相交的钢管环，悬挂在剧院飞行塔的轨道上。纸表面是通过一系列的最小表面电缆网，悬挂和张拉在由相交环产生的梯形空隙晶格内。

Stufish’s concept drawings have now come to life as the traditional bamboo superstructure of a paper lantern is reinterpreted with eight intersecting tubular steel rings, suspended in orbit around the theatre fly tower. The paper surface is suggested through a series of minimal surface cable nets, hung and tensioned within the lattice of trapezoidal voids generated by the intersecting rings.

 Courtesy of Stufish Entertainment Architects

Stufish娱乐建筑师提供

18，000个索网结构节点中的每一个都支持一个红色凹形铝盘，这是仿照汉代的一件古老的符号性艺术品-毕盘-出现的。灯笼灯是由一个圆形阵列红色LED在每个圆盘的中心，照亮酒窝，凹面。每个磁盘上的灯被分成四个四分之一区域，每个分区使用DMX控件单独寻址。由此产生的照明系统可以在其表面承载大约600×120像素的视频图像。

Each of the 18,000 cable net structural nodes supports a red concave aluminium disk, modelled on the appearance of an ancient symbolic artefact, the Bi disk, from the Han Dynasty. The lantern light is enabled by a circular array of red LEDs at the centre of each disk that illuminate the dimpled, concave surface. The light across each disk is split into four quarter zones, each individually addressable using DMX control. The resultant lighting system can host a video image of approximately 600 x 120 pixels across its surface.

在建筑物的底部，斯塔菲斯代表了灯笼的流苏，讲台上纤细的支撑柱和垂直的黄金熔块应用在周边的玻璃上。平台屋顶的轮廓是由偏移底部边缘的灯笼的交叉环几何形状。它的目的是唤起中国传统屋顶形式的弯曲轮廓。

At the base of the building Stufish have represented the lantern’s tassels with the podium's slender support columns and vertical gold fritting applied to the perimeter glazing. The podium roof profile is generated by offsetting the bottom edge of the lantern’s intersecting ring geometry. It is intended to evoke the curving profile of traditional Chinese roof forms.

整个设计，无论是内部还是外部，都有三个基本和独特的性能特征：可移动的礼堂座位、1000万升的性能池和三个可移动的LED屏幕，这些屏幕被设计成世界上最大的。

The entire design, inside and out, was informed by three essential and unique performance features: moveable auditorium seats, a 10 million litre performance pool, and three moveable LED screens which were designed to be the largest in the world.

 Courtesy of Stufish Entertainment Architects

Stufish娱乐建筑师提供

可移动的座位允许剧院在演出期间改变形状和结构。虽然观众在传统的舞台设置中开始了观看体验，但最终1000多个较低的座位平稳地向左和右摆动，前1000个座位滑落到主平面。

The moveable seats allow the theatre to change shape and configuration during the show. Though the audience begins their viewing experience in the traditional proscenium setup, eventually the lower 1,000 seats smoothly swing open to the left and right, and the top 1000 seats slide down to the main level.

所有这些动作都揭示了一个10米深的表演池，也是韩剧最精彩的特色之一。在其盆地内，一系列的湿/干升降机覆盖着穿孔的杂技地板，以壮观的进出水特技。

All this movement reveals a 10-metre deep performance pool, and one of the most fantastic features of The Han Show. Within its basin, a series of wet/dry lifts are covered in perforated acrobatic flooring for spectacular in and out of water stunts.

在最初的设计过程中，Stufish开始设计世界上最大的可移动LED屏幕(225平方米)，以增加更多的视觉刺激和杂技机会。这些巨大的LED屏幕安装在三个机器人臂上，安装在后台柱上。每个屏幕6.5x11米，每个机器人手臂有六个运动轴。

Early in the design process, Stufish set out to design the world’s largest moveable LED screens (225 sqm) to add further visual stimulation and acrobatic opportunities. These enormous LED screens are mounted on three robot arms, which are fixed to backstage columns. Each screen is 6.5 x 11 meters and each robot arm has six axis of motion.

 Courtesy of Stufish Entertainment Architects

Stufish娱乐建筑师提供

斯塔菲斯建筑师詹妮·梅尔维尔在解释让所有建筑元素都正确的重要性时说：“观众席独特的视觉和展示需要巨大而复杂的设计集成。整个建筑方案必须专门为礼堂及其周围进行配置，同时也要安装在受限制的城市场地内。“

Explaining the importance of getting all architectural elements right, Stufish architect Jenny Melville said: “The unique vision for the auditorium and show required vast and complex design integration. The entire building programme had to be configured specifically for and around the auditorium whilst also fitting within a constrained urban site. "

位于东湖上的汉剧剧院是大连万达集团“武汉中心文化区”开发的西部主播，这是一个为武汉六个湖泊提供水道连接的全市项目。文化区包括一个项目，包括办公室，住宅，文化建筑和购物中心沿2公里的运河边的地点。在东面，该地区被斯图弗斯最近建成的另一座建筑“万达电影公园”(Wanda Movie Park)所锚定，该公园俯瞰着沙湖。

Located on Donghu Lake, The Han Show Theatre is the western anchor of client Dalian Wanda Group’s 'Wuhan Central Cultural District' development – a city-wide programme to provide waterway connections between Wuhan's six lakes. The Cultural District includes a programme of offices, residential, cultural buildings and shopping malls along a 2km canal-side site. To the east, the district is anchored by Stufish’s other recently completed building, the Wanda Movie Park, which overlooks Shahu Lake.

 Courtesy of Stufish Entertainment Architects

Stufish娱乐建筑师提供

值得注意的是，斯图弗斯在2010年接手了这个项目，当时马克·费舍尔还活着。费舍尔和他的团队与客户紧密合作，设计了一座可行的建筑，同时设计了他们对创新技术和令人兴奋的奇观的愿景。然而，费舍尔在2013年去世，离项目完成还有一年半的时间。因此，韩剧剧院和万达电影公园的推出，对设计工作室来说是一项重大而感伤的成就。Stufish首席执行官雷·温克勒(RayWinkler)评论说：“马克·费舍尔(MarkFisher)为斯图菲什的发展奠定了坚实的基础。他创造性的解决问题的方法，以及他愿意与工作室里有才华的建筑师和设计师们分享他的见解，使我们有了探索未被探索的东西的动力和能力。“

Notably, Stufish took on the project in 2010, when Mark Fisher was still alive. Fisher and his team worked closely with the client, designing a viable building alongside their vision of innovative technology and exhilarating spectacle. However, Fisher passed away in 2013 – a year and a half before the projects’ completion. As such, the launch of The Han Show Theatre and Wanda Movie Park is a significant and sentimental achievement for the design studio. Stufish CEO Ray Winkler comments, “Mark Fisher has laid solid foundations for Stufish to move forward and go from strength to strength. His creative approach to problem solving and his willingness to share his insights with the team of talented architects and designers in the studio, has given us the motivation and ability to explore the unexplored.”

 Courtesy of Stufish Entertainment Architects

Stufish娱乐建筑师提供

Architects Stufish Entertainment Architects

Location Wuhan, Hubei, China

Category Theater

Project Year 2014