© José Campos

(JoséCampos)

架构师提供的文本描述。康复是一个医学术语，它是指以人的身心再生为导向的动态的全球过程。在建筑学中，与关键过程相关联的是寻找必要的要素，这些要素必须被移除，而新的要素、假肢可能会增加。这种干预遵循两种选择：一是模仿过去的考古恢复，二是与当前现实相比较的当代说法。目标是在现有和当代之间寻求平衡。这座建筑是在70年代设计的，有一些我感兴趣的特色，它影响了新元素的设计。我认为建筑物不是静态的元素，而是生活的结构，在我们身上相互作用，是体验的一部分，无论是在程序层面还是在它的审美表达上。

Text description provided by the architects. Rehabilitation is a medical term that refers to the dynamic global process oriented to physical and psychological regeneration of the human being. In architecture is associated with the critical process to find the essential elements which are to remain, those that must be removed and new ones, prostheses, which may be added. This intervention follows two options: the archaeological recovery by mimesis with the past and the contemporary statement by comparison with present realities. The goal was to search for a balance between existing and contemporary. The building was designed in the 70s and has features that I was interested in keeping and which influenced the design of the new elements. I perceive the buildings not as static elements but as living structures that interact over us and that are part of the experience both at the program level or its aesthetic expression.

 © José Campos

(JoséCampos)

这里没有梦幻般的灵感。这个过程很少是线性的，最终的设计是项目的几个时刻与客户之间的几个交叉点的结果。

Here there isn’t a dreamlike inspiration. The process is little linear and the final design is the result of several moments of the project with several intersections with the client.

 Axonometric

新结构的基本方面是对舒适的关注，无论是在露台上还是在休息室空间上。木材是一种从一开始就出现的材料，非常依附于寻找与周围环境的关系，甚至与位于你身边的树的关系。该建筑力求找到土地和周围的平衡和谐的方式，同时坚持他的个性和他的性格，创造了一个创新的空间建议。这是肯定旅游产品新价值建筑有效性的关键挑战。

The fundamental aspect of the new structure is the concern for comfort, both on the terrace and lounge space. The wood was a material that emerged from the very first moment, very attached to a search for a relationship with the nearby surroundings, even with the tree that is located on your side. The building seeks to find the land and the surrounding in a balanced and harmonious way while asserting his personality and his character, creating an innovative space proposal. That was the key challenge to affirm the architectural effectiveness in finding a new value for the tourism product.

 © José Campos

(JoséCampos)

在二三十年代，业界对这位建筑师以及能够共同建设的可能性感到非常兴奋。今天，这个行业是背靠背的，对创新的解决方案不感兴趣，对标准解决方案的重复更感兴趣。这种情况迫使架构师经常面对目录、标准选择和无法得出解决方案。只要有可能，我们就努力与工业界、承包商、木匠、锁匠或石匠建立桥梁，共同创造解决方案。在这种情况下，屋顶是一个双曲面制成的木材，一个几何，允许大跨度与较少的材料，以及连接处都在不同的距离。遮阳网格是专门为这座建筑设计的。混凝土允许控制台向池6米。

In the 20s and 30s, the industry was thrilled with the architect and with the possibilities that could build together. Today the industry is back to back, uninterested in innovative solutions and more interested in the repetition of standard ones. This situation forces the architects to be constantly faced with catalogs, standard choices and unable to draw solutions. Whenever we can, we try to build bridges with industry, with contractors, with the carpenters, locksmiths or masons, to create solutions together. In this case the roof is a hyperboloid made in wood, a geometry that allows great spans with less material, and where the joints are all at different distances. The shading grids were designed specifically for this building. Concrete allows the console 6 meters towards the pool.

 Floor Plan

我们总是在材料的选择上非常，非常小心。环境的空间分布和舒适性是以光的重要性来设计的，材料是​​空间思想的基础。这一方法的另一个例子是里斯本海洋馆的延伸，它的正面瓷砖是专门为这座建筑设计和开发的，它在室内和外部的灯光设计和氛围中起着根本性的作用。

We always tried to be very, very careful with the choice of materials. The spatial distribution and comfort of the environment is designed in such a way that the light has great importance, and the materials are essential to this idea of ​​space. Another example of this approach is the Extension of the Lisbon Oceanarium, where the ceramic tile of the facade, which was designed and developed specially for this building, has a fundamental role in the light design and ambiance both in the interior and exterior.

 © José Campos

(JoséCampos)

Architects Pedro Campos Costa

Location Tavira, Portugal

Category Renovation

Design Team Pedro Campos Costa, Verónica de Mello, Silvia Bechi, Giulia Castelarin, Werner Peruzzo, Nuno Pereira , Ana Isabel Fernandes, Gonçalo Pacheco, Katarzyna Augustyniak e Daniela Figueiredo

Photographs José Campos